WILLIAM WALCOT R. E. (BRITISH 1874 - 1943)

William Walcot (British 1874-1943)- ''The Arteries of Great Britain''- set of 5 etchings and drypoints, 1922, all signed in pencil, edition of 425, includes ''The Clyde'', ''The Forth'', ''The Tyne'',

William Walcot (British 1874-1943)- ''The Arteries of Great Britain''- set of 5 etchings and drypoints, 1922, all signed in pencil, edition of 425, includes ''The Clyde'', ''The Forth'', ''The Tyne'',

William Walcot (British, 1874-1943) The Arteries of Great Britain (set of five prints: The Clyde; The Forth; The Tyne; The Mersey; The Thames), 1922 etchings each signed in pencil (lower right) Larges

William Walcot (British, 1874-1943) Etching "Charing Cross London", H 3.5'' W 4.9'' Signed in pencil lower right. Frame 8.5" x 10". Provenance: From the Collection of a Prominent Print Collector, Bloo

William Walcot (British 1874-1943)- ''Ludgate Hill''- drypoint, signed in pencil, very good condition. 5 1/2 x 5''

William Walcot (British 1874-1943)- City Street Scene- etching, signed in pencil, mat burn, residue in margin. 5 x 7 1/4''

to include Civita di Bagnoregio by Fabio Mauroner (Italian, 1884-1944) and Café de la Paix by William Walcot (British, 1874-1943), both pencil signed, the first also titled and numbered, matted and

William Walcot (1874-1943) British. ‘A Court of Justice’, Drypoint, Signed in Pencil, 26.5” x 20.75”.

William Walcot (1874-1943) British. ‘A Sacred Fair’, Etching, Signed in Pencil, 7.75” x 7”.

Edwin Kaufman (1906-1939) NIGHT, BROOKLYN Drypoint, signed and numbered 11/50 in pencil; Together with William Walcot (1874-1943) DOWNTOWN MANHATTAN FROM THE EAST RIVER, WITH THE WOOLWORTH BUILDING, e

William Walcot (1874-1943) 'Venice' and 'The Abbey', Two etchings, Both signed. Framed dimensions: h: 11 5/8 x w: 12 5/8 in. H: 3 5/8 W: 5 in.

After William Walcot (1874-1943), Etchings, Two London scenes comprising Piccadilly Circus, and The Thames - Pool of London. Both signed in pencil under. Approx. 6" x 11 3/4" (2)

William Walcot (1874-1943) - 'Changing London: The Quadrangle St Bart's Hospital', etching, pencil signed to lower right margin, 15 x 25 cm Buyers premium 30% (inc VAT)

William Walcot Prints of Ancient Rome & Mexico, Six prints from etchings by WIlliam Walcot (1874-1943), all dated 1921, including five views of Ancient Rome and one of Pre Columbian Mexico. Matted, in

William Walcot (English, 1874-1943), drypoint etching on paper "An Egyptian Palace", 1923, pencil signed, 9-1/4" x 11-7/8" pl, 15" x 17-7/8" sheet, excellent condition

William Walcot (English, 1874-1943), drypoint etching on paper "The Baptistry, Florence", 1920, pencil signed, 5-1/4" x 4-11/16" pl, 13" x 8-1/2" sheet, excellent condition

William Walcot (English, 1874-1943), drypoint etching on paper "Hospital of St. Mark's, Venice", 1920, pencil signed, 4-3/4" x 7" pl, 9-1/2" x 14" sheet, excellent condition

William Walcot (English, 1874-1943), drypoing etching on paper "Durham Cathedral", 1924, pencil signed, 6-1/2" x 7-7/8" pl, 10" x 12-3/4" sheet, excellent condition

William Walcot (Scottish/Russian, 1874-1943). This lot contains two pencil signed etchings: "The Boatyard, Venice" and "St. Peter's, Rome". Both are housed in simple gilt frames. The frames are scuffe

WILLIAM WALCOT (RUSSIAN, ENGLISH, 1874-1943) ETCHING. TITLE: PARK AVENUE. HAND-SIGNED IN GRAPHITE. UNMOUNTED. 9"X12"

This is an original pencil signed drypoint etching by British artist William Walcot R.I.B.A. This etching was created and printed in 1922 as part of a series that he did titled: The Arteries of Great

This is an original pencil signed drypoint etching by British artist William Walcot R.I.B.A. This etching was created and printed in 1922 as part of a series that he did titled: The Arteries of Great

By British artist William Walcott, (1874-1943) a pair of etchings showing two Scottish rivers, titled to verso "The Clyde" and "The Forth". Both signed in pencil lower right. Frames: approx. 16 1/2" x

By British artist William Walcott, (1874-1943) an etching with drypoint showing a view of the Thames, with busy loading cranes in the foreground and the Customs House across the river. From the 1922 p