Yoshito Arichi (Japan, 1949-) Etching in Colors

TSUCHIYA KOITSU, (Japan, 1870-1949), Color Woodblock Print, MIAJIMA IN THE RAIN, 1941; 15 ¼ inches x 11 ¼ inches (image) on sheet 18 inches x 12 3/8 inches; matted and framed under glass

"Farm House-51". Pencil numbered 11/ 300, titled, signed, and red stamp along bottom margin. Kanda's Gallery BOQ label to the reverse. Wood frame with non-glare glass. Appears in excellent condition;

Color etching on woven paper, "String beans". Signed, numbered 9/30 and titled lower margin. Provenance: George and Elizabeth Wile collection. Sheet size - 17 5/8 x 13 3/4, Frame - 19 5/8 x 16.

Etching on woven paper, "Chamomile". Signed, numered 9/xxx and titled lower margin. Provenance: George and Elizabeth Wile collection. Sheet size - 13 5 5/8 x 18, frame - 15 1/2 x 20.

Paul Kleinschmidt, etching, Paul Kleinschmidt (German, 1883-1949), Margarethe, 1922, etching, color pencil signed and dated below image, gallery labels verso, 10"h x 6.5"w (sight), 21"h x 17"w (framed

Guillaume Azoulay (Moroccan, b. 1949) color etching with gold leaf foil. Titled 'Isti Bisti'. Pencil signed lower right. Dated 178/777, titled and dated 2004 lower left. Measures 32" x 21 3/4" + 5" ma

Large aquatint etchings. Each print titled and signed "Ouchi M" along lower edge; larger print editioned 40/60, smaller editioned 1/60. Dimensions: (Larger frame) H 45" x W 32.5" ; (Sight) H 36.5" x W

(Japan, b. 1949) Original drypoint etching signed, titled and numbered 15/300. The work retains its gallery label on verso as well. Good condition throughout. H4 1/2" W5 1/4" without mat and frame Sol

GIOCOLIERI plate 8 from Tout Pres de Marino (G.A.138), 1971, color etching on Japan paper, signed in pencil, numbered II/XV, image 11 x 9 ", sheet 22 x 15", matted, in good condition.

Mt Asama, Honshu, Japan I color etching, signed lower right, 43/50, 1980 framed 7 1/2 x 10 inches plate size Mt Asama, Honshu, Japan II color etching, signed lower right, 43/50

SEPTIEME CHANT series, 1974, color etching on Japan paper signed and numbered XVI/XX (16/20) Roman numerals in pencil, plate 11 ½ x 8”, full margins, hand-made custom frame 22 ½ x 18 &

Arnold Nechansky, color etching, Arnold Nechansky (Austrian, 1888-1938), Deco Lady in Profile, Nov. 1914, color etching on Japan paper, pencil signed and dated lower center "A. Nechansky", 7.5"h x 3.5

DAVID BEN-GURION; MOSHE DAYAN, two sepia color etchings on Japan paper, each signed and numbered VI/XXV (6/25) & XIV/XXV (14/25) in pencil, images 6 ¾ x 5” & 6¾ x 4 ¾”, full

Three (3) Guillaume Azoulay (California/Israel, born 1949) sepia color etchings on paper from "The Willow Suite," including one (1) titled "Babylonica," one (1) titled "Caprea," and one (1) titled "Al

Ross Bleckner (American, b. 1949), "Pathways", Etching and Aquatint in Colors on Paper, 2002, marked "AP3" lower left, signed in pencil and dated lower right, unframed. Image: 26.75" H x 26.5" W; shee

Ross Bleckner (American, b. 1949), "Cluster", Etching and Aquatint in Colors on Paper, 2002, marked "TPD" lower left, signed in pencil and dated lower right, unframed. Image: 26.75" H x 26.5" W; sheet

VITREURS (F.213), from the Hom’mere III series, 1976-77, color aquatint etching on Japan paper, signed and numbered 12/100, printed and published by Georges Visat, image 19 ½ x 14 ¾&#8

Terry Winters (New York, b. 1949) "Cluster", unframed color etching with full margin, 15/50, signed and dated, 33 1/4"h x 27 1/2"w

ARC OBSCUR DES HEUVES 5 P.M. (F.110), 1964, color aquatint etching on Japan paper, signed in pencil, from the numbered edition 125, image 19 x 26 ¾”, full margins, some creases and soft handling cr

SPARTICO (Bizzarria) (G.A.184), 1975, color aquatint etching on Japan paper, signed in pencil, Roman numbered L/L (50/50), image 14 1/4 x 19 1/2", sheet 19 1/2 x 26", printed by Crommelynch and publis

Bernard Boutet de Monvel (French, 1881-1949) Les Marcheurs. Color etching and aquatint, circa 1907, pencil signed lower right, titled and numbered 'tire a 60-4'. On heavy wove paper, the sheet measure

LE CONMER from Hom’mere III (Ferrari 208), 1976-77, color aquatint etching on Japan paper, signed and numbered 52/100 in pencil, plate 19 ½ x 15”, full margins, frame 29 ½ x

Boulanger ENFANT REVANT, color aquatint etching on Japan paper, signed and numbered 25/50 Roman numeral in pencil, image 19 x 25”, full margins, frame 28 ¾ x 33 ¾” with glass

SHIZUKASA, 1977; ASAKAZE, 1979; TANE, 1976, three color etchings on thin japan paper hinged to larger sheets of BFK Rives paper, each signed in pencil from the numbered editions of 25, sheets 22 ½ x