JOHN OF COLCHESTER VINE (UK, 1805/09-1867)

Oil on artist board, signed "Vine Pinx" and titled "This Saw Took the Prize at the R.A.S. Battersea 1862". Large pig in barnyard. 16.75"h x 22.5"w and 19"h x 25"w framed

(British, 1809-1867). Watercolor on paper, signed "Painted by J. Vine" ll, 10 1/2 x 13 1/2 in., framed. 19th century Paul Aggio of Colchester framer's label attached to verso

ASHENDENE PRESS. HORNBY, C.H. ST. JOHN. 1867-1946. A Descriptive Bibliography of Books Printed at the Ashendene Press MDCCCXCV - MCMXXXV. Chelsea: Ashendene Press at Shelley House, 1935. 4to (315 x 21

The Bark "Scotland" passing the Cliffs of Dover, inbound, oil on canvas, signed lower right and dated 1853, housed in a replica gilt gesso deep cove frame, OS: 32 1/2" x 44 1/2", SS: 23 1/4" x 35 1/4"

Sailing Vessels approaching Dover, oil on canvas, signed lower right "J. Scott", dated 1864, depicting sailing ships flying British flags, one marked the St. Hilda, OS: 34" x 45 1/2", SS: 23 1/2" x 35

An Edward and John Barnard English sterling silver ewer/water jug with applied grape vine design and branch form handle. London hallmarks, maker's marks of Edward & John Barnard, letter date for 1859,

Exceptional Miniature Stoneware Jar with Cobalt Tulip Decoration, Dated 1867, Stamped "JOHN BELL / WAYNESBORO'" and "JOHN BELL", 1867, diminutive, cylindrical crock with footed base, tooled shoulder,

JOHN CROSS (1867-1939) SKIDEGATE, HAIDA GWAII Model Totem Pole,1910-20 argillite, 7.5 x 2.25 x 2 in (19.1 x 5.7 x 5.1 cm) unsigned. Provenance A Vancouver Collection. John Cross was und

English School, Circa 1620 Portrait of William Ramsden of Longley Hall oil on canvas 22 1/2 x 19 inches. This lot is located in Chicago. Provenance: Lady Catherine Lowther, Leeds, UK John Nicholson's

Source: Provided by Mr. John, Manchester, UK.high 6.5cm,Wide 3.2cm

Joseph John Englehart (1867-1915) small oil painting on board of edge of San Francisco Bay with Mt Tamalpais in background c1910. Signed. Excellent condition. 12"h x 9"w. Original frame 15"h x 12"w Sp

Head Portrait of the Thoroughbred Race Horse "Sunstar", oil on academy board, signed and titled lower center, in ornate lemon gold matched corner cove frame, OS: 21 1/2" x 28 1/4", SS: 15 1/2" x 17 1/

John Richard Falling Vine Side Board on metal base. 72" x 20" x 38" tall

Hawai'i Wood and stingray spines 37,5 cm Provenance: Bedford Museum, U.K. K. John Hewett, London Wayne Heathcote, Brussels/New York/London Masco Corporation, Detroit Sotheby's, Paris, African

John Sargent Noble (UK, 1848 - 1896) oil on canvas depicting a mother dog with two young pups, signed lower left, JS Noble 1876. Canvas 27” x 40”, Overall in a gilt frame 33” x 46&#8

John Zoffany (PA/UK/Germany, 1733-1810) oil on canvas portrait of John Murdock, Esquire, unsigned 29.5"H x 24"W

John Englehart (American 1867-1915) View of Yosemite oil on canvas signed lower right canvas: 30""h x 50""w overall (with frame): 38.5""h x 58.5""w

3 AMERICAN ANTIQUE STONEWARE JUGS: A collection of three antique American stoneware pottery jugs. 1) Pruden & Olcott, NY, decorated in cobalt blue depicting large berry on vine and dated 1867 with an

John Englehart (American, 1867-1915), "Yosemite Valley," 1894, oil on canvas, signed, dated and titled lower right, canvas: 30.5"h x 48"w, overall (with frame): 41.5"h x 59"w

[MORMON – TRAVEL]. PAGE, John Edward (1799–1867). “Journal of a Tour chiefly into North Wales 1833” [An original manuscript with watercolor miniatures authored by a member of t

《 Discussion 》 Oil on canvasJohn Arthur Lomax 1857-1923 UK

John Frederick Herring, Sr. (British, 1795-1865) Oil on Board "Mare and Foal." In the original 19th century frame labelled by Casson Galleries, 575 Boylston St., Boston en verso. From the original Fam

DESCRIPTION: Painting is unsigned and attributed to John Ferneley II. The consigner purchased this painting from Sotheby's in approximately 1995. PROVENANCE: MGM Studios, Hollywood. MEASUREMENTS: 22

John Nygren (USA), Tree and Vine Vase #3283, 1987. 10 x 3.75 x 3.75 inches. One of two available at this auction. A combination of naive and Asian influences makes Nygren's vessels fascinating. He sto