1965 AOR-2.33 SF Mime Troupe Gate Theatre Handbill 6

This double-sided handbill is from the very first days of Bill Graham's tenure with the Mime Troupe. These events are from August of 1965 at the Gate Theatre and predate the Mime Troupe I by 3 mon

This double-sided handbill is from the very first days of Bill Graham's tenure with the Mime Troupe. The handbill advertises the return of That Minstrel Show Civil Rights in a Cracker Barrel, whic

This double-sided handbill is from the very first days of Bill Graham's tenure with the Mime Troupe. These events are from August of 1965 at the Gate Theatre and predate the Mime Troupe I by 3 mon

This double-sided handbill is from the very first days of Bill Graham's tenure with the Mime Troupe. . The handbill advertises the return of "That Minstrel Show" Civil Rights in a Cracker

PABLO PICASSO (SPAIN, 1881-1973), CERAMIC SCULPTURE, 1965, 6/50, H 11", W 9", "FOOTBALLEUR" On a rosewood base on Plexiglas. Number 6/50. Property of the Arthur Schwartz Estate, Southfield, MI.

Unusual Design with 3 Front Posts and 4 Rear Posts. Spring Loaded Lift Gate with 6 Side Screws. Extended Sole Plate and Original Turned Wooden Handle. Size 5 1/4" x 5 3/4"

After Pablo Picasso (Spanish, 1881-1973) Wool Tapestry, c. 1965, dated "6.4.65." upper left, embroidered "PICASSO", lower right edge, verso, 76 1/2 in. x 87 in. Provenance: Estate of Warren A. Goldste

Slug Iron with Center Decorated Finial, Rosettes on Posts and Heat Gate SIZE: 6 1/4"

Bridget Riley Untitled (Fragment 6/9) 1965screenprint on Perspex image: 28.25 h × 28 w in (72 × 71 cm) overall: 29.25 h × 29 w in (74 × 74 cm) Signed and dated to lo

Damien Hirst (born 1965) The Elements (H6-6, H6-7, H6-8, H6-9) The complete set of four laminated giclée prints on aluminium panels, 2020, each signed in pencil on the publisher's label affixed v

Damien Hirst (born 1965) Honour from The Virtues (H9-6) Laminated giclée print in colours, 2021, on aluminium panel, signed in pencil on the publisher's label affixed verso, stamp-numbered 220/69

FWM 1693 - Hand Wrought Posts with Brass Cut-Outs on Top. Hinged Gate. Size 5 1/4" x 6 1/4"

LOUISE NEVELSON (1899-1988) Untitled, 1965 incised with the artist's signature and dated 'NEVELSON 1965' (on the reverse) painted wood and metal 16 x 10 1/2 x 3 in. 40.6 x 25.4 x 7.6 cm. Footnotes:

Sam Francis Mountain's Gate 1982lithograph in eleven colors on Arches 88 diptych 60 h × 49.875 w in (152 × 127 cm) Numbered and inscribed to left panel '6/15 A/B'. Signed and inscr

Damien Hirst (British, b. 1965) "Providence" 2009, etching and aquatint on wove paper. Signed 'Damien Hirst' (lower right). Edition numbered 6/45. Published by Other Criteria, London. 18 1/2 x 15 1/2

Tony Abeyta B. 1965 Untitled lithograph and mixed media on paper signed in pencil lower right Image: 24 x 16 in. (61 x 40.6 cm.), Frame: 32 x 24 1/2 in. (81.3 x 62.2 cm.) Provenance: Property from the

SERIES: AOR-2.325 PRINTING: OHB-A DATE: 10/8/1966 PERFORMER: Quicksilver Messenger Service,Grateful Dead,Joan Baez,Mimi Farina,, VENUE: Mt. Tamalpais Outdoor Theater, Marin County GRADED: CGC 9

#250 MAYS VGEX, #260 DRYSDALE GOOD, #6 LEADERS EX - REST VG-VGEX

Marvel Comics The Amazing Spider Man Annual issue number 2. Published by Marvel Comics, 1965. Illustrated in color. Measures approx. 10.25 x 6.75 inches. Wear to cover, pages, and binding consistent w

DAVID HOCKNEY (1937 - )"AFTERNOON SWIMMING" (T.G. 266, M.C.A.T. 233, W.G. 87)Year : 1979Lithograph in colours, on Arches Cover mould-made paper, the full sheet. S. 80 x 100.6 cmSigned, dated and numbe

Artist: Fu Baoshi 傅抱石 (1904 - 1965) Waterfall Landscape Painting (Sight): Length: 55.5 cm, Width: 28.6 cm Dated: Second Month of 1943 Signed/Seal(s): Signed, with Artist seal PROV

Leo Amino Untitled 1965cast resin4.75 h × 2.25 dia in (12 × 6 cm) Signed and dated to underside 'LA 65'. This two-piece work is comprised of a sculptural element that rests atop an ar

Full title: Floris Jespers (1889-1965): 'African market', oil on canvas of large size Description: Work: 149 x 198 cm Frame: 155 x 203,5 cm Exhibited: - Floris Jespers, Guillaume Campo, Antwerp, 1985

"J'étais totalement impliqué et amoureux du Quattrocento. Mais je ne pouvais bien sûr pas maintenant peindre des personnages du Quattrocento. Mes prêtres étaient contemporains [...].";