Pierre Bonnard pochoir "L'Estampe et l'Affiche" 1927

Medium: pochoir (after the lithograph). Printed in Paris in 1927 at the atelier of Daniel Jacomet and published by Henri Floury. The total sheet size is 10 1/4 x 8 inches (260 x 200 mm). Plate-signed

Medium: pochoir (after the lithograph). Printed in Paris in 1927 at the atelier of Daniel Jacomet and published by Henri Floury. The total sheet size is 10 1/4 x 8 inches (260 x 200 mm). Plate-signed

PIERRE BONNARD (FRENCH 1867-1947) L'estampe et l'affiche, 1897 color lithograph 81.5 x 59 cm (32 1/16 x 23 1/4 in.) [sight]

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in Paris on Renage paper in 1952 by the Mourlot atelier, in faithful recreation of the original. According to the

Lithograph. La Lithographie en Couleurs. Publication Del'Estampe et L'Affiche; 8.5in. X 7.25in.(image size)

After Pierre Bonnard (French, 1867-1947) , "Scéne de Famille", c. 1895, lithograph in colors, from Maîtres de L'Affiche, printed by L'Imprimere Chaix, Paris, 9 1/8 in. x 5 1/4 in., framed Provenance

Lithograph, Pierre Bonnard (French) 1867-1947, "La Revue Blanche," 1894; 12 1/2 x 9 1/2 inches. Published by Maitres de l"Affiche with blindstamp Pl. 38. Under glass, not examined out of frame.

Maitres de l'Affiche, Pl. 38 Original 1898 stone lithograph poster. Size: 40 x 29cm 15,7 x 11,4 in. Les Maitres De L'Affiche prints are a series of 256 color lithographs published in Paris during The

Pierre Chapo (1927-1987) Bookcase model B17C Elm wood Meuble Chapo edition Creation date: circa 1966 H 153×L 284×P 30cm Bibliography: Pierre Chapo, un artisan moderne, H. Magen et al., Magen

Pierre CHAPO (1927-1987)Quatre chaises en orme massif modèle "S11" assemblées par emboitage, assises et dossiers tendues de cuir havane.H: 78 - L: 43 - P: 43 cm (usures, taches et petits manques

ANDRE MASSON L'ESTAMPE ET LE SURREALISME 1975 FRAMED LITHOGRAPHIC POSTER 30" X 20"

Jorgensen, Monique (illus.) and Max Terrier (text), Hotels Historiques de Paris I and II (two volume set), Paris, Le Livre et l'Estampe 1945 and 1947, volume 1 number 89 of 535 copies, volume 2 number

By Stephane Mallarme and Andre Massone. This is the first work published by Le Livre et l'Estampe Modernes. It is decorated with 28 original color lithographs, including many on double pages, by Andr?

Medium: pochoir (after the painting). Printed in Paris in 1927 at the atelier of Daniel Jacomet and published by Henri Floury. The image size is 6 1/4 x 7 inches (160 x 180 mm) not including margins.

Paul C. Helleu (French 1859-1927) Parisienne (L'Estampe Moderne 11),1898, lithograph, signed in the plate, mounted on a larger sheet marked with a blindstamp depicting a woman's profile. The a

La Vie et l’Œuvre de Pierre-Auguste Renoir. Paris: Ambroise Vollard, 1919. One of 375 copies in Velin d’Arches. Rebounded with the original soft cover preserved inside, it contains: one Original

A lithograph by Theophile-Alexandre Steinlen (Swiss, 1859-1923) from the French Belle Epoque/ Art Nouveau series Maitre de l'Affiche (Masters of the Posters). Printed by Imprimerie Chaix in the late 1

Théo Tobiasse (French, 1927-2012) L'enfant et la foraine signed 'theo tobiasse' (centre right), dated '65' (centre left) and titled 'l'enfant et/la foraine' (upper left) oil on canvas 46.6 x 38.1

Description française: REBRY, Gaston (1933-2007) "Raisins" Huile sur toile Signée en bas à droite: G. Rebry Contresignée et titré sur l'estampe de l'artiste au dos Provenance: Galerie Lionel Trem

Theophile Alexandre Steinlen (Swiss, 1859-1923) Lithograph Collection (6) items, (3) as published from 'L'Maitres de L'Affiche' including 'Mothu Et Doria' and 'Motocycles Commiot', all having Merrill-

Theophile Alexandre Steinlen (French/Swiss, 1859-1923) Les Maitres de l'Affiche: Mothu et Doria color lithograph stamped (lower right) 12 x 9 inches (sight). Provenance: Vixseboxse Art Galleries, Inc.

PIERRE-AUGUSTE RENOIR Pierre Renoir, de face. Lithograph printed in bistré on Chine volant, 1893. 290x236 mm; 11½x9¼ inches, wide) margins. Edition of 100. From L'Estampe Originale. A v

Merimee, Prosper, "Carmen", Paris: L'Estampe Moderne 1928, #213 of a limited edition of 500 copies, illustrated with 15 full-page color pochoir plates, printed on thick paper with artificial deckled e

Brunelleschi, Umberto (Italian, 1879-1949), The Bird Enchantress, 1920s, color pochoir on paper, signed, titled and numbered 318 in pencil at bottom, published by L'Estampe Moderne with their blindsta