Thomas Fowke (British, 1827-1887) Scottish Highland

Thomas Fowke, Scottish Highland golfer bronze, London, 1867. Bronze figure wearing highland kilt, with later silver golf club, signed on base. 22in tall x 8in wide x 6in deep with golf club, 16in tall

Four (4) items: one hand-colored etching, 13 1/2 x 17 1/2 inches; together with two British School etchings (18th - 19th Century) and one (1) hand-colored map (7 1/8 x 9 3/4 inches).

Lot 2 Thomas Rowlandson British (1756 - 1827) The Elopement Interrupted pen, ink, watercolor, and wash on paper sight: 6 3/4 x 9 1/4 inches Provenance: From The Estate of Leonard Stone acquired

Thomas Rowlandson (British, 1756-1827) A horse with a pack of hounds resting pencil, pen and ink and watercolour on paper laid down on card 11.6 x 20.4cm (4 9/16 x 8 1/16in).

Thomas Rowlandson (British, 1756-1827)A New Law of Keyes, Eat to Live, Not Live to Eatink on paper laid downtitled lower left11 1/2 x 9in (29 x 23cm) Provenance:With Salander O'Rei

ARTIST: Thomas Rowlandson (british, 1756 - 1827) NAME: Macasser Oil YEAR: 1819 MEDIUM: watercolor on paper CONDITION: Minor foxing. SIGHT SIZE: 11 x 8 inches / 28 x 20 cm MAT SIZE: 14 x 11 inches / 35

ARTIST: Thomas Rowlandson (british, 1756 - 1827) NAME: Macasser Oil YEAR: 1819 MEDIUM: watercolor on paper CONDITION: Minor foxing. SIGHT SIZE: 11 x 8 inches / 28 x 20 cm MAT SIZE: 14 x 11 inches / 35

THOMAS ROWLANDSON (BRITISH, 1756–1827), WATERCOLOR, SIGHT: H 7", W 10", "OVER THE HURDLES" Signed lower right; equestrian hunt scene; framed, 14" x 18". Unidentified 'LR' label on verso (see ph

ATTR. THOMAS ROWLANDSON (BRITISH, 1756-1827) WATERCOLOR ON WOVE PAPER, H 13.75", W 18", UNTITLED An untitled watercolor on wove paper attributed to Thomas Rowlandson. Depicting a woodland path with a

"The Contrast 1792" engraving by Thomas Rowlandson (British 1756-1827). Print reproduced by loyalist propagandists in England, to challenge the French Revolution abroad and parliamentary reform in Eng

ENGLISH SATIRICAL PRINTS, LOT OF SIX, hand-colored engravings on paper, comprising Henri Merke "No. 6 Purser", Thomas Rowlandson (British, 1756-1827) examples "The Hunstman Rising / The Gamester Going

Thomas Moore (British, 1821-1887). Set of four fern nature printed plates from "The Ferns of Great Britain and Ireland" published in London by Bradbury & Evans, 1855-56. Framed as a set. Approx. 26.5"

Rowlandson, Thomas (British, London 1757–1827 London), Preparing to Start, 1811, hand colored etching (coloring possibly later), Sheet: 9 5/8 × 13 11/16 in. (24.4 × 34.8 cm), Publisher: Thomas Teg

Thomas Rowlandson (British, 1756-1827) A group of six prints (The Dance of Death; Dr. Syntax Pursued by a Bull; Dr. Syntax Sells Grizzle; Vision of Skulls; The Cellar Quartette; Setting Out from Edinb

(lot of 2) Framed hand colored etchings on paper, signed in print H. Bunbury Del (Henry William Bunbury, British, 1750-1811) and Rowlandson Scul (Thomas Rowlandson, British, 1757-1827), including: (1)

Thomas Rowlandson (British 1756-1827)- 1). ''A Milling March'' 2). ''Joint Stock Street'' 3). ''Summer Amusement at Margate'' 4). ''Distributers of Domestic Happiness'' 5). ''Sports of a Country Fair'

THE YORK MAGICIAN Transforming A FOOT-BOY to A CAPTAIN 1809. Artist: Thomas Rowlandson (British, 1757-1827). Hand-coloured etching caricature (after Rowlandson). Inscribed below image right "Pub.d Feb

after: Thomas Rowlandson, British (1757-1827) Set of Four (4) Handcolored 19th Century Etchings Fox Hunt - 4 Works. This lot includes "Going Out In The Morning Scene Windsor Forest", "Fox Chase Scene

John Keyse Sherwin (British, 1751-1790)after Thomas Rowlandson(British, 1757-1827): Smithfield Sharpers or The Countrymen Defrauded. ca. 1788. Etching on paper on linen support, framed. The lower marg

Attributed to Thomas Rowlandson (British, 1756 - 1827), Noble Man, watercolor on paper, bears pencil signature, overall (sheet/unframed): 7.25"h x 5.25"w

Pen and ink wash. Note: this painting bears a strong resemblance to the work of: Thomas Rowlandson (British, 1756 - 1827). 7 1/4 x 10 1/4 in. No signature found. Provenance: Wellesley, Massachusetts c

Francis E. Jamieson (British, 1895-1950), "Scottish Highlands Landscape", oil on canvas, signed lower right, 19-7/8" x 29-7/8". Framed.

Thomas Whittle, Junior (British 1865-1892) Highland landscape 29 x 60cm

JOHN HENRY BOEL (BRITISH, ACTIVE 1875-1922) SCOTTISH HIGHLAND LANDSCAPE PAINTING, oil on canvas, a depicting a single boat on a remote mountain lake, signed and dated "J. H. Boel / 1890" lower left. H