Reginald Marsh engraving First Image

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Reginald Marsh engraving First Image

Reginald Marsh engraving

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Signed Reginald Marsh Engraving Signed Reginald Marsh Engraving Signed Reginald Marsh Engraving, Burlesque Show Girl (Sasowsky 172), 1936 engraving , one of only 40 proofs, final state, pencil signed lower right "Reginald Marsh" Ref

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Reginald Marsh engraving Reginald Marsh (1898-1954) ''Drum Majorette'' (Sasowsky 204)- engraving, 1947, signed in pencil, slightly light struck. 11 3/4 x 6''

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Reginald Marsh engraving Reginald Marsh (American 1898-1954)- ''Bathers in the Hudson'' (Sasowsky 213 iii/III)- engraving, 1941, numbered 37/100 in pencil, as published by Whitney Museum of American Art in 1969, from the port

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Reginald Marsh engraving (1 of 5)

Reginald Marsh engraving Reginald Marsh (American 1898-1954)- ''Pickaback'' (Sasowsky 180)- engraving, 1939, annotated 'proof' in pencil, published in 1969, in an edition of 100 by the Whitney Museum of American Art, good con

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Reginald Marsh engraving Drum Majorette, 1940 Marsh, Reginald (American 1898 - 1954), Drum Majorette, (Sasowsky #204) 1940, engraving, 298x152 mm; 11 3/4 x 6 inches, pencil signed from an edition of 300 signed and dated with initials in the plate

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Reginald Marsh (1 of 7)

Reginald Marsh (American, 1898-1954) G String (Sasowsky 172), 1936, one of 40 proofs, final state, signed lower right in pencil "Reginald Marsh", engraving, plate 9-3/4 x 7-13/16 in., sheet 11-3/4 x 9-5/8 in.; gilt

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Reginald Marsh - Merry Go Round - Engraving Reginald Marsh, American, 1898-1954, Merry Go Round Carousel horse, engraving, initialed and dated, pencil signed in margin 10 x 8, sheet 11 3/8 x 9 1/8 Property from the estate of Ethan F. Parker, La

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Reginald Marsh Burlesque Social Realist Engraving (1 of 6)

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Laurels Number One, 1947, signed ltd. ed. (1 of 9)

Laurels Number One, 1947, signed ltd. ed.Laurels Number One, 1947, signed ltd. ed., Laurel Gallery, May 1947, #15/300, with color wood engraving signed Anne Ryan, engraving signed Reginald Marsh, etching signed George Constant, and lithograp

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Reginald Marsh (American 1898-1954) (1 of 6)

Reginald Marsh (American 1898-1954)Reginald Marsh (American 1898-1954) A Morning in May, 1936,etching, unsigned (as usual for the Whitney edition) From: Reginald Marsh, Thirty Etchings and Engravings Edition: 114, regular edition of 10

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Reginald Marsh (American 1898-1954) (1 of 6)

Reginald Marsh (American 1898-1954)Reginald Marsh (American 1898-1954) Two Girls Walking to Right, 1943, etching, unsigned (as usual for the Whitney edition) From: Reginald Marsh, Thirty Etchings and Engravings Edition: 114, regular ed

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Marsh, "Drum Majorette," Engraving (1 of 2)

Marsh, "Drum Majorette," Engraving Reginald Marsh (American, 1898-1954), "Drum Majorette," engraving, Sasowsky 204 M48 AM Prints, Library of Congress 1940, 11 1/2" x 6", custom matt and silver leaf frame 19 1/2" x 13 1/2".

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Reginald Marsh (1898-1954) American, Whitney Museum Edition Engraving, "Elfinge Follies" (1 of 12)

Reginald Marsh (1898-1954) American, Whitney Museum Edition Engraving, "Elfinge Follies"Reginald Marsh (1898-1954) American, Whitney Museum Edition Engraving, "Elfinge Follies". Numbered 81/100 in pencil. Initialed and dated in the plate lower right.   Overall Size: 20 x 1

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Reginald Marsh, Merry-Go-Round (1 of 3)

Reginald Marsh, Merry-Go-Round Reginald Marsh Merry-Go-Round 1938 / 1969etching, engraving10.125 h × 7.875 w in (26 × 20 cm) Numbered to lower left '32/100'. Printed signature to lower left 'R. Marsh sc'. This work

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REGINALD MARSH (1898-1954) Peoples Follies. (1 of 1)

REGINALD MARSH (1898-1954) Peoples Follies.Peoples Follies. Engraving, 1938. 242x305 mm; 9½x12 inches, full margins. Fourth state (of 4). Edition of approximately 40. Signed and inscribed "Forty Proofs" in pencil, lower margin. A superb,

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REGINALD MARSH (1898-1954) "PEOPLES FOLLIES" (1 of 9)

REGINALD MARSH (1898-1954) "PEOPLES FOLLIES"Forty Prints edition. Pencil signed engraving. Purchased in 1963 at The Morris Gallery, NYC. Framed 17 3/4 x 20. View 9 3/4 x 12 1/4 inches.

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Reginald Marsh, Battery (Belles), 1938 (1 of 2)

Reginald Marsh, Battery (Belles), 1938 Reginald Marsh (American, 1898-1954) Battery (Belles), 1938 etching and engraving numbered in pencil lower left margin initialed and dated in plate lower right Whitney Museum edition of 100 (printed 1

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Reginald Marsh, Grand Tier the Metropolitan Opera (1 of 2)

Reginald Marsh, Grand Tier the Metropolitan Opera Reginald Marsh (American, 1898-1954) Grand Tier the Metropolitan Opera, 1939 engraving numbered in pencil lower left margin initialed in plate lower left Whitney Museum edition of 100 (printed 1969) W

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Reginald Marsh (American, 1898-1954) Striptease in New Jersey, 1951 (1 of 5)

Reginald Marsh (American, 1898-1954) Striptease in New Jersey, 1951 Reginald Marsh (American, 1898-1954) Striptease in New Jersey, 1951 etching and engraving signed in pencil 7 7/8 x 9 7/8 inches. Property from the Collection of George Irwin, Quincy, Illinois, Sold to

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Reginald Marsh (American, 1898-1952) 30 etchings (1 of 10)

Reginald Marsh (American, 1898-1952) 30 etchings Thirty Etchings and Engravings. Portfolio with complete text and 30 etchings and engravings, 1969. 400x330 mm; 15 3/4x13 inches (sheets), full margins, loose as issued. Edition of 100. Each print num

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Reginald Marsh (1898-1954) (1 of 13)

Reginald Marsh (1898-1954)A MORNING IN MAY; PEOPLES FOLLIES; PICKABACK; DRUM MAJORETTE (SASOWSKY 169, 178, 180, 204) Four engravings, 1936, 1938, 1939 and 1940, respectively, on wove paper, the fourth signed, the first and sec

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Reginald Marsh
(American, 1898-1954)
Box at the Metropolitan, 1934; Striptease at New Gotham, 1935; (1 of 4)

Reginald Marsh (American, 1898-1954) Box at the Metropolitan, 1934; Striptease at New Gotham, 1935; Reginald Marsh (American, 1898-1954) Box at the Metropolitan, 1934; Striptease at New Gotham, 1935; and Minsky's New Gotham Chorus, 1936 (3 works) etching and engraving on paper each signed and

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