Picasso Contemporary Drypoint Etching 50/100

Salvador Dali (Spanish, 1904-1989) - Moi, Aussi J'ai Connu l'Empereur (Portrait of Pablo Picasso), Drypoint and etching on collotype with stencil on ochre Ingres laid paper, 1970. Signed in pencil, nu

Pablo Picasso (1881-1973), drypoint etching, "Le Bain", 1905, printed after steel-facing, Block 12, plate size 13 3/8" x 11 1/4", framed 24 1/2" x 21 3/4". Provenance: From a Melrose, Massachusetts es

Pablo Picasso (Spanish, 1881-1973) Original 1968 Lithograph, "Untitled". Dated, en verso, May 1, 1968 / May 3, 1968. Pencil signed, "Picasso" and numbered 24/50. Drypoint etching was during his "347 S

ITALY, b.1948 An Aquatint drypoint etching by Italian contemporary artist Mimmo Paladino. Titled "Tra gli Ulivi" (Between the Olive Trees), the work exemplifies the Expressionist Revival movement to w

ITALY, b.1948 An Aquatint drypoint etching by Italian contemporary artist Mimmo Paladino. Titled "Tra gli Ulivi" (Between the Olive Trees), the work exemplifies the Expressionist Revival movement to w

Pablo Picasso Modele et peintre chauve 1966drypoint etching on BFK Rives image: 10.75 h × 15.125 w in (27 × 38 cm) sheet: 16.5 h × 19.625 w in (42 × 50 cm) Signed an

Pablo Picasso (Spanish 1881-1973) Pour Roby drypoint etching signed in plate published by Collectors Guild NY Plate 9 x 8" Overall 18 x 17"

Pablo Picasso (Spanish, 1881-1973). Framed etching drypoint on cream paper. The work titled "Femme Assise et Trois Tetes Barbues" ("Seated Woman and Three Bearded Heads") from La Suite Vollard, produc

Artist: Pablo Picasso Title: Portrait de Max Jacob Year: 1956 Dimensions: 9.5in. by 7in. Edition: 1 from the limited edition of 20 Suite: Chroniques de temps he

Pablo Picasso (1881-1973) Etreinte I (Bloch 1110; Baer 1103 V.B.b) Etching with drypoint, 1963, on BFK Rives wove paper, signed and numbered 37/50 in pencil, published by Galerie L. Leiris, Paris, 196

SCENE MYTHOLOGIQUE (Bloch 1398), 1966, drypoint etching and scraper, signed and numbered 16/50 in pencil, plate 10 ½ x 15 ¾”, full margins, frame 23 ½ x 26 ½ x 2&rdqu

Drypoint etching on paper showing a figural study titled: La Source (Trois Femmes à la Fontaine), Circa 1921. Provenance: Family inheritance from Joel Deutsch.R. S. Johnson-International Gallery, C

Pablo Ruiz Picasso (Malaga, 1881 - Mougins, 1973) "Portrait d'une bourgeoise Hollandaise coiffée d'un bégun" (Portrait of a bourgois Dutch woman wearing a bonnet) Suite 347. Drypoint etching. Si

(Spanish, 1881-1973), 'La Danse Barbare (Devant Salome et Herode)' drypoint etching, 1905 (B. 15; Ba. 18), this is the 14th and final plate in Picasso's 'La Suite des Saltimbanques" 7-7/8"h x 9-1/2"l

PABLO PICASSO (FRENCH, 1881-1973) CARMEN SERIES - 1949 Dry point etching; paper label on reverse; set under plexi-glass in gilt frame; original plate destroyed; Printed by Atelier Roger Lacouiere Pari

PABLO PICASSO (Spanish, 1881-1973), Fat Courtesan with an Old Man and Spectator in Costume, etching & drypoint on arches 500 paper, image size: 7 x 4.5 inches, 12.5 x 8 inches, unsigned. Plate 72, fro

Pacheco, Ana Maria (Brazilian, contemporary), Domestic Scenes 3, 2000, etching and drypoint on Somerset Textured paper, signed, titled and numbered 3/20 in pencil, impression 7.75 x 10.25 inches, full

Pablo Picasso (Spanish, 1881-1973) La Danse Barbare, from 'La Suite des Saltimbanques' (Bloch 15; Baer 18.b1) Etching with drypoint, 1905, on Japan laid, from the rare edition of 27 or 29, printed by

4 Contemporary prints- 1). Woody Gwyn (American 1944- )- ''Grove''- aquatint, etching and drypoint, 1991, signed in pencil, edition of 260, The Print Club of Cleveland Special Publication for 1992. 22

Pablo Picasso, "Celestine, maja et complice masculin, pl. 122 (from la Serie 347)" etching with aquatint and drypoint, 1968. Signed lower right, "Picasso" and numbered lower left, "40/50". Plate: 4.75

PABLO PICASSO (Spanish/French 1881-1973) AN ETCHING, "Series 347," dry point, numbered 40/50, dated "2.8.68" U/R and signed L/R. 12 1/4" x 12 1/4"

Amedeo Modigliani (Italian,1884-1920). Etching of a woman's face, in the manner of his exact contemporary and associate, Pablo Picasso. Artist signature lower left corner. Housed in gilt frame. Label

Etching with burin and dry point on Japanese mother of pearl paper. Signed and numbered 107/180. It originally accompanied the book, "Recordant el doctor Reventós (Homenatge dels seus amics)", Barcel

2 Contemporary etchings 1). Cheryl Warrick (American 1956- ) - ''Peace Makes Plenty''- etching, soft ground, white ground, drypoint in colors on chine colle, 2008, edition of 250, signed, titled, date