Unknown (18th), Madonna with Francis and James, around 1700, Copper engraving

Lot of two hand colored fencing engravings after James Gwyn (British, 1700-1769). Age unknown, very possibly original 18th century. Each one measures (sight) 10.25" tall x 14.5" wide, and (frame) 17.2

Unknown (18th century): Satirical sheet on the South Sea bubble, caricatures of illnesses, ailments and quacks, 1720, Copper engraving Technique: Copper engraving and Etching on Paper Date: 1720 Descr

Unknown (18th century): The defeated actionist in the chair with tinkles, overreached from't lauded Horse of Troy, Satirisches Flugblatt, 1720, Copper engraving Technique: Copper engraving on Paper Da

Unknown (18th century): Busts of men on the left with headscarf and on the right with turban, , Copper engraving Technique: Copper engraving on Laid paper Watermark: Undeterminable watermark Date: Dat

Lot of 23 Engravings. Mostly Copper Plates by Francis Grose. Also a couple of Steel Engravings and one Wood Engraving from the Graphic. A couple of duplicates. Paper Size: Typically 10 x 6.5 inch (25

King James I Portrait Medallion Engraving - Original painting by Sir Anthony van Dyck (1599-1641) / Engraved by George Vertue (British, 1684-1756) / Copper engraving on laid paper circa 1700's; under

The South East Prospect of the Church of St Dunstan in the West Hand Colored Copper engraving by Benjamin Cole (fl. 1700-67) from the second edition of Maitland's History of London. Purchased and fra

Print from copper engraving, hanh colored. Author and engraver unknown.Notes: B. II. Taf VII. Ancient Rome was an Italic civilization that began on the Italian Peninsula as early as the 8th century BC

after James Gwyn (British, 1700-1769). Two hand-colored fencing engravings, engraved by Hall circa 1760. Framed as a pair. Approx. 20.25" x 25.25" (frame) 10.75" x 15.75" (sight)

Three Early Bookplates Late 18th century, Copper plate engravings on laid paper including a bookplate engraved by Peter Maverick, New York, for James Giles with a coat of arms over 'James Giles' sign

British, 18th century. A group of fine botanical copper-plate engravings with original hand-coloring by James Sowerby (British, 1757-1822) English Botany, published 1790-1814; 6.75 x 3.75 inches. Over

Pair 18th c English Handcolored Horse Engravings on Glass. James Seymour, "Le Mort" circa 1754 and Francis Sartorius "Race Horse", circa 1768. Both 10" x 14" viewed and both frames 14 1/4" x 18 1/2".

After James Basire, British, late 18th c. "The Embarkation of King Henry VIII At Dover...", panoramic naval engraving, colored, this specific edition unknown, possibly a known early 20th century restr

Continental, 18th century. Engraved by Johann August Corvinus (German, 1683 –1738) after Salomon Kleiner. Dates to around c. 1720-1740.

About the Item Set of four finely framed copper engravings of birds. This wonderfully deocrative works on paper are all signed John James Audubon and numbered. Each on a custom black matting in a gilt

Italian School After Sasso Ferrato G. Battista (Italian, 1591-1666) Oil on Copper, Ca. 18th.c., "Madonna And Child", H 7.2" W 5.7" | Oil on copper mounted on wood panel. Black frame with blue malachit

DES BARRES, Joseph Frederick Wallet (1721-1824), after PIERIE, William (fl. late 18th century) & James NEWTON (1748-1804). View of Boston taken on the road to Dorchester. Copperplate engraving. London

Spanish Colonial School, 18th Century (?) The Madonna and Child / A Bleeding Nun (verso) Oil and applied gold on copper In an ornate gilded frame Property of Stephanie Hoppen Dimensions: (Image) 5 in

Masterfully cast, the deities in yab-yum with Chakrasamvara striding in alidhasana on prostrate figures, his thirty-four arms creatively angled, Vajravarahi wrapping her left leg around his waist whil

17th or 18th century Old Master Interior Scene, oil on canvas, depicting Christ with Madonna surrounded by six putti figures, in large Flemish Rococo carved and gilt gold frame, artist unknown, art 15

"Glossy Ibis" IBIS FALCINELLUS. Male Adult, Drawn from Nature by J. J Audubon, F.R.S.F.L.S, Engraved Printed and Coloured by R. Havell 1837. No. 78 Plate CCCLXXXVII. this original aquatint copper plat

Jacob Bouttas, active around 1700, Entry into Noah's Ark. The animals have gathered in a wide landscape to enter Noah's Ark. On the bridge into the ark, highlighted by the light among the other animal

PICASSO "ESCULTOR Y ESULTURA" COPPER ENGRAVING PENCIL SIGNED C.1933. GRABADO SOBRE UNDER GLASS WITH STAMPS FROM MUSEE D ORSAY AND CHRISTES. Height: 20 1/4 in. by Width: 231/2 in

i. Troupiale nour, de St. Domingue, plate 53410" x 8 1/2" (25 cm x 22 cm )ii. Choucas, des Philippines, plate 60310" x 8 1/2" (25 cm x 22 cm)iii. Coucou, des Philippines, plate 8249" x 8" (23 cm x 20