Niall Naessens,(b.1961) Twelve Bens IV Etching, 4

(American, 1834-1903) etching, 1862, signed in plate l.r. part of the "Twelve Etchings from Nature" series Overall: 13-1/2"h x 16-1/4"w Sight: 6-1/2"h x 9-1/4"w Literature: Kennedy 17, iv/V

Samuel Manasseh Ben Israel (1636) Etching Later impression H.: 4 3/4" W.: 4 1/8" Bartsch 269, White & Boon B269 Provenance: Collection d'Arenberg (Brussels and Nordkirchen, Westphalia); Charles Blanc

Kathe Kollwitz (German 1865-1945)- 1). ''Weberzug'' (Klipstein 32 ivb/IV)- etching, 1897, von der Becke blindstamp lower right, 2 spots in sky where paper is abraded. 8 1/2 x 11 5/8'' 2). ''Ende'' (K.

(American, b. 1970) dated 1996, signed "Ben Edwards Panorama IV 1996" on verso, on a wood which is covering the back of the stretcher. Sight size: 39-3/4"h x 39-3/4"w, overall 49"sq.

Shahn, Ben (American-Lithuanian, 1898-1969). "Frederick Douglass, I-IV." 1965. Group of 4 serigraphs in original portfolio, as issued. Edition 139 of 250. Signed and editioned in conté crayon, l.l. P

Ben Nicholson (British,1894-1982) Print. Title - Urbino. Original etching print Urbino III 1965/1966. Etching. Signed and dated 66, also signed with edition 44/50. Impression measures 8.4 inches high,

Salvador Dali (1904-1989) Judah, from Twelve Tribes of Israel, 1972 Etching in colors on Rives BFK paper 19-3/4 x 25-5/8 inches (50.2 x 65.1 cm) (sheet) Ed. 147/195 Signed and numbered in pencil along

Salvador Dali (1904-1989) Simon, from Twelve Tribes of Israel, 1972 Etching in colors on Rives BFK paper 25-5/8 x 19-3/4 inches (65.1 x 50.2 cm) (sheet) Ed. 147/195 Signed and numbered in pencil along

Salvador Dali (Spanish, 1904-1989) Don Quichotte etching on japon signed and numbered IV/XXV in pencil 20 1/4 x 15 1/2 inches.

DAVID BEN-GURION; MOSHE DAYAN, two sepia color etchings on Japan paper, each signed and numbered VI/XXV (6/25) & XIV/XXV (14/25) in pencil, images 6 ¾ x 5” & 6¾ x 4 ¾”, full

William IV Rosewood and Parcel-Gilt Console with a Fossilized Marble Top Fitted with a mirror back plate. 39 1/2 x 4 ft. 4 1/2 in. x 14 1/2 in. The Neoclassicist: Niall Smith

Pablo Picasso (1881-1973) Le repos du sculpteur IV, pl. 65, from La Suite Vollard, 1933 Etching on laid paper. Vollard watermark 7-1/2 x 10-1/2 inches (19.1 x 26.7 cm) (image) 13-1/4 x 17-1/

Late George IV Carved Goncalo Alves Work Table Fitted with one drawer with compartments, raised on casters. 30 1/4 x 26 3/4 x 18 1/2 in. The Neoclassicist: Niall Smith

Set of Twelve Lebeuf, Milliet & Cie Transfer Printed Plates Impressed and printed marks. 8 1/4 in. diam. The Neoclassicist: Niall Smith

Late William IV Carved Mahogany Center Table Raised on casters. 29 3/4 x 4 ft. 1 in. diam. The Neoclassicist: Niall Smith

COLLECTION: Untitled, two of the same image, each a color etching, signed and numbered 65/90 & 44/90, plates 6 x 4 ½”, sheets 13 x 10”; Untitled, three color aquatints, each signed

Small Silent Siena Etching Edition # 40 / 50 H. 12 1/2" W. 10 3/4"

Exquisite Twelve 4 Piece Gorham Decor Sterling Silverware circa 1953, plus 12 extra teaspoons, 7.5 pounds in total weight, 60 pieces total which includes 12 dinner knives, 12 dinner forks, 12 salad fo

A suite of Venetian spiral lattice glass20th centuryComprising twelve 4 1/2in glasses; eleven 4 1/4in glasses and twelve 4in glasses. (35)

Set of twelve 4 3/8"L sterling demitasse or salt spoons, each having a shallow leaf form bowl and a naturalistic handle with berries and leaves, marked "S. Kirk & Son Co. 925 / 1000"; good condition--

A suite of Moser gilt heightened glassware in the Splendid (Gold) pattern20th centuryComprising eleven 8 5/8in water goblets, eight 8 1/4in flutes and twelve 4 1/2in tumblers, etched factory mark. (31

Twelve 4 piece place settings; Also includes twelve soup spoons, twelve butter knives, two piece carving set, two serving spoons, slotted spoon, serving fork and ladle; Total weight is approximately 1

Costa Rica Type IV C/S 4 Reales on Bolivia 4R NGC AG3

GEORGE ELBERT BURR Longs Peak-Estes Park, No. 4. Etching and drypoint, circa 1915-20. 247x194 mm; 9¾x7 inches, full margins. Signed in pencil, lower left. A superb, richly-inked impression of thi