ROSELLA HARTMAN (American, 1895 - 1993). The Bear Family, circa 1934, Pencil signed lithograph.

ROSELLA HARTMAN (American, 1895 - 1993). The Bear Family, circa 1934, Pencil signed lithograph. Framed. Not examined out of frame. - 13 x 9 in; frame: 19 x 16 in

Rosella Hartman (Am. 1895-1993), dated and signed in pencil lower margin "Ed 30.- Paris 1934 - Rosella Hartman", from the edition of 30. Frame size: 25 1/4'' high, 19 1/4" wide; sight size: 18" high,

Rosella Hartman (American, 1894-1984), lithograph on paper "The Family", pencil signed, original AAA certificate, 12-3/8" x 8-1/2" pl, 16-1/2" x 12-1/2" sheet, excellent condition

Rosella Hartman (Am. 1895-1993), titled and signed in pencil lower margin, from the edition of 10. Frame size: 19 7/8" high, 16 1/2" wide; sight size: 12" high, 8 1/2" wide. Not examined out of frame.

Ruth Asawa (American, 1926-2013), Desert Flower, circa 1965, lithograph, pencil signed lower right, edition 17/20, sheet: 20”h x 20”w, overall (with frame): 28"h x 28"w

Ellsworth Kelly (American, 1923-), abstract, color lithograph circa 1964-65, signed in pencil, editioned 54/75, 35" h x 23 1/2" w (view), 36" h x 25" w (frame). Provenance: from the Santa Barbara, Cal

Ellsworth Kelly (American, 1923-), abstract color lithograph circa 1964-65, signed "Kelly" in pencil, editioned 67/75, 35" h x 23 1/2" w (view), 36" h x 24" w (frame). Provenance: from the Santa Barba

Grant Wood (American, 1891-1942) lithograph. Signed 'Grant Wood' in pencil lower right. Title 'Family Doctor' in pencil lower left. Accompanying print is a letter (from the publisher) stating that thi

Elizabeth Murray (American, (1940-2007) Shoe String, 1993 three-dimensional lithograph in colors signed, dated, and numbered 51/70 in pencil Sheet: 40 x 33 inches. Published by Universal Limited Art E

13 proof illustrations from Moby Dick photo-lithographs on paper h. 8 w. 6 in. (largest sight) overall: 21 x 11 in. (largest frame) circa 1930, all signed in pencil lower margin, framed together in gr

THOMAS HART BENTON (American 1889-1975) A PRINT, "West Texas," CIRCA 1952,  lithograph on paper, signed in margin in pencil, "Thomas H. Benton," and signed in plate, "S.M.U. Benton '52," 11 1/2"

Alexander Calder (American, 1898-1976) Volute Lithograph printed in colours, circa 1970, on wove, signed in pencil and inscribed 'H.C.' in pencil, an hors de commerce impression aside from the numbere

Roy Lichtenstein (American, 1923-1997). "Les Nympheas". Linoleum cut, woodcut, lithograph, and silkscreen. 1993. Signed, numbered, and dated in pencil, lower right. From the regular edition of 100 (th

Ellsworth Kelly (American, 1923-), abstract, color lithograph circa 1964-65, signed "Kelly" and editioned 62/75 in pencil, 35" h x 23 1/2" w (view), 36" h x 25" w (frame). Provenance: from the Santa B

Ellsworth Kelly (American, 1923-), abstract, color lithograph circa 1964-65, signed "Kelly" and editioned 46/75 in pencil, 35" h x 23 1/2" w. Provenance: from the Santa Barbara, California and Madison

Ellsworth Kelly (American, 1923-), abstract, color lithograph circa 1964-65, signed "Kelly" and editioned 71/75 in pencil, 35" h x 23 1/2" w (view), 36" h x 25" w (frame). Provenance: from the Santa B

Ellsworth Kelly (American, 1923-), abstract, color lithograph circa 1964-65, signed "Kelly" and editioned 75/75 in pencil, 35" h x 23 1/2" w (view), 28" h x 40" w (frame). Provenance: from the Santa B

Thomas Hart Benton (American, 1889-1975) "Missouri Farm Yard (Kansas Farm Yard)", lithograph, signed, circa 1936. Sight size: 10.75" x 16" Signed lower right in pencil and in plate. Provenance: From t

Frank Stella (American: B. 1936) lithograph in colors on Arches paper titled "Sinjerli Variation I". Hand signed in pencil to lower right. Numbered: 32/100. Dated: 1977. Notes: Bears the gallery label

Untitled (circa 1970) Colour lithograph on wove paper Signed and numbered 61/95 in pencil Size: 29.5 x 43.5 in. Provenance: Albert White Gallery, Toronto; stock no. C-51; Private Collection, Toronto,

Gustave Baumann (American/German, 1881-1971) April Circa 1936. Pencil signed 'Gustave Baumann' in the margin bottom right, pencil titled (all caps) in the margin bottom left; also numbered '51/120' in

Thomas Hart Benton (1889-1975) Frankie and Johnnie (1936) The lithograph from an edition of only 100 prints published by Associated American Artists is signed by the artist in pencil below the image l

Thomas Hart Benton (1889-1975) The Race (Homeward Bound) 1942 The rare and desirable Thomas Hart Benton lithograph printed by Associated American Artists on wove paper in an edition of 250 prints is s

Thomas Hart Benton (1889-1975) Instruction 1940 The lithograph from an edition of 250 prints published by Associated American Artists is signed by Benton in pencil below the image lower right, listed