The Mystical Marriage of St. Catherine on marble, Flemish, circa 1620

Sir Peter Paul Rubens (Flemish, 1577 – 1640). St Catherine in the Clouds. Approximately 13 x 16 inches. Antique Hand Pulled copper plate etching on laid paper after the 1620/1621 original by ma

After Bartolome Esteban Murillo (Spanish, 1618-1682). Oil on canvas, unsigned, 29 1/2 x 39 1/4 in., in an elaborate carved and gilt frame

After Antonio Allegri, called Correggio (Italian, 1489-1534) The Mystic Marriage of St. Catherine of Alexandria. Oil on canvas laid to board, after the painting located in the Louvre 41" x 40" Frame:

After Parmigianino (Italian, 1503-1540), "The Mystic Marriage of St. Catherine", oil on canvas, 28" x 23". Framed.

English School, Circa 1620 Portrait of William Ramsden of Longley Hall oil on canvas 22 1/2 x 19 inches. This lot is located in Chicago. Provenance: Lady Catherine Lowther, Leeds, UK John Nicholson's

(Flemish, circa 1580-1617) The Beheading of St. John the Baptist, oil on panel, 46-1/8 x 33-1/2 in.; Italian style parcel gilt and painted panel frame, 55-3/8 x 42-1/8 x 2 in. Provenance: The Estate o

CIRCA 1750-1800 SPANISH OR FLEMISH ORIGIN RETAINED WITHIN A HAND CARVED WALNUT FRAME DECORATED WITH IVY LEAVES. FRAME CARVED MASTER GERMAN CARVER J. MELCHERS, DATED 1889 PROVENANCE SOTHEBYS NEW YORK 1

A proper pair of carved verde marble recumbent lions of the Grand Tour period circa mid 19th century, after the pair sculpted by Antonio Canova in 1792 for the tomb of Pope Clement XIII in St. Peters,

Reg Butler (1913-1981): St. Catherine Bronze in two parts, signed with initials and numbered 5/8, with the Susse Fondeur Paris foundry mark, the base marked '162'. 25 x 18 x 18 in. Literature: Garlake

Artist: Italian School, 18th century Title: St. Catherine Medium: Oil on Canvas Size: Approx. 33" x 38" approximate canvas size Date: 18th century VV

Spanish Colonial "St. Catherine" Wooden Figure - Saint Catherine of Alexandria, virgin and martyr, was among the most venerated female saints. She is the patron saint of young girls, students, philoso

(Dutch, 1595-circa 1656) A Family in a Landscape with Goats, circa 1620-1656, accession number verso "1867.10b", oil on fine oak panel, 37 x 55-3/8 in.; Dutch style black lacquered wood frame, 43-1/2

Jumbo marble coffee table by Gae Aulenti (1927-2012) for Knoll International. Constructed of fine quality Italian marble circa 1964. Measures 44 in. x 14 in. x 44 in. Good condition with minor chips u

Venus with Cupid signed on the porcelain dial, Lesieur a Paris silk suspension, 20 1/2" high, bronze with marble circa 1810

Flanders 'Tapestry', Flemish, circa 1700, wool/silk, approx. 293 x 214 cm, condition: (traces of age/use).*

Oil painting by James Lamantia, a New Orleans artist from the famous Orleans Gallery on Royal St., circa 1960 51" L x 23" H

A rare and exceptional Gothic style marble vitrine made from two types of marble circa 1881 and having a bronze door on each side for access. Ht: 125" Wd: 80" Dpth: 23" From the original collection of

Large vintage Italian marble garden sculpture of an Olympian discus thrower. Heavy carved Italian marble figure made from a solid block of marble. Circa 1960's Excellent condition. Measures 24" x 16"

Flemish School; circa 1500. "Ecce homo. Oil on oak panel. It has a 19th century carved and gilded wooden frame. Measurements: 27 x 20 cm; 32 x 25 cm (frame). Christ accepts with a serene face his dest

RAYMOND SUBES ART DECO W.I. AND MARBLE TABLE CIRCA 1925 MARBLE REPAIR 32"H X 47" DIA.

A good George III carved white and Sienna marble chimneypiece circa 1790 the moulded inverted breakfront shelf above a running figural frieze depicting putti playing a game of Blind Man's Buff flanked

A RUSSIAN GOLD CIGARETTE CASE, BY ANDREI BRAGIN, ST. PETERSBURG, CIRCA 1910 The rectangular case with rounded corners, reeded decoration and foliate border in neo-classical design, the thumbpiece with

An Italian Carerra marble tub having ring decoration circa 1890. Ht: 24" Wd: 68" Dpth: 29"

A very good set of four late nineteenth century carved marble columns circa 1870. Each having carved marble capital resting on a gradually tapered column. Raised on stepped plinth base. One column in