Lamar Williams

Box turkey call, Lamar Williams, Stark, Florida. With carved squares and inlays in the style of Neil Cost. Signed and dated 2002.

Beautiful Lamar William Dodd watercolor paper. Frame: 32 x 24 inches. Provenance: private owner. Biography: 1909 - 1996. A painter in styles ranging from realism to symbolic abstraction and a distingu

Attributed to Lamar William Dodd, it does not have a COA. Medium: watercolor paper. 34 x 28 inches. Provenance: private owner. Biography: 1909 - 1996. A painter in styles ranging from realism to symbo

(American/Georgia, 1909-1996) House of Worship, 1961, signed lower right "Lamar Dodd", oil on canvas, 30 x 20-1/2 in.; gilt wood frame, 26 x 35-1/2 in. Note: Dodd, Lamar, William U. Eiland, and Emily

William Robert Thrasher (1908-1997), "Yellow Field". oil on canvas. sight: 18 x 24", frame: 26 x 32". Provenance: An Alamo Heights, Texas collection Born in Lamar County, Texas, in 1908, William Rob

From Lamar Odom's Rich Soil Company, Limited Edition. Given out at a gift lounge in Hollywood, circa 2009 to William Sanderson. Size 7. In original box. PROVENANCE: From the collection of William Sand

PABLO PICASSO (1881-1973) Visage no. 0 (A.R. 458), 1963 Marked and numbered (on verso): 'N° 0 / Edition Picasso / 235/500 / Madoura' White earthenware ceramic plate with colored engobe and glaze Fr

Western Zhou period style, High: 2.17 inch

H:11.5 IN. QIANLONG MARK AND PROBABLY OF THE PERIOD.

Hong Shan Culture Style; Long: 1.10 inch; High: 1.10 inch; Depth: 0.31 inch

A PAIR OF ADRIAN PEARSALL POD LOUNGE CHAIRS WITH PAUL EVANS STYLE BRUTALIST BASE Showroom quality white vinyl upholstered cushions, anchored in carved bronze-finish resin bases set over molded drum-fo

Alfred Walter Williams "A Devonshire Valley", landscape with figures and cattle, oil on canvas, no visible signature, label on back inscribed "A Devonshire Valley, Alfred W. Williams, 32 Castelnau Vil

19th Century, H: 9.8 in. UNDERGLAZE BLUE QIANLONG MARK. PROPERTY FROM A CHICAGO COLLECTOR.

ICONIC 'WOMB' CHAIR & OTTOMAN DESIGNED BY EERO SAARINEN FOR KNOLL IN BROWN BOUCLE ON METAL FRAME IN BLACK The suclpted Model 70 Chair, which came to be known as the "Womb Chair", was designed by Eero

AN ANTIQUE, 19TH C. SWEDISH WHITEWASHED ROUND HAND-CARVED AND DOVETAILED WOOD MIRROR WITH ORIGINAL FINISH. The Second, of the two phenomenal, 47" Diamever, heavy and extremely well-constructed, circul

Possibly Republic Period, High: 17.25 inch x Diameter: 5.3 inch

AN ANTIQUE, 19TH C. SWEDISH WHITEWASHED ROUND HAND-CARVED AND DOVETAILED WOOD MIRROR WITH ORIGINAL FINISH. One of two phenomenal, 47" Diameter, heavy and well-constructed, circular wall mirrors with a

Diameter: 1.5 inch

19th Century, D: 8.15 in. UNDERGLAZE BLUE YONGZHENG.PROPERTY FROM A CHICAGO COLLECTION.

LIANG ZHU CULTURE STYLE; Long: 6.02 inch; Width: 4.72 inch; Depth: 0.27 inch

AN ADRIAN PEARSALL ‘WAVE’ CHAISE LONGUE OR DAYBED WITH RARE PAUL EVANS STYLE BRUTALIST BASE Collectors' piece by Adrian Pearsall, a master of modern furniture design, in excellent, origin

"AQUATIC SENSUALITY I," LARGE SCALE PHOTOGRAPH ON CANVAS BY DANIELLA GROSS, SURROUNDED BY SLIM BLACK FRAME From Marc Daniel Gallery in Boca Raton, on a very large (85" long) canvas. Dimensions Width:

A FLOWER PAINTED BLUE AND WHITE PORCELINA BOWL, Probably Ming Dynasty, Cheng Hua Period, H:2.75 inch X D:6.5 inch

18TH CENTURY. H: 6.3 IN. QIANLONG MARK. PROVENANCE: BOSTON PRIVATE COLLECTION SINCE 1969.