REMBRANDT VAN RIJN ETCHING AND DRYPOINT, 1630

[Prints] Rijn, Rembrandt van (Dutch, 1606-1669). Bust of a Man Wearing a High Fur Hat [the Artist’s Father?]. 1630. Etching and drypoint on cream laid paper. Signed and dated in u.r. Sheet: 3 1

Twenty First century. Drypoint etchings. “Bust of a Man Wearing a High Cap; Three-Quarters Right 1630” and "The Artist's Mother with her Hand on her Chest: Small Bust". Printed on “I

REMBRANDT VAN RIJN (1606-1669), ETCHING & DRYPOINT, 4TH & FINAL STATE, H 4", W 6", "THE ANGEL DEPARTING FROM THE FAMILY OF TOBIAS":Plate signed and dated 1641; framed; references: B., Holl.. 43; H. 18

"Jews in the Synagogue", 1646 etching and drypoint on laid paper. [Overall: 2 13/16" x 5 1/16"]. Possibly second state (of three). Signed in the plate, just above the shoulder of the figure with cane

After: Rembrandt Van Rijn, Dutch (1606-1669) Etching Drypoint and Engraving "Jan Cornelis Sylvius, preacher" Circa 1816, London. Measures 16-3/4" H x 5-3/4" W, frame measures 12-1/2" H x 11-1/2" W. Co

Rembrandt Van Rijn (1606-1669 Netherlands) etching and drypoint "Adoration of the Shephards: A Night Piece" circa 1652. Bequest of John Bass to the Bass Museum of Art collection. Image size measures 6

Rembrandt van Rijn, Dutch, 1606-1669. Etching with drypoint on laid paper, titled "The Raising of Lazarus" (Small Plate). Chain lines with Crown and Shield watermark having "AM" initials mid image, be

Rembrandt van Rijn, Dutch, 1606-1669. Etching with drypoint on laid paper, titled "Self Portrait Leaning on a Stone". Signed "Rembrandt" and dated "1639" in the stone upper left, bears chain lines und

Rembrandt Van Rijn Etching, "La Negress Couche, " 1658, etching, drypoint and engraving on laid paper, signed in the plate. Catalogue Raisonne: Bartsch 205. Matted and framed. Dimensions: 3.2

Rembrandt Van Rijn, "Pharisees in the Temple" etching and drypoint on laid paper. Partial watermark; Haewood 1366. Signed and dated in the plate upper center Rembrandt.f. 1648. Catalog: Bartsch, Holls

Rembrandt Van Rijn "Self Portrait Drawing at Window" Etching & Drypoint. Signed Rembrandt F. 1648. Measures - 7 1/2" high x 6" wide, + 3 1/2" frame. Birkland, Usticke's, White and Boons estates.

REMBRANDT VAN RIJN (Dutch, 1606-1669) Posthumous etching and drypoint, "The Pancake Woman" JEAN-FRANCOIS RAFFAELLI (French, 1850-1924) Etching, untitled (picnic gathering) (framed separately) Both sig

After Rembrandt van Rijn (Dutch, 1606-1669), "Three Trees," etching,drypoint engraving. image: 8.25"h x 10.75"w. Framed under non glare glass, 17.50"x13.50"x1". Weight 2 pds. PROVENANCE: A Charleston

Pair Of Metropolitan Etching Prints, lot includes one Print with writing on it "landscape with three trees, 1643. Rembrandt Harmensz van von Rijn. Dutch 1606–1669. Etching, drypoint and burin, 21.2

A religious historical heliogravure etching with drypoint on paper titled "Death of a Virgin" by Rembrandt Van Rijn. The Death of the Virgin is a 1639 print in etching and drypoint by Rembrandt, showi

Rembrandt van Rijn (1606-1669)Jan Lutma, GoldsmithEtching and drypoint, 1656, but a later well inked impression of New Hollstein's fifth state (of five) on thick cream laid paper without watermark, pl

Rembrandt van Rijn (1606-1669) 1630's Etching "Man in Coat & Fur Hat on Bank" on tissue-thin paper. Paper Measures Approximately: 4.4" H x 3.1" W, Framed: 17" H x 15" W. Condition: good, no issues to

The Agony in the Garden by Rembrandt Harmenszoon Van Rijn (Dutch 1606-1669), Original Etching and Dry Point in Black Ink on Woven Paper, Signed & Dated 1657, Lower Right, Framed 18 1/2"x17", Unframed

ETCHING & DRYPOINT "TRIUMPH OF MORDECAI" IN VERSO REMBRANDT VAN RIJN , 1641 (6 1/2" X 8 1/4" SIGHT SIZE

Item: Rembrandt van Rijn Etching (Dutch 1606-1669) Size: 5 3/8 x 4.25 in. Rembrandt van Rijn (Dutch 1606-1669). Christ Carried to the Tomb, circa 1645 Etching and drypoint. Signed in the plate, lower

etching with drypoint, signed in the plate ‘Rembrandt 1641’, 5.7x8.2, very small crease along right edge

Rembrandt van Rijn (Dutch, 1606-1669), "Raising of Lazarus, The Larger Plate," etching, 1630 (20th century printing), printed by Marjorie Van Dyke, from the "Millennium" edition of 2500, overall (with

Rembrandt Van Rijn (1606-1669) Etching 20th Century Restrike. With a certificate of authenticity from the Park West Gallery. Bust Of Man Wearing A High Cap 1630 22 1/2 x 23

Rembrandt etching and drypoint. This print could be as old as the 17th century, but we really have no way of knowing for certain.- 8 1/8" x 6 1/4"