Winton Thompson (NC, 1917-2003), Canvasback

Melvin L. Owens (Westmoore, NC, 1917-2003) Two Vesselslead glazed earthenware pinch bottle with noggin (7 1/2 in.) and a covered teapot, yellow glaze with sine wave detail (6 1/2 x 8 1/2 in.) both sig

Enrique E Montenegro (New Mexico 1917-2003); "Sitting Man Abstract" Oil on Canvas; label to reverse that this painting was on Loan to the North Carolina Museum of Art in Raleigh, NC. Age related wear.

Solomon Saprid (1917 - 2003) Life Size Metal Sculpture. "Eternal Triangle" Ht. 46" W. 58" D. 28"

Moses P. Pearl (American, 1917-2003) Tunnel in the Sky oil on masonite signed lower right, titled on verso 36" x 48"

Ward Bennett (1917-2003) for Brickell Associates Sled lounge chairs, pair USA, 1970s wicker, chrome-plated steel unmarked 29"w x 27"d x 29"h

Ward Bennett (1917-2003) for Geiger Sled lounge chairs, pair USA, 2008 chrome-plated steel, leather paper labels 28 1/2"w x 30"d x 31 1/2"h

Luiza Miller (1917-2003) Sculptural Coffee Table, c. 1970 Susse Fondeur, France steel, glass H 12 1/2 x W 43 1/4 x D 31 1/2 inches

(Rhode Island/Massachusetts, 1917-2003) Tuscan Landscape, signed lower left "Durfee", oil on canvas, 34 x 42 in.; gilt wood frame, 38-1/4 x 46-1/4 in. Provenance: Private Collection, New York

MAEDA CHIKUBŌSAI II (1917−2003) A Handled Bamboo Flower Basket Showa era (1926-1989), circa 1960-1990 Of susudake (smoked bamboo) and rattan, the square base worked in mat-plaiting with twi

An extremely unique hand made and hand painted instrument that features a built in drum, guitar and harp. This unique piece of folk art was made in 1992 by the artist Everald Brown (1917-2003). Brown

Alejandro Vainstein Argentine, 1917-2003 Autoretrato, 1957 Signed and dated Vainstein 57 (lr); dated 16-7-57 on the reverse Oil on canvas 16 1/8 x 13 1/8 inches (41 x 33.3 cm) C

Ward Bennett (1917-2003) for Geiger International Scissor chairs, pair Lake Mills, Wisconsin, circa 1980 brushed stainless steel, tan bouclé upholstery unmarked 24"w x 29"d x 34 1/2"h

Veikko Marttinen (Finland 1917-2003). A very well done modern "Still life with white cloth" painting. The work is oil/canvas and is signed, and dated (1960). It is housed in an exceptional art nouveau

Lot 18 Ward Bennett American (1917-2003) Pair of Club Chairs, (c. 1970) tufted leather, raised on casters each: 29 1/2 x 27 x 28 inches Provenance: From the Collection of Richard Devine, Set Decorator

Ward Bennett (1917-2003) for Geiger International Scissor lounge chairs, pair Lake Mills, Wisconsin, 2005 chrome-plated steel, leather manufacturer's label to undersides 24"w x 29"d x 34 1/2"h

Ward Bennett (American, 1917-2003) SofaLehigh Leopold, USA upholstery, aluminum H 29 1/2 x W 72 x D 30 inches. Size H 29 1/2 x W 72 x D 30 inches. Condition seat

Ward Bennett (American, 1917-2003) SofaLehigh Leopold, USA upholstery, aluminum H 29 x W 73 x D 30 1/2 inches. Size H 29 x W 73 x D 30 1/2 inches. Condition Overa

Ward Bennett (1917-2003) for Brickell Associates, Sled lounge chairs, 1960s, chromed steel, cane, 29.5" x 32"d x 29"h

Ward Bennett (1917-2003) for Brickel Associates Scissor lounge chairs, pair New York, New York, 1970s black lacquered ash, red wool upholstery metal tags to each 24 1/4"w x 29"d x 34 1/4"h

Japanese modern bamboo (madake) flower basket, by Maeda Chikubosai II (1917-2003), of egg shape with a single handle, all formed by irregular plaiting, bottom signed ‘Chikubosai kore [o] tsukuri’;

Maeda Chikubosai II (Japanese, 1917-2003), A Flower Basket HanakagoShowa period (1926-1989), over dyed susutake and rattan, artist's signature to the basket. 11 x 5 x 5 in. A native of Sakai City, Os

Ward Bennett (American, 1917-2003). Mid-century modern red velvet tufted sofa with a steel base. The base with six adjustable feet. Works by Bennett are held in the collections of Cooper-Hewitt, the N

Ward Bennett (1917-2003, USA), set of four dining chairs, designed for Brickel Associates, having wooden frame, with bent arms, featuring balustrade railing, supporting Jack Lenor Larson fabric uphols

ART THOMPSON (1948-2003) NUU-CHAH-NULTH Raven Transforming into Human, July 1997 red cedar wood, acrylic paint, cedar bark, fur, and abalone, 15.5 x 28 x 26 in (39.4 x 71.1 x 66 cm) closed, 15.5 x 59