Rembrandt van Rijn (1606-1669) Christ and the Woman of Samaria among Ruins [final state (of 5)]

Rembrandt van Rijn (1606-1669)Christ and the Woman of Samaria among RuinsEtching, circa 1634, a heavily inked black impression of New Hollstein's third state (of five), on laid paper without watermark

After Rembrandt van Rijn (Dutch, 1606-1669) Christ and the Woman of Samaria: Among Ruins. Etching, signed in the plate Sight: 4.75" x 4.75" Frame: 10.5" x 10"

Rembrandt van Rijn (1606-1669) "Christ and the Woman of Samaria" 1658 Medium: Etching and drypoint, some plate tone; third of five states Dimensions: Sheet (Trimmed ): 4 13/16 × 6 1/4 in. (12.3 Ã

"Christ and the Woman of Samaria Among Ruins" (B., Holl 71: H. 122). Signed in the plate upper right. Dated 16/34. From the Millennium Edition. Etching. Measuring 5" by 4". Framed under Plexiglas. (Co

Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669) Christ and the Woman of Samaria etching and drypoint 4 3/4 x 6 inches. Literature: Hind 294 Provenance: Merrill Chase Galleries

Rembrandt van Rijn (1606-1669)Woman Bathing her Feet at a BrookEtching and drypoint, 1658, but a later impression of New Hollstein's final state (of two), on thick cream laid paper without watermark,

Rembrandt van Rijn (1606-1669)The Landscape with the CowEtching, circa 1650, but a later impression of New Hollstein's final state (of 5), on cream laid paper without watermark, platemark 105 x 130 mm

Rembrandt van Rijn (1606-1669)The Pancake WomanEtching, 1635, a good but later impression of New Hollstein's final state (of seven), printing with plate tone on cream laid paper without watermark, pla

Continental, 17th century (c.1634). A partially dry point etched scene on lined paper measuring about 4.75 x 4 inches. Overall good condition, no watermark or signature present. Possibly New Hollstei

“Christ and the Woman of Samaria: Among Ruins”. B., Holl. 71; H. 122; BB 34’L. Signed and dated 1634 in the plate u/r. Etching on Ingres d’Arches off-white laid paper with watermark. From the

Etching and drypoint. New Hollstein's fourth's state (of 5), with a trace of the delicate horizontal line across the spire upper right. 1657 125x160 mm; 5x6 1/4 inches, narrow margins. Bartsch 70; New

Rembrandt van Rijn (1606-1669)La Négresse Couchée [Nude woman lying down]Etching with drypoint and engraving, 1658, but a later impression of the final state (of six), on thick cream laid pa

van Rijn, Rembrandt Harmensz (1606-1669). "Three Oriental Figures" (Jacob and Laban?) 1641. Etching with drypoint. New Hollstein's second (final) state. Harris 118. Plate: 5 3/4" x 4 1/2" Visible Imag

REMBRANDT VAN RIJN (1606-1669), ETCHING & DRYPOINT, 4TH & FINAL STATE, H 4", W 6", "THE ANGEL DEPARTING FROM THE FAMILY OF TOBIAS":Plate signed and dated 1641; framed; references: B., Holl.. 43; H. 18

Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out wat

Rembrandt van Rijn (1606-1669)Self-Portrait in a Flat Cap and Embroidered DressEtching, circa 1642, an excellent early impression of New Hollstein's final state (of three), with minor signs of wear, o

Rembrandt van Rijn (Netherlands, 1606–1669) . Christ Healing the Sick, Etching. B74; Second State, trimmed to plate; Tear on top edge and folds on sheet reparied on verso. 11 3/8" x 15 3/4".

Rembrandt van Rijn (1606-1669)Christ Driving the Money Changers from the TempleEtching with drypoint, 1635, a good but later impression of New Hollstein's fourth state (of four), on laid paper without

Rembrandt van Rijn (1606-1669)Bearded Man in a Furred Oriental Cap and Robe: The Artist's FatherEtching, 1631, a very good impression of New Hollstein's final state (of five), on laid paper without wa

Rembrandt van Rijn (1606-1669)Christ seated disputing with the doctorsEtching with touches of drypoint, 1654, a good but later impression of New Hollstein's second state (of two), on cream laid paper

Rembrandt van Rijn (Netherlands, 1606–1669) . Old Woman Sleeping , Etching, 1635. B350, only state; Phillips June 1994; Adhered to archival board; Trimmed to plate . 2 13/16" x 2 1/8".

Rembrandt van Rijn (1606-1669)Pharisees in the Temple (Jews in the Synagogue)Etching and drypoint, 1648, but a later impression of New Hollstein's final state (of nine), on cream laid paper without wa

Rembrandt van Rijn (1606-1669)The Baptism of the EunuchEtching with touches of drypoint, 1641, but a later impression of New Hollstein's final state (of four), on laid paper without watermark, platema

Rembrandt van Rijn (1606-1669)A Scholar in his Study ('Faust')Etching and drypoint, circa 1652, but a later impression of New Hollstein's final state (of seven) on cream laid paper without watermark,