Robert Polhill Bevan (British, 1865-1925) In the Upper Culm Valley (Executed in 1916)

Robert Polhill Bevan (British, 1865-1925) > Who-o-op Oil on paper, 10" x 13" Provenance: Davis & Long Company, New York, 1978 This is a study for the lithograph of the same name illustrated as no. 20

Artist/ School: Edward Robert Smythe (British 1810-1899), signed and dated (1858?) lower centre. *artists bio below, please scroll down. Title: Walking through the Woods Medium: oil on canvas, framed

William Roberts R.A. (British, 1895-1980) Sam Rabin versus Black Eagle gouache 28.2 x 19.1 cm. (11 1/8 x 7 1/2 in.) (sheet); 22.6 x 17.2 cm. (8 7/8 x 6 3/4 in.) (image) Executed in 1934 Footnotes: Pr

Robert Rauschenberg (1925-2008) Cardbird I 1971 The collage with offset lithograph and screenprint on corrugated cardboard and tape signed with annotation 'Fire Extinguisher' upper center near the edi

Francis L. Mora (1874-1940). Important portrait of a woman in Spanish attire, before Robert Henri's famous portrait of Gertrude Vanderbilt, or 1916. Signed, upper left. [Image: 30" H x 44" W; Frame: 3

ROBERT BLISS (American, 1925-1981)The Young Manoil on masonitesigned R. Bliss upper left11 x 17 in., frame: 12 1/2 x 18 1/2 in. Provenance: Skinner Inc., Boston, Massachusetts, Lot 207,

Robert Bliss (American, 1925-1981) Dancer oil on panel Signed Bliss and dated '70 upper left. 64 1/2 x 29 1/2 inches. Property from the Collection of Harry Peterson, Lantana, Florida

Leslie Thorton, large bronze sculpture, 1958, Leslie Thornton (British,1925-2016), "Trapeze", verdigris and dark patinated welded bronze, no signature observed, 84"h x 30"w x 35"d Provenance: A Privat

Kenneth Armitage (British, 1916-2002), Sprawling Woman1969, patinated cast bronze, the underside with incised signature and date, numbered edition 8/9, with 'Susse Fondeur Paris' foundry mark. 8 5/8 x

Charles Oakley (British, 1925-2008) The Interior acrylic and collage on panel construction, with hinged layered triptych 43 x 41.5cm (16 15/16 x 16 5/16in). Footnotes: Provenance With

Large Art Nouveau vase from Kayserzinn (Germany, 1865-1925), lobster motif, two handles, marked on bottom height 24.5 in. x width 12 in. x depth 12 in. Provenance: Property from the personal collect

John Frederick Herring was a British painter of the 18th and 19th century famed for his lively depictions of race horses and agricultural scenes. He is widely considered one of the best animal painter

Oil on canvas with gilt wood foliate frame by John Robert Wildman depicting a portrait of Catherine Baillie with a dog in her lap. Measures approx 28 " x 34.5". Frame and canvas show some blemishes he

Pearls (1874) Oil on panel Signed with monogram Titled and dated by a later hand verso Size: 18 x 24 in.

David Roberts RA (British, 1796-1864) 'Moorish Tower on the bridge of Cordoba' indistinctly signed (lower left), dated 'January 18 1833' (lower left), and inscribed 'Moorish Tower on the/bridge of Cor

Robert Rauschenberg (1925-2008) Sling-Shots Lit #1, 1985 Wooden lightbox construction with lithograph in colors with screenprint, and assemblage with a sailcloth, Mylar, a fluorescent light fixture, a

Robert Rauschenberg (1925-2008 New York) ''Sling-Shots Lit #8'' 1985 Lightbox Assemblage 84.5''x56.25''x12.5''. Composed of screenprint in colors on sailcloth and mylar sheets, wooden lightbox, fluore

John Williamson (American, 1826-1885) Upper Connecticut Valley oil on canvas monogrammed and dated "66" (lower right) 16 x 30 inches (sight) 26 1/2 x 40 1/2 inches (frame)

(British, 1795-1865), oil on board, signed l.l., retains traces of an old label on verso Overall: 17"h x 21"w Sight: 13-3/4"h x 18"w Provenance: Property from the Collection of Winston and C.Z. Guest

Robert Adams (British, 1917-1984) Germination, 1980 (Opus 405) bronze, painted wood (base) stamped edition of 6 18"h x 12 1/2"w x 5/8"d Exhibitions: Gimpel Fils, London, 15 September through 15 Octobe

(British, 1810-1865), 'Over the Brook' and 'Over the Hedge', oil on canvas Each 11-3/4"h x 17-3/4"w overall, 9"h x 14"w sight Provenance: Richard Green, London; Property from the Collection of Mimi Ad

Robert Rauschenberg (1925-2008) Stunt Man I, 1962 Lithograph in colors on Japan paper, signed in pencil, dated and annotated 'Artist's Proof' (aside from the edition of 37), with the blindstamp of the

DAVID CHARLES JENKINS (British 1867-1916) A PAINTING, "A Summer's Day at Sefton Park," CIRCA 1910, oil on canvas, signed L/L, "David C. Jenkins;" 72" x 48", framed 77" x 53". Exhibited: Liverpool Autu

Alexander Mark Rossi (British, 1840-1916), "The Private View," 1881, oil on linen, signed and dated lower right, presented in a period gesso and giltwood frame, H.- 21 in., W.- 32 3/4 in., Framed- H.-