Rookwood Dull Finish pitcher, incised floral, HW

Dull Finish pitcher with impressed decoration and an incised image of a donkey, done in 1882 most likely by Fannie Auckland. There is no artist mark but the impressed design is very typical of Ms. Auc

Dull Finish vase decorated with apple blossoms painted by Artus Van Briggle in 1887. Marks include the Rookwood logo, which indicates the date, shape 364, an impressed S for Smear glaze (Dull Finish)

Rookwood Dull Finish vase with orange day lily decoration on a mottled background done by Matthew Daly in 1887. Marks include the company logo, which indicates the date, shape number 324 C, W 3 for a

Spanish Water Jar decorated with a bird sitting on a branch by Albert Valentien in 1886 and glazed with Rookwood’s Dull Finish. There is additional incised detailing which has been enhanced with

Historically important three piece porridge set with flower, leaf and butterfly decoration done by Annie Knowlton in 1882. Done in Rookwood’s Dull Finish glaze, each piece is both incised and pa

Edward Pope Cranch (1809-1892) for Rookwood Pottery earthenware Dull Finish glaze pilgrim flask with incised and tinted decoration of owls and a crescent moon on one side and buzzards on the other, sh

Harriet E. Wilcox (1869-1943) for Rookwood Pottery Aesthetic Movement earthenware Dull Finish ewer with floral decoration, shape number 101C Cincinnati, Ohio, 1887 matte glazed ceramic impressed facto

Two Rookwood creamers. 1) Dull Finish, produced in 1884 with floral decoration and gold highlights, the work of Anna Marie Bookprinter. Marks include ROOKWOOD, 1884, shape 43 C, impressed R for Red cl

Dull Finish scent jar with reversible lid having a bird in flight and lots of fired on gold accents, the work of Matt Daly in 1886. Impressed ROOKWOOD, 1886, shape 237, Y for Yellow clay and incised w

Dull Finish vase with wild rose decoration painted by Kataro Shirayamadani in 1889. Marks include the Rookwood logo, which indicates the date, shape 476, an impressed W for White clay, an incised S fo

Dull Finish vase decorated with irises and a dragonfly, the work of Laura Fry in 1884. Impressed on the bottom ROOKWOOD, 1884, shape 80 B, G for Ginger clay and incised with Ms. Fry’s monogram.

Rookwood Dull Finish ewer with carved grape design, the work of Harriet Wenderoth in 1882. Incised Rookwood Pottery, 1882 and having Ms. Wenderoths incised initials. Height 11 1/2 inches. There is fai

Dull Finish vase decorated with bamboo and swallows, the work of Matt Daly in 1884. Impressed with ROOKWOOD, 1884, shape 131, Y for Yellow clay and incised with the artist's initials. There is a tiny

Dull Finish bowl decorated with a pair of birds and fired on gold highlights, the work of Albert Valentien in 1885. Impressed ROOKWOOD, 1885, shape 214 A, Y for Yellow clay and incised with Mr. Valent

Dull Finish ginger jar decorated with a pair of birds and having fired on gold highlights, the work of William P. McDonald in 1885. Impressed ROOKWOOD, 1885, shape 47 B, Y for Yellow clay and incised

Dull Finish ewer with wild roses painted by Harriet Wilcox in 1899. Marks include the Rookwood logo, which indicates the date, shape 461, an impressed W for White clay and the artist’s incised m

Dull Finish vase with leaf and berry decoration done by Harriet Wenderoth circa 1881. Incised on the bottom “Rookwood Pottery” and with Ms. Wenderoth’s initials. Excellent condition.

Matthew A. Daly (1860-1937) for Rookwood Pottery Dull Finish vase with apple blossom decoration, shape number 262 Cincinnati, Ohio, 1887 matte glazed ceramic impressed factory marks and incised artist

Edward Pope Cranch (1809-1892) for Rookwood Pottery earthenware Dull Finish glaze pilgrim flask with one of Cranch's incised stories, "Three Wise Men of Gotham Went to Sea in a Bowl", shape number 85

Laura Fry (1857-1943) for Rookwood Pottery earthenware Dull Finish glaze vase with quince decoration, shape number 238C Cincinnati, Ohio, 1887 matte glazed ceramic impressed factory marks, incised art

Dull Finish ewer with impressed decoration of thin branches and star shaped leaves, attributed to Fannie Auckland in 1882. Impressed ROOKWOOD and 1882 on the bottom and having a thinly incised esoteri

2 piece English ceramic earthenware by Royal Doulton in their Briar Rose pattern. Both articles feature a blue floral and dull gold textured pattern, interiors of both with a glazed finish. Pitcher ju

Rookwood Pottery pitchers with floral decorations, two: #15 and #17, together with a dish, #87G Cincinnati, Ohio, 1887 (all) high glazed ceramic impressed and incised marks one of the pitchers designe

Early Rookwood Limoges style pitcher with a spray of blue flowers done by Albert Humphreys in 1882. Marks include Rookwood in block letters, the date, an anchor mark and Humphreys' incised initials. H