Skeaping - Attributed to. Study of an antelope; Study

Richard Vernon Greeves (American, 1935-2022) Wyoming Antelope Study VII, 1984 Bronze with dark brown patina 14-3/8 inches (36.5 x 2.2 cm) high on a 0-7/8 inches (2.2 cm) high wood base Ed. 14/50 Inscr

Edvard Munch (Norwegian, 1863-1944)Attributed: Study for The Scream, signed and dated '92, ink on paper, unframed for inspection and shipping. Possibly an early unfinished study for "The Scream." The

Mary Cassatt (1845-1926)Attributed: Study of a Woman signed front and titled verso with the addition verso of Paris 19 and a weak impression of the Palais Galeri Paris stamp. Pastel and tempera on bro

Andy Warhol (American, 1928-1987) Attributed: Study for Diamond Dust Shoe 253. Acrylic on paper, signed in shoe, framed, possible study for Warhol's Diamond Dust 253 Print Series. Andrew Warhola was a

Rufino Tamayo (Mexican, 1899-1991) attributed: Study for Sandias, oil on paper, possibly a study for his Sandias (1950) print series, signed bottom right, with unidentified gallery stamp verso, unfram

Thomas Gainsborough (English, 1727-1788) Attributed: Study for the Honourable Mrs. Graham,Oil on board, unsigned, framed. Perhaps one of Thomas Gainsborough's most intricate and recognizable compositi

Ferdinand Hodler (1853-1918) � attributed. Study for the painting die Lebensm�den Black chalk on paper, on the upper border remains of scale numbers, probably a design from the famous painti

Claude Monet (French, 1840-1926)Attributed: Westminster Study. Charcoal on paper, signed lower left, unframed. Stamp from Galerie Simon, Paris on reverse*. Possible study for a painting of Westminster

Ferdinand Georg WaldmuellerVienna 1793 - 1865 Hinterbruehl, attributed"Tree study"Oil on canvas on cardboard45 x 32,5 cm, with frame 55 x 42 cmSigned & dated 1833 b.r.Cf:Belvedere ViennaFerdinand Geor

Claude Monet (French, 1840-1926)Attributed: Westminster Study. Charcoal on paper, signed lower left, unframed. Stamp from Galerie Simon, Paris on reverse*. Possible study for a painting of Westminster

Claude Monet (French, 1840-1926)Attributed: Westminster Study. Charcoal on paper, signed lower left, unframed. Stamp from Galerie Simon, Paris on reverse. Possible study for a painting of Westminster

Pierre-Auguste Renoir (1841-1919)(Attributed): Landscape Study, tempera on paper, verso marked with stamp of Gallery Simon, Paris, Provenance: Georges Laung, Paris, Claude Frevreau, Paris. Signed, age

Lot 195 Jean Cocteau (attributed) French (1889-1963) Figure Studies (double-sided) graphite and colored pencil on paper recto features a graphite and colored pencil study of Mars verso features a grap

Thomas Hart Benton (1889-1975) attributed: Color Study oil on paper, signed on the back, unframed. Thomas Hart Benton is one of the preeminent pre-war regionalist painters known for depicting the cult

Edvard Munch (Norwegian, 1863-1944)Attributed: Women (Study) Manner of. Tempera and gouache on paper, signed lower right, unframed. Reverse bears a faint collector's stamp and graphite notations. This

Edvard Munch (Norwegian 1863-1944)Attributed: Women - Study gouache and watercolor on paper signed lower right and marked on reverse. The reverse also bears a partial stamp from an examination service

Study depicting the head and shoulders of a Native American man. Colored pencil on paper.Image 9 7/8" x 7 3/8".Mat 15 1/2" x 12 1/2"Unsigned. From the collection of Carl J. Pugliese.

Manner of Edward Hopper (American 1882-1967)Attributed: House (study) tempera and gouache on paper signed lower right unframed. The reverse bears a stamp from Lewis Spencer London and graphite notatio

A late 19th century watercolor on paper study attributed to Jean-Baptiste Edouard Detaille, France, 1848-1912. Depicts a view of Antibes, purportedly taken from a 1868 Detaille sketchbook. Unsigned, a

Brown ink drawing on wove paper,Tahitian women (sheet of studies), attributed to/in the manner of* Paul Gauguin (1848-1903). Signed. 12 1/4 x 10 1/8 inches. Good condition overall, with no apparent da

Pablo Picasso (Spanish, 1881-1973) Manner of/ Attributed: Dinard Studies. Pen and ink on heavy paper, five small studies for possible larger works, unframed. Picasso was the most dominant and influent

Charcoal drawing on brown drawing paper, figure studies, attributed* to Camille Pissarro (1830-1903). Artist's studio stamp, lower right corner. 11 3/4 x 8 3/4 inches. Some very small edge tears, othe

Three Framed Watercolor Costume Studies Attributed to Cecil Beaton Circa 1951 Mr. Shepley, Chinese Pavillion and Luke Largest, sight 12 x 9 3/8 inches.

Pen & brown ink double-sided sketchbook drawing, tree study, attributed* to/in the manner of Vincent van Gogh (1853-1890). Verso is a landscape with haystack. Signed. 8 3/4 x 5 3/4 inches. Very good c