Attributed to Francis Arthur Edwardes an

Attributed to Sir Francis Leggatt Chantrey (1781-1842): A carved white marble bust of Arthur Wellesley, 1st Duke of Wellington (1769-1852) the sitter looking slightly to sinister, his shoulders clad i

attributed ARTHUR FRANK MATHEWS (American 1860-1945) and LUCIA KLEINHANS MATHEWS (American 1870-1955)A PAINTING, "Rolling Clouds," oil on canvas board. 40" x 34"

An unsigned oil on canvas portrait of an elegant lady with pleasant and attractive demeanor, facing left and wearing a rose-colored gown over a white jeweled bodice. Dated 1765 lower right corner. Ove

Oil on paper. Nicely framed. No signature found.

Overall with frame 26" high x 21-3/4" wide.

Trio of attributed Arthur Umanoff walnut spindle base side tables. (2) white formica tops (1) walnut top. All apparently unmarked. Dimensions: (Largest) H 18.25" x Dia. 18" Condition: Surface wear, sc

Attributed Arthur Waagen 1883-1898 German - 19th Century Gilt Bronze Whippet Dog. Numbered, unsigned. Height 9.25" x Length 9.50"

Attributed Arthur Umanoff for Contemporary Shells, c.1960, chromed metal and vinyl upholstered barrel chairs27 1/2 x 23 1/2 x 20

Attributed to Arthur Ernest Anderson (d. 1936) of Bristol: A set of twelve carved and polychrome wood carousel horses Probably early 20th century The horses with elaborate cartouche and foliate decora

Attributed to Francis Sartorius (British, 1775-1831) Full Cry oil on canvas 21 x 39 inches.

Antique Post War Painting attributed Sam Francis - Oil canvas. Dimensions: 54.5 x 47.5 inches God Conditions , Signed & inscribed to reverse "54.5 x 47.5 in" Sam FrancisDimensions: "54.5 x 47.5 inches

ATTRIBUTED TO ARTHUR MORRIS COHENNew York, 1928-2012MacMillan Wharf, Provincetown, Massachusetts. Unsigned.Oil on canvas, 25" x 24". Framed 26" x 25".

(American, 1819-1905) Sheep, 1887, signed and dated lower right "A.F.Tait N.A./N.Y.1887", oil on panel, 6-3/4 x 9-1/2 in.; ornate period gilt wood and composition frame, 14-1/4 x 17 in.

ATTRIBUTED TO ARTHUR PARTON (AMERICAN 1842-1914)Landscape in Forest, oil on canvas41 x 56 cm (16 1/8 x 22 in.)unframed

Attributed to: Francis Wheatley (BRITISH, 1747-1801) oil on canvas, Beautiful Portrait of a young woman holding a dove, 50 in. x 39-1/2in.

Attributed to Arthur Fitzwilliam Tait (American, 1819-1905), Geese in a Pond, oil on panel, bears signature lower left, panel: 8.5"h x 12.5"w, overall (with frame): 12.25"h x 16.75"w

Attributed to Arthur Fitzwilliam Tait (American, 1819-1905), Chicks, oil on canvas, unsigned, canvas: 10"h x 12"w, overall (with frame): 17.5" x 19.25"

Attributed to Francis Speight Figure Study Signed Speight and inscribed In Comp on the reverse Oil on canvas 30 x 22 1/8 inches Provenance: Collection of David Sellin, Washington, D.C. C

attributed to ARTHUR JOSEPH MEADOWS (British 1843-1907) A PAINTING, "Cows Watering by a Figure with Sheep in Landscape," oil on canvas laid to pressed board. 19" x 29" Provenance: Collection of Karen

Attributed to Francis Seth (Shedd) Frost. New Hampshire White Mountains landscape with farmstead by a river. Cattle and figures walking along the path. Oil on canvas. Original frame. Appears to be uns

Up to Mischief - a Whippet, Cat and an Overturned StoolInscribed CHAT/ LEBLANC FR. and stamped with foundry mark LEBLANC FRERES on the undersideBronzeHeight 10 1/4 inches (26 cm) <

ATTRIBUTED TO ARTHUR SCHWIEDERNew York/Missouri, 1884-1965Lake in Central Park. Unsigned. Noted verso &quot;From the Estate of Arthur Schwieder&quot;.Oil on canvas, 25&quot; x 30&quot;. Framed 32&quot

Attributed to Arthur Severn (1842-1931) Attributed to Arthur Severn (1842-1931) Seascape watercolour heightened with white 8 x 13cm Provenance: The Estate of Sir Jack and Lady Baer. Condition Report:

A most unusual and beautiful skull of polished aluminum and steel in the manner of arthur court.This piece is detailed beautifully and has great scale.The newly polished finished adds to the interest