Gillray (James) Bonus Melior Optimus or the Devil's the best of the bunch, etching with

James Gillray (British 1756-1815) "Devils-Angling For Lawyers," hand colored etching, published March 25, 1800,matted and framed. Dimensions: 9.5 x 15 in. image size, 18 x 21.5 in. Condition:

2 James Gillray (1771 - 1811) hand-colored satirical etchings; 'More Humbugs or Another Attack on John Bull' and framed 'le Diable - Boiteux or The Devil upon Two Sticks, Conveying John Bull to the La

Gillray (James) Collection of six caricatures, including 'The Wounded Lion' [BM Satires 10421], 'The Nursery, with Britannia reposing in Peace' [BM 9895], 'Tales of Wonder' [BM 9932]', 'Tirailleur Fra

Gillray (James) Light Expelling Darkness, - Evaporation of Stygian Exhalations,-or- The Sun of the Constitution, rising superior to the Clouds of Opposition, etching with hand-colouring, on cream wove

(SATIRE.) James Gillray. A Democrat,__or__Reason & Philosophy. Hand-colored etching on "1794" watermarked wove paper. 14½x10¾ inches sheet size, wide margins; faint mat line and mount residu

James Gillray (1757-1815) British, 'The Chancellor of the Inquisition Marking the Incorrigibles', hand-coloured etching, plate size 13.75" x 9.75" (35 x 24.5cm).

(SATIRE.) James Gillray. Middlesex-Election, 1804__"a Long-Pull, a Strong-Pull,__ and a Pull-All-Together". Hand-colored etching and aquatint on heavy wove paper. 13½x19¼ inches sheet size,

James Gillray (British, 1756-1815) 'Le Baiser à la Wirtembourg'; 'Introduction of the Citizen Volpone' (BM 9006; BM 9892) Etching with hand-colouring, 1797, on wove, published by H. Humphrey, Lon

James Gillray (1757-1815) British, 'French Taylor, Fitting John Bull with a Jean de Bry', hand-coloured etching, annotated in pencil 'Nov 1799', 13.75" x 10.5" (35 x 26.5cm).

After James Gillray (British, 1756-1815) Posting the Election Hand coloured etching 21.5 x 62cm (8 7/16 x 24 7/16in). Together with two further Gillray political prints titled 'Middlesex Election' a

Coloured etchings Published by H. Humphrey, 1809 Each plate size c. 37.5 x 22cm (14 3/4 x 8 3/4in.), (7) Provenance: Property of The Viscount Norwich and Lady Diana Cooper. Refer to the online PFD of

James Gillray (British, 1756-1815) The Wounded Lion; The Magnanimous Minister, Chastising Prussian Perfidy (BM 10421; BM 10560) Two etchings with hand-colouring, 1805-06, on wove, published by H. Hump

Artist: Robert Rauschenberg Title: The Razorback Bunch (Etching II) Year: 1980 Dimensions: 47 7/8inin. by 31 1/2inin. Edition: Rare Limited Edition of 24 Publisher:

Alexander Calder The Devil (CONSTANTIN TACOU PORTRAIT) etching and aquatint in colors, printed on Moulin Richard de Bas paper, signed in pencil by the artist, circa 1975.

Robert Rauschenberg (American, 1925-2008) "The Razorback Bunch (Etching III)," 1981, photoetching, pencil signed, numbered, and dated bottom center: "Rauschenberg 12/26 '81," Universal Limited Art Edi

Edward Borein (1872-1945), Saddle Bunch, etching and drypoint on paper, 3 x 8 1/8, signed lower right

James Rizzi, etching with color, James Rizzi (American, b. 1950), "Oncoming Traffic", mixed media etching, signed, titled and numbered (2/99) in lower margin, 8.25"h x 6.25"w (sight), 12.5"h x 9.5"w (

JAMES MCBEY, ETCHING, H 8 7/8'', W 14 7/8", "DAWN CAMEL PATROL SETTING OUT":1917-1917. Label on verso. Framed and Matted under glass. Signed in lower right margin in ink.

Size: 22x40 INCHES Year: 1980 Medium: ETCHING Edition: 78 Description: Hand signed and numbered in pencil. Artwork is in excellent condition

James Allen (American 1894-1964)- ''The Laborer'' (Ryan 74)- etching, ca. 1933, signed and annotated 'to our Great Fiends/ ? for the/ Great time' in pencil, some slight discoloration around outer marg

James Abbott Mcneill Whistler (American 1834-1903) Depicting sailboats in a harbor inscribed and dated l.r. "Whistler/1859." 14"h x 7"w

A RARE original portrait 8x10 signed in fountain pen to Bill All my best James Dean Bill was James Deans FIRST Fan Club organizer (he was for many other stars too) this from his estate with COA

(Scottish, 1883-1959) Marrakesh (H. 274), 1938, signed lower right "James McBey", etching, 10-15/16 x 9-1/16 in.; black metal frame, 19-3/8 x 17-1/8 in. Provenance: Estate of the Artists James McBey a

James A.M. Whistler, etching, 1879, James Abbott McNeill Whistler (American, 1834-1903), "Upright Venice" from the Twenty-six Etchings of the Second Venice Set (Kennedy 16), on laid paper, likely four