MARTIN LEWIS From Hoboken Heights. Drypoint, 1937. 225x203 mm; 9x8 inches, full margins. Edition of

MARTIN LEWIS American Nocturne. Lithograph with scratchwork, 1937. 250x366 mm; 9x14 inches, full margins. Edition of approximately 17. Signed in pencil, lower right. A very good impression of this ext

MARTIN LEWIS Relics (Speakeasy Corner). Drypoint, 1928. 302x252 mm; 11¾x9¾ inches, full margins. Edition of 111. Signed in pencil, lower right. A brilliant, luminous impression of this impor

MARTIN LEWIS Shadows, Garage at Night. Drypoint, 1928. 250x303 mm; 9¾x11¾ inches, full margins. Edition of approximately 49. Signed in pencil, lower right. A luminous, richly-inked impressio

MARTIN LEWIS Fishing Boats in the Rain. Drypoint, 1925. 253x176 mm; 9x6 inches, full margins. Edition of 41. Signed in pencil, lower right. A very good impression of this scarce drypoint. McCarron 39.

MARTIN LEWIS Chance Meeting. Drypoint, 1940-41. 265x187 mm; 10½x7½ inches, full margins. Edition of 105. Signed in pencil, lower right. Published by the Society of American Etchers, New York

MARTIN LEWIS Subway Steps. Drypoint printed in dark brownish black, 1930. 345x205 mm; 13⅝x8⅛ inches, full margins. Second state (of 2), after the reduction of the plate. Edition of approxi

MARTIN LEWIS The Passing Freight, Danbury. Drypoint and sand ground, 1934. 227x363 mm; 8¾x14¾ inches, full margins. Artist's proof, aside from the edition of 47. Signed and inscribed "Trial

MARTIN LEWIS Veterans. Lithograph, 1935. 250x342 mm; 9¾x13½ inches, full margins. Edition of only 8. Signed in pencil, lower right. A very good impression of this extremely scarce, first-kno

MARTIN LEWIS Under the Street Lamp. Etching, 1928. 380x240 mm; 14x9 inches, full margins. Edition of approximately 83. Signed in pencil, lower right. A superb, richly-inked impression.Lewis (1881-1962

MARTIN LEWIS Charleston Practice—Lunch Hour. Etching and sand ground printed in dark brownish black, 1926. 200x250 mm; 7x9 inches, full margins. Edition of only 20. Signed in pencil, lower right

MARTIN LEWIS Yorkville Night. Drypoint, 1947. 216x290 mm; 8½x11½ inches, full margins. Signed in pencil, lower right. A superb, richly-inked impression of this scarce print. Lewis (1881-1962

MARTIN LEWIS Subway Steps. Drypoint printed in dark brownish black, 1930. 345x205 mm; 13x8 inches, full margins. Second state (of 2), after the reduction of the plate. One of only 8 artist's proofs in

THOMAS HART BENTON Goin' Home. Lithograph, 1937. 240x302 mm; 9⅜x11⅞ inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York.

PABLO PICASSO Salomé. Drypoint, 1905. 405x350 mm; 16x13¾ inches, full margins. Edition of 250. Van Gelder watermark. Printed by Louis Fort, Paris. Published by Vollard, Paris. From La Suite

PABLO PICASSO Les Saltimbanques. Drypoint, 1905. 286x330 mm; 11¼x13 inches, full margins. Edition of 250. Printed by Louis Fort, Paris. Published by Vollard, Paris. From La Suite des Saltimbanque

JOHN MARIN Woolworth Building, No. 2. Etching and drypoint, 1913. 330x265 mm; 13x10½ inches, full margins. Second state (of 2). Edition of approximately only 10. Signed in pencil, lower right. Pu

PABLO PICASSO Morte au Soleil, IV. Drypoint and lavis on cream laid paper, 1933. 200x280 mm; 8x11 inches, full margins. Edition of 260. Signed in pencil, lower right. Picasso watermark. Printed by Lac

MJOHN MARIN Woolworth Building (The Dance) Etching and drypoint, 1913. 327x262 mm; 12x10 inches, full margins. Second state (of 2). Artist's proof, aside from the edition of 30. Inscribed "Artist's Pr

GRANT WOOD February. Lithograph, 1941. 227x303 mm; 9x11¾ inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A superb impressi

EDWARD HOPPER Night Shadows. Etching, 1921. 175x210 mm; 7x8¼ inches, full margins. Edition of approximately 500. Signed in pencil, lower right. Published by The New Republic, New York. A brillian

EDNA BOIES HOPKINS Cineraria (Anemones; Purple Zinnias). Color woodcut on Japan paper, 1915-17. 228x200 mm; 9x7 inches, full margins. Edition of approximately 25-50 (Vasseur cites the highest recorded

CHARLES WHITE (1918 - 1979) Gideon. Lithograph on cream wove paper, 1951. 565x375 mm; 22¼x14¾ inches, full margins. Edition of 50. Titled and inscribed "Ed. 50" in pencil, lower right. Print

JOHN MARIN Brooklyn Bridge, No. 6 (Swaying). Etching, 1913. 272x222 mm; 11x9 inches, full margins. Edition of approximately only 12. Signed in pencil, lower right. Published by Alfred Stieglitz, 291 F

PAUL CADMUS (1904-1999) Two Boys on a Beach, No. 2. Etching on greenish gray laid paper. 162x230 mm; 6x9 inches, full margins. Edition of 151. Signed in pencil, lower right. Published by the Albany Pr