Tuscan painter, late 17th century

Height: 84 cm Width: 250 cm Depth: 55 cm Antique Tuscan console table from the late 16th, early 17th centuries of fine Italian workmanship, with splendid mastery of woodworking. The cabinet is made en

Oil on board painting. Spanish school, mid to late 17th century. After the ca. 1620 painting titled The Waterseller of Seville by Diego Velazquez, 1599 to 1660, a Spanish Golden Age painter, the leadi

Attributed to Luis Lagarto (Seville, 1556 - Puebla, 1624)Parchment illumination. 26 x 23 cm.Lagarto was an important painter and illuminator in the late 16th and early 17th century, consided to be, ac

A pietra dura panel, A pietra dura panel, late 17th century, Florentine, possibly by the Grand Ducal workshops, depicting towers in a Tuscan landscape, 17.5cm wide 23cm high Provenance: The Estate of

It is possibly early 18th, late 17th century. Could be the work of a traveling painter, who would go around during the period and paint portraits for money. Oil on canvas, 28 x 23 in.

Portrait of a Duke, late 17th or early 18th Century. In 17th century Britain portraiture flourished and between the 1640Õs and 1680 the dominant court painter Sir Peter Lely was at the forefront o

Italian Painter's table, late 18th/early 19th century. Top is hinged and opens to interior divided into three parts, retaining traces of paint Walnut Approx. height 29.5", width 29.5", depth 17"

A german red tortoiseshell, ebony, silver, ormolu and paste gem mounted prunkuhr case.Late 17th Century.Of tabernacle form, modelled with a female figure to the cresting,.flanked by figures of angels

An oak joint stool with turned supports and stretcher base under a square pinned top. English, late 17th century. Measuring, 12.5" high x 13.5" wide x 12" deep.

Rare 17th Century Late Renaissance Italian Cassone made of walnut with richly carved facade featuring a three panel front of heraldic seals flanking a central fountain and fantasy creatures, separated

Thailand, 17th to early 18th century CE. A Bronze Ratanikosin Buddha. The cast bronze Buddha is seated on top of a multi-tiered base, with red and gold paint, flame decoration at knees, shoulders and

Russian Icon of the Virgin of Kazan, late 17th c., Kostroma School, with a gilt silver and enamel oklad, 1908-1917, Moscow, from the first Moscow Artel, on a curved wooden panel, H.- 12 1/4 in., W.- 1

Full title: A walnut 'credence' case with portrait medallions, probably France, late 17th C. with later elements Description: H 149,5 x L 132,5 x D 51 cm About this sale: Paul De Grande is one of the

Late 17th C. Flemish Verdure Tapestry, figures in a mythical pastoral landscape. 5'10'' x 8'0'' (178 x 244 cm).

H. 55 1/4 x W. 41 x D.18 1/2 in.

Very fine late 17th c walnut tall cased clock by John Hebert (London 1682-1713). 8-day, with hour bell strike, silvered and fancy brass dial, 4 masque head spandrels with hour, second & date. 6'11"h.

Late 17th c. brass chandelier with six lights on a turned shaft with reflectors, purchased in 1969 London for 365 Pounds Sterling. 15"h x 18"dia

Rare Late 17th C. Dutch Rapier Sword with Chiseled Steel Mounts. A Very Fine Early Transitional Example, having chiseled steel hilt mounts with warriors and battle scenes to the kidney shaped guard, f

Full title: A finely sculpted Flemish oak four-door cabinet, late 17th C. Description: H 156,5 x L 122,5 x D 49,5 cm

Hallmarks for London, 1680, caryatid handles, acanthus leaf decorated. 3"h Provenance: Property from a Private New York City Collection

LATE 17TH C SHOE FOOT TRESTLE BASE TABLE, NEW YORK CITY, WALNUT, CIRCA 1690, FORMALLY IN THE COLLECTION OF COLONIAL WILLIAMSBURG, PURCHASED BY MR. DUPONT IN THE 1960'S AT SOTHEBY'S AUCTION, NEW YORK C

Late 17th C William & Mary Highboy. Replaced pulls, period drops. Dimensions: 43 1/4 x 34 1/2 x 55 in.

Rare Late 17th C. Brass-Mounted Wood Panel Russian Triptych Icon. Originally was a gift to Frank P. Walsh on his first visit to Russia in 1922. Sold on Christie's 208. Framed - 9.5" L x 5.25" W.

Europe, probably Polish lobster tail helm with a tall high domed skull rendered in lightly fluted two piece skull hand hammered and riveted together with a central looped cap, the visor continued from