Venice by James Abbott McNeill Whistle Lithograph

James Abbott McNeill Whistle Lithograph Title: "Bead-Stringers, Venice" Medium: lithograph (after the pastel). The lithography was published in London by The Studio in 1905 for a rare deluxe portfolio

James Abbott McNeill Whistle Lithograph Title: "The Convalsecent" Medium: lithograph (after the watercolor). The lithography was published in London by The Studio in 1905 for a rare deluxe portfolio.

James Abbott McNeill Whistler (American, 1834-1903). Lithograph in black ink on thick wove paper after the original. First Edition. Printed in the studio of Thomas Way in London c.1910.

NO RESERVE Italy.- Venice.- Whistler (James Abbott McNeill), Manner of. The Doge's Palace, Venice, watercolour over pencil, on wove paper without watermark, deckled edges, bears erroneous monogram in

James Abbott McNeill Whistler Lithograph, MAUDE READING, Maud Franklin (9 January 1857 – ca. 1941) was an English artist and the mistress of and model for artist James McNeill Whistler.[ Frankl

James Abbott McNeill Whistler lithograph on paper, "Charing Cross Railroad Bridge", bears butterfly monogram, label on verso P & D Colnaghi & Co. Ltd. 14 Old Bond St. London, hand printed artist�

James Abbott McNeill Whistler (American, 1834-1903). Lithograph in black ink on thick wove paper after the original. First Edition. Printed in the studio of Thomas Way in London c.1910.

James Abbott McNeill Whistler (American, 1834-1903). This lithograph is butterfly signed in stone, lower right. The full title is "Nursemaids: Les Bonnes du Luxembourg". It comes with a Certificate of

Attributed to James Abbott McNeill Whistler (American, 1834-1903) Elinor lithograph 8 1/8" x 5 3/8"

James Abbott McNeill Whistler (American, 1884-1903) "Long Lagoon". Etching and drypoint, printed in brown ink on paper. From the "Second Venice Set" published in 1886. With Whistler's emblematic butte

James Abbott McNeill Whistler (July 10, 1834 – July 17, 1903) was an American-born artist, active mainly in the United Kingdom, and a leading figure in the Aesthetic movement. Whistler was known for

James Abbott McNeill Whistler (American, Lowell, Massachusetts, London, 1834-1903). "Fish Shop, Venice." Etching and drypoint, between the second and third states, (image 4.375 x 7.5). Frame: H: 12.5

Lithograph, The Smith's Yard", James Abbott McNeill Whistler, 7.75" by 6.5"

James Abbott McNeill Whistler (1834-1903) The Riva, No.1, from The First Venice Set (Kennedy 192; Glasgow 229) Etching and drypoint, 1879-1880, on laid paper, Glasgow's final fourth state, signed with

James Abbott McNeill Whistler (1834-1903) Doorway and Vine, from Second Venice Set (Kennedy 196, Glasgow 191), c. 1879-80 Etching on laid paper with 'IV Countermark' watermark (Stratis 197), Glasgow's

Request condition report! “The Pantheon, from the Terrace of the Luxembourg Gardens,” 1893, lithograph, signed with a monogram, lower center left. 10 1/4 by 7 1/2 inches, sight; 18 5/8 by 15 inche

James Abbott McNeill Whistler (American, 1834-1903), "The Little Cafe au Bois," 1894, lithograph, pencil signed lower right, plate signed with the butterfly lower center, with a collector stamp verso,

LINDSEY ROW, CHELSEA (WAY 20; LEVY 33; SPINK 23; CHICAGO 23) Transfer lithograph, 1888, on laid paper, signed with the butterfly in pencil, with full margins, framed.Image 5 x 8 inches; 127 x 203 mm.S

lithograph on thin wove paper, circa 1895-96, sheet verso with tri-lobed collector's mark, unframed. Levy 144. Image Size 9 1/2 x 6 1/4 in.; Sheet Size 11 1/2 x 7 3/8 in. Private Collection, Alexandri

(American, 1834-1903) Charing Cross Railroad Bridge (W.120), signed at center with butterfly monogram, lithograph on paper, 8-1/2 x 13 in. (sheet); black painted frame,. Condition: foxing, toning, sma

James Abbott McNeill Whistler (American, 1834-1903), "Gants de Suede," circa 1890, lithograph, butterfly monogram center right, sight: 10"h x 5.75"w, overall: 16.75"h x 13"w

James Abbott McNeill Whistler, (American, 1834-1903), The Winged Hat, 1890, lithograph, 7" x 6.75"

NO RESERVE James Abbott McNeill Whistler (1834-1903)The Whitesmiths, Impasse des CarmélitesLithograph, 1894 but circa 1904, on antique laid paper with watermark 'D&C Blauw', from the edition of 4

James Abbott McNeill Whistler (American 1834-1903), The Long Gallery, Louvre Lithograph, signed with the butterfly, 8-1/2 x 6-1/2 inches