Ricky Williams Signed New Orleans Saints F/S Speed Helmet- Beckett W *Black

William Hemmerling (1943-2009. Illinois/Louisiana), "New Orleans," 2004, oil on canvas, signed and dated en verso, unframed, H.- 29 3/4 in., W.- 40 in. Provenance: Property from Gentleman Collector, L

William Aiken Walker (American/South Carolina, 1839-1921) "The Family, Cabin Scene", 1910 oil on academy board signed lower left, "F. W. Devoe & Co." art supplier's label and pencil-inscriptions inclu

William Aiken Walker (American/South Carolina, 1839-1921) "Black Man with Cane, Standing in a Cotton Field" oil on canvasboard signed lower right, and labels from "Didier's" and Louisiana State Museum

William Affleck (British, 1869-1909) "All in a Garden Fair" watercolor on paper signed lower left, titled on frame, frame backing with labels from "W. H. Clifford & Co., High Street, Strood, Rochester

William Samuel Parrott (American, 1843-1915) "Mt. Hood" oil on canvas signed lower right, a "William A. Kargas Fine Art, Los Angeles, CA" label with artist and title en verso. Period gilt frame. 42" x

Pedro Friedeberg (Mexican, b. 1936) "Hand Chair" carved mahogany signed along back. h. 38-1/2", w. 20", d. 20" Provenance: Collection of Dr. Nia Terezakis, New Orleans, Louisiana.

Ida Rittenberg Kohlmeyer (American/Louisiana, 1912-1997) "Untitled", 1987 carved and painted wood sculpture signed and dated at bottom. h. 66", w. 29", d. 21"

Dale Chihuly (American, b. 1941) "Cobalt Blue Macchia Set with Red Lip Wrap", 1990 blown glass the medium-sized bowl signed in etch: "Chihuly/90". largest h. 10", w. 26-3/4", d. 26-3/4", medium h. 10-

David Borgerding (American/Louisiana, b. 1972) "Untitled", 2013 bronze incised signature and dated along lower edge, on an integral black metal rectangular base. overall h. 21", w. 48", d. 8"

Malvina Cornell Hoffman (American, 1887-1966) "La Frileuse" bronze fountain signed, copyright-marked and inscribed "AM (conjoined) CAST 98" along back edge. h. 39-1/2", w. 9-1/2", d. 9" Provenance: Es

Alexander John Drysdale (American/Louisiana, 1870-1934) "Live Oak in the Bayou", 1914 oil on board signed and dated lower right, and with a "W. E. Seebold, Academy Board, 132 Carondelet Street, New Or

Joseph Marioni (American/New York, b. 1943), "Black Painting", 2003, acrylic on Belgian linen, signed, titled and dated en verso, 24" x 20". Unframed. Private collection, Santa Fe, New Mexico.

Two Italian Grand Tour Souvenirs fourth quarter 19th century, each composed of siena and black marble, one of the Temple of Castor and Pollux, h. 17-1/2", w. 5-3/4", d. 5-3/4", and the other of the Te

Alexander John Drysdale (American/Louisiana, 1870-1934) "Cabin by the Shore" oil on canvas board signed lower right and with a "W. E. Seebold, Stationer, Engraver & Fine Art Dealer, 130 Carondelet St.

Pedro Friedeberg (Mexican, b. 1936) "Foot Stool" carved and gilded wood the three-footed base supporting a double open palm seat, signed at bottom of one foot. h. 11-3/4", w. 13-3/4", d. 13-3/4" Prove

William Merritt Chase (American, 1849-1916) "Portrait of Louis Windmuller (1835-1913)", 1902 [sic?] oil on canvas signed far left center. Framed. 51-1/2" x 38", framed 67-1/2" x 55" Provenance: In the

Dale Chihuly (American, b. 1941), early blown glass "Navajo Blanket" cylinder, ca. 1975, signed at the base edge within the glass, h. 11", dia. 4-3/8". Provenance: Estate of Dr. William N. Coughlin,

William Curtis (1746-1799) and John Sims (1749-1831) The Botanical Magazine, or Flower-Garden Displayed London: W. Curtis et al., 1787-1815, demy quarto, forty-two volumes (in 34) plus index, containi

William Skilling (British/American, b. 1949) "Mermaid" and "Merman" pair of oils on canvas both signed lower right. Presented in matching faux tortoiseshell frames. each 36" x 48", framed 41-1/5" x 54

William and Mary Black-Lacquered Cabinet-on-Stand late 18th century, in the chinoiserie taste, the molded rectangular cornice above a conforming case fitted with an arrangement of thirteen variously s

Knute Heldner (1875-1952, Swedish/New Orleans), "Singing by the Mississippi River," oil on canvas, signed lower right, presented in a wood frame, H.- 39 3/4 in., W.- 31 1/2 in., Framed H.- 43 1/2 in.,

George Bauer Dunbar (American/New Orleans, b. 1927), "Coin du Lestin", gold leaf over red and black clay on board, signed lower right, 48 in. x 42 in., framed

Arthur Kern (American/New Orleans, b. 1931), "Study for Silent Myth", 1981, fiberglass resin, signed on underside, exhibition label with artist, title and date on base, h. 10 1/2 in., w. 13 1/2 in., d

William M. Hart "Sunset on Catskill Creek, N.Y." oil on panel, 1869. Signed and dated lower right, "WM HART 69". Board: 11.75"H x 18"W; Frame: 16.25"H x 22.5"W. PROVENANCE: Alexander Gallery, New York