William Thon, Bird Studies

Manner of Sir William Nicholson Bird Studies Inscribed indistinctly in ink (ul) Pencil on paper 7 1/2 x 10 inches (19.1 x 25.4 cm) •

William Thon (1906-2000): Horses: Three Studies Three ink on paper, one signed 'Thon' lower right, others unsigned; and Passage East; and Horn Head, Donegal, two ink on paper, bot

Two ink and watercolor on paper, both signed 'Thon' lower right, Under Way titled on the reverse; and Boat Studies: Six Works, six ink and watercolor on paper, unsigned. Various sizes, all unfram

Frederick William Frohawk (English, 1861-1946) Bird's Head Studies. Two ink wash drawings, circa 1931, each signed LL Each: 15" x 10.5"

Ink and gouache on paper, signed 'Thon' lower right, titled on the reverse; and Boat Studies: Six Works, six ink and gouache on paper, unsigned. Various sizes, all unframed. The estate of the art

William Thon (1906-2000) : Misty Venice; Piazza della Indipendeza; and Study for Church Interior Three ink and wash on paper, Misty Venice signed 'Thon' lower right, other titled lower left or on the

A Miscellaneous Collection of Studies by William Radawec (1952-2011), Including model birds, digital ink jet prints, wood veneer on paper drawings and sketches.

Handscroll. Japan. 19th century. Study of a variety of birds and flowers. Ink and colours on paper. 16". Approx 5' length. All items in session one were collected by William H. Smith (1853-1923)

Manner of William Harding Smith (1848-1922), 19th century, Oils on board, A pair of still life studies, one with fruit, flowers, and a bird's nest. The other with a basket of fruit and flowers. Both i

William Thon (1906-2000) : Moment in Arcadia Oil on masonite, signed 'Thon' lower right, with label from Midtown Galleries, NY and Caldbeck Gallery, Rockland, ME. 22 x 36 in., unframed. The estate of

William Thon (1906-2000) : Life Saving Station Oil on canvas, signed 'Thon' lower left, titled on the stretcher, with label from Midtown Galleries, NY. 20 x 30 in., unframed.   The estate of the

"The Grove", watercolor and ink on paper, signed lower right, housed in the original artist made silverleaf molded frame set on a black painted panel, matted and glazed, OS: 29" x 39", SS: 18 3/4" x 2

William Thon (1906-2000) : Twilight Mist Oil on masonite, signed 'Thon' lower right, titled on the reverse, with label from Payson Art Enterprise, Hobe Sound, FL. 22 x 36 in., unframed. The estate of

William Thon (1906-2000) : Dusk, East River Oil on canvas, signed 'Thon' lower left, with label from Midtown Galleries, NY. 20 x 30 in., unframed. The estate of the artist.

William Thon (1906-2000) : Four Trees Oil on canvas, signed 'Thon' lower left, with label from Midtown Galleries, NY and the remains of a paper label from the Brooklyn Museum. 30 x 42 in., 39 1/2 x 52

After François-Nicolas Martinet (circa 1725-1804) [BIRD STUDIES] Eight hand-colored engravings, from Buffon, Histoire Naturelle des Oiseaux, Paris, 1770-83, framed. Sight of each sheet 10 x 8 1/2

Two watercolor and gouache on paper, both signed 'Thon' lower right and titled on the reverse. Both 18 x 23 3/4 in. (sheet), unframed. The estate of the artist.

William Thon (1906-2000) : Gray Stones; and Untitled: Five Works Six ink and watercolor on paper, Gray Stones signed 'Thon' lower right and titled on the reverse, others unsigned. Various sizes, all

William Thon (1906-2000) : Near Sienna; and Northern Italy Two watercolor on paper, signed 'Thon' lower left and right, titled on the reverse. Both approximately 20 1/2 x 27 in. (sheet), unframed. The

William Thon (1906-2000) : A Group of Six Works on Paper Six ink and watercolor on paper, one signed 'Thon' lower right, one titled 'Dead Pine' on the reverse, the others unsigned. Various sizes, all

After John James Audubon (1785-1851) [BIRD STUDIES] Five hand-colored lithographs by J.T. Bowen, 1839-1844, from The Birds of America, the octavo edition, framed. Largest frame 15 1/8 x 11 3/4 inches;

WILLIAM THON Winter Landscape. Oil on canvas, circa 1960. 383x482 mm; 15¼x19 inches. Inscribed with the artist's name in ink, on the stretcher verso.Ex-collection private collection, Chicago.

OVERGROWN QUARRY, watercolor on paper, signed lower right, sight 19 ½ x 23 ½”, anonymous label on verso, framed with glass.

Oil on masonite, 23 x 36 inches, signed lower right.