Erté VINTAGE Color screenprint

LeRoy Neiman (1921-2012) THE COVE AT VINTAGE Color screenprint, 1986, signed and inscribed A.P. 39/112 in pencil, an artist's proof aside from the edition of 375, with full margins, framed. Image 32 x

This lot includes:Gallery COA & free domestic shipping (*insurance and international shipping for an additional charge)Artist: Peter Max Title: IFMedium: Color ScreenprintSize: 10" x 14"Framed: 26" x

1) 5 1/2 yards of Thibaut's "Medley" Chinois, a vintage, 10-color screen print on cotton, 54 inches wide. Design repeats of 25 inches vertical by 27 inches horizontal. 2) 3 yards of Romo's "Forenza",

Paul Klee - American 1879-1940 - Vintage Color Silk Screen Print on Paper of an Abstract Face. Printed by Arthur Rothman Fine Arts NYC. 20" x 26"

MARRIAGE DANCE (silver version) (Lee pg. 90), 1984, embossed color screenprint with foil stamping, signed in pencil, number LXII/CLXXV (42/175), sheet 29 x 34”, published by Chalk & Vermilion and pr

SLEEPING BEAUTY (Lee page 112 + 113), 1983, color screenprint, signed and numbered 15/300 in pencil, printed by Chromacomp, published by Chalk & Vermilion Fine Arts, image 19 ¼ x 26 ¼&rd

BALCONY (L. 33), 1989, embossed color screenprint with foil stamping, signed in pencil, numbered 18/300, sight 35 ½ x 25”, published by Chalk Vermilion Fine Arts, printed by Chromacomp NY, Martin L

MOTHER OF PEARL (L.195), 1987, embossed color screenprint with hot foil stamping, signed and numbered LXXVIII/CCL (78/250) in pencil, sight 41 ¾ x 24 ¾”, printed by Chromacomp, publish

HERA (L.210), 1981, embossed color screenprint with hot foil stamping, signed in pencil, numbered 74/300, image 22 x 19”, full margins, Circle Fine Arts, framed, faint natural embossing wear, otherw

PHOENIX TRIUMPHANT, color screenprint, signed in pencil, numbered CXII/CL, sight 27 ¾ x 39 ¼”, blindstamps lower left, framed, in apparently good condition.

ROSES DE NUIT E.51), 1989, embossed color screenprint with hot foil stamping on black paper, signed and numbered 82/300 in white pencil, published by Chalk & Vermilion Fine Arts, printed by Chromacomp

PHOENIX REBORN, color screenprint, signed in pencil, numbered CXII/CL, sight 27 ¾ x 39 ¼”, blindstamps lower left, framed, in apparently good condition.

MAH-JONGG (Lee pg. 101), 1985, color screenprint with foil stamping on black paper, signed in pencil, numbered XCIX/CL (99/150), sheet 31 ½ x 42”, printed by Chromacomp.

MAH-JONGG (Lee pg. 101), 1985, color screenprint with foil stamping on black paper, signed in pencil, numbered XCIV/CL (94/150), sight 30 x 40 ½”, printed by Chromacomp, framed.

INGENUE (E.87), 1990, embossed color screenprint with foil stamping, gold signature stamp, numbered 103/300 in gold ink, published by Chalk Vermilion, printed by Chromacomp New York, image 22 ½ x 13

SISTERS (Lee 153), 1987, color screenprint with embossing and hot foil stamp, signed and numbered 203/300 in pencil, printed by Chromacomp, published by Chalk & Vermillion Fine Arts, sight 20 x 28&rdq

ERMINE BROCADE (L.205), embossed color screenprint with foil stamping on black paper, signed numbered 100/300 in gold pencil, image 27 x 24", large margins, framed.

AT THE THEATRE, color screenprint with hot foil stamping, signed in pencil, from the numbered edition 300, image 26 x 21”, full margins, framed with glass, in apparently good condition.

NEW YEARS EVE (E.74), 1990, embossed color screenprint with foil stamping, gold signature stamp, numbered 205/300 in gold ink, published by Chalk Vermilion, printed by Chromacomp New York, sheet 39 x

OPIUM (L.79), 1985, embossed color screenprint with hot-foil stamping, signed and numbered LXII/CL (62/150 Roman numeral) in pencil, printed by Chromacomp, New York, image 27 x 20 ½”, ful

AMOUREUSE from 20’s Remembered (Lee 104), 1977, color screenprint, signed and numbered 8/100 in pencil, image 18 x 13 ½”, full margins, printed by Frank Rowland Workshop, published

COLUMBINE (Lee 95), 1983, color screenprint, signed and numbered 181/300 in pencil, printed by Chromacomp, New York, image 26 x 19 ¾”, full margins, frame 36 ½ x 30” with gla

FURS (L.43), 1974, color screenprint, signed and numbered 7/260 in pencil, image 21 ½ x 17”, full margins, frame 35 x 30” with glass.

WHITE TIE (E.75), 1990, color screenprint, gold signature stamp, numbered 284/300 in silver ink, printed by Coriander Studio London, image 21 x 15 ½”, full margins, framed. Provenance: Martin Lawre