SAMUEL PROUT (British 1783-1852) "Cathedral Inter

SAMUEL PROUT (BRITISH 1783-1852) Church Interior Pen and brown ink and watercolour heightened with white 34 x 24.5cm (13 1/2 x 9 1/2in) Unframed

Not visibly signed recto, inscribed or signed on board verso. Samuel Prout (British, 1783-1852). From a Mystic, CT home. - Dimensions: 21" high x 14.25" wide.

Unframed Watercolor Gothic Courtyard attributed to Samuel Prout (1783-1842). Unsigned. Samuel Prout (1783 – 1852) was one of the masters of British watercolor architectural painting. Prout secured t

watercolor on paper, matted, glazed, and framed; signed lower right; 17 3/4 x 11 inches sight; 26 1/2 x 19 3/4 inches frame

- AFTER SAMUEL PROUT (1783-1852) WATERCOLOR PAINTING - TITLED "DOGES PALACE ON THE GRAND CANAL, VENICE"- THIS PRINT IS A HAND-COLORED, RE-STRUCK ENGRAVING AFTER HENRY LE KLUEX'S EARLY 19TH CENTURY PLA

Samuel Prout (Belgium, 1783-1852), Framed Watercolour of a Street Scene. Initialed SP in lower left corner. Image measures 14 inches H x 10 W, frame measures 24 x 20 inches.

Details: PROUT, Samuel (1783-1852). Tivoli, Temple of Vesta. [Italy: circa 1830]. Watercolour, pen-and-ink, and gouache, on thick paper. Signed "S. Prout" lower center. Sheet size: 18 5/8 x 12 5/8 in

Offered for sale by Adam Langlands of 'Shadowrock Rare Books' - for more information please contact him via email at adamlanglands@gmail.com Samuel PROUT (1783-1852, artist). 

Samuel Prout (1783-1832), Watercolour, Liege, Figures in the courtyard of the Bishop. Monogrammed and dated 1832 lower left. Approx. 7 1/2" x 5 1/4"

Samuel Prout. English village ornate cathedral scene with figures. Watercolor painting. Framed under glass. Sight: 15.5 x 10.5in. Overall: 20.5 x 15.5in.

Popkins, Samuel K. (20th Century British School) , Cathedral, Seville, 1934, drypoint etching, signed and titled in pencil, from an edition of 250, 9 3/8 x 6 1/8 inches, framed measuring 16 x 12.5 inc

Frank Miles (British, 1852-1891) Oil On Canvas, River Landscape, H 16'' W 23'' | Signed in the lower right. Depicting a couple with a rowboat on a wooded riverbank with a cathedral in the background.

Oil on canvas Henry Harris (British, 1852-1926) attributed, English school style landscape of cathedral ruins with sheep in foreground;Provenance: The Stone Collection

Peter Caledon Cameron (British, 1852-1934) "Niagara Falls in Winter", 1885 oil on canvas signed and dated lower left. Framed. 11-3/4" x 29-3/4", framed 21" x 38" Provenance: Hulbert Harrington (H. H.)

Lionel Royer (British, 1852-1926), "The Ritual," oil on canvas, signed lower right, canvas: 23.25"h x 19.25"w, overall (with frame): 34"h x 30"w

Alfred de Breanski (British, 1852-1928) 'Untitled Landscape' Oil on canvas ; 24 x 36 (in) Signed Alfred de Breanski, lower right Marshall Field and Picture Co Galleries tag, verso

Alfred de Bréanski, RBA (British, 1852-1928) Sunset over the loch signed 'Alfred.de Bréanski' (lower right) oil on canvas 30.5 x 45.7cm (12 x 18in).

Signed Alfred de Breanski (British, 1852 - 1928) (lower right); inscribed Nantile Lake / N.Wales (on the reverse). oil on canvas. 19th Century. DIMENSIONS: 17 in.H x 22 in.W x 2 in.D (43 cmH x 56 cmW

Lot 23 Edward Onslow Ford British (1852-1901) Linos bronze with dark brown patina incised signature on base height: 15 inches Provenance: Property from the Collection of Seymour Stein

ALFRED DE BREANSKI (British 1852-1928) A PAINTING, "The Mountains of the Western Highlands," oil on canvas, signed L/L. 19" x 32" NOTE: Born in London into a family of artists and living much of his l

HENRY GILLARD GLINDONI, R.B.A. (British 1852-1913) A PAINTING, "Waking Up A Dozing Youth," oil on canvas, dated "1907" and signed L/L. 43 1/2 x 33 1/2"

Alfred de Breanski Sr. (British 1852-1928)- Highland Cattle in Mountain Stream- oil on canvas, signed Alfred de Breanski lower left, 1 paint flake in sky. 20 x 30''

Alfred de Breanski (British, 1852-1928) Oil On Canvas. Signed lower left. As framed approximately 37.0W x 27.5H x 3.25D in. Sight approximately 29.5W x 19.5H in.

(British, 1783-1856) Three Plates from Views in the Himala Mountains, London 1820: The Junction of the Touse and Pabur, 18-5/8 x 24-1/2 in. (sight); The Temple of Mangnee, 18 x 23-7/8 in. (sight); Bhy