TWO ANTIQUE EROTIC COLOR LITHOGRAPHS BY CLARK FAY

Henri De Toulouse-Lautrec (France: 1864 - 1901) original antique color lithograph on two pieces of wove paper that publicized French author Victor Joze's controversial novel titled "La Reine de Joie".

Five antique color lithograph prints including two Japanese Junk prints and Japanese Boat after Miner Kilbourne Kellogg (American, 1814-1889), Japanese Junk after Meffert (American, 19th century), the

SUN; WINDOW, from More Indian Views, 1976, two color lithographs, each signed and dated lower right verso, the first numbered 30/60 on verso, sheets 8 ¾ x 12”, published by Bernard Jacobson London,

PRISON FANTASY; MOTHER & CHILD, two color lithographs, each signed in pencil, numbered 128/250 & 176/250, image 17 x 14” & 18 x 14”, both with full margins, the first framed with glass, the first

PORTUGAL TRAVEL POSTERS, two color lithographs, each signed on the stone, 39 ¼ x 24 ¾”. (2)

INDELIBLE MIRO, hardbound book with two color lithographs; MIRO SCULPTURES, hardbound book with two color lithographs; MIRO L’OEUVRE (Benhoura Catalogue) softbound book; Marc Chagall THE CEILING OF

WOMAN WASHING (M.128); IDOL (M.123), 1933, two color lithographs, each signed in pencil, both from The Picture Book Series, printed by Kistler, images 8 x 6”, sheets 11 x 8 ½”; HAWAII

FASHION POSES, two color lithographs, each signed in pencil, numbered 281/300 & 287/300, Male with Circle Fine Art blind stamp lower left, inventory labels on verso, images 24 x 18” & 31 ¼ x 15 ¼�

James Ensor LE CHRIST ENTRE LES LARRONS; LE CHRIST MARCHANT SUR LA MER, two color lithographs, each signed on the stone, images 8 x 6” & 6 x 8”, full margins, both framed with glass; Aristide Mail

PERSONOJE, VENUS LESPUGUE, 1967, two color lithographs, each signed in pencil, one from the numbered edition 30 and the other an artist’s proof, sheets 22 x 30", one framed with glass, the second wi

UNTITLED, 1979, two color lithographs, both signed and dated in pencil, numbered 72/250 & 128/250, sheets 30 ½ x 42 ¼”. (2)

UNTITLED, two color lithographs, each signed in pencil, from the numbered editions 12, sheets 21 ½ x 15 ½” & 19 x 14”, both in good condition. (2)

LITHOGRAPHS, IV, catalog of the artist’s lithographs 1969-1973, notes by Charles Sorlier and Fernand Mourlot, hardbound book with two color lithographs including frontispiece (H.730; M.730) and

HORSES; UNICORN, two color lithographs on Japan paper with vertical folds as issued, each signed and numbered 11/45 in pencil, images 6 x 12 ¼” & 6 x 6”, full margins, frames 14 &fr

JE REVE series, two color lithographs, each signed and numbered 113/125 in pencil, sheets 25 ¾ x 20”. (2)

MATISSE & MAN RAY ENVELOPES, 1992, two color lithographs, each signed and dated and inscribed CTP (color trial proof) III & 9/45, Man Ray published by LACMA Graphic Arts Council, with blind stamp lowe

INDELIBLE MIRO, 1972, Yvon Taillandier, Tudor Publishing, hardbound book, with two color lithographs, text in English, with dust jacket.

MON VILLAGE & REGARDS, two color lithographs, each signed and inscribed EA (artist proof) in pencil, sheets 8 x 11 ½ & 11 ½ x 8”. (2)

RIBBONS, two color lithographs, each signed and inscribed EA (artist’s proof) in pencil, sights 13 x 10” & 10 x 13”, framed 26 x 22” & 23 x 25” with glass. (2)

CONVERSATION; THE ELM, 1988; two color lithographs, each signed in pencil, from the numbered editions 285, images 13 x 9”, printed by Desjoubert Paris with their blind stamp in the full margins; FEB

CARNAVAL DE ST. PETERBOURG, plates #8; & #11, two color lithographs, each signed and numbered 44/275 & 115/275 in pencil, images 11 ½ x 11 ½”, full margins, frames 26 x 26” w

Robert Kipness BARE TREES, color lithograph, signed and numbered 53/75 in pencil, sheet 25 x 18 ½”; Bernard Gantner LANDSCAPES, two color lithographs each signed and numbered 55/119 & 67/

STILL LIFE; TWO PERSONAGES, two color lithographs, the first signed and inscribed eprevue d’artiste (artist’s proof) in white crayon, the second signed and numbered 139/260 in black crayon

UNIQUE EST MA COLUMBE MA FIANCEE; LE DON DE LA THORA, two color lithographs, each signed in pencil, numbered 125/150 & 36/125 (Roman numeral), images 18 1/2 x 22 1/2" & 17 1/2 x 23 1/2", both with ful