Darape and Curtain Pins

Twenty-Five Pressed Glass Rosette Curtain Pins / Tie Backs, Boston & Sandwich Glass Company, Circa 1840-1870. Each with beaded petals, shaped rims and period metal shanks. Comprising nine 4 1/2in

PRESSED AND GILT BRASS PAIR CURTAIN PINS / TIEBACKS, each depicting a trumpet flower with alabaster/clambroth blossom and two buds, set within gilt-brass leaves with rear mounting arm. Mid 19th centur

PRESSED ROSETTE CURTAIN PINS / TIE BACKS, LOT OF 15, light to deep fiery opalescent, including five pairs, each with appropriate Britannia shank. Boston & Sandwich Glass Co. and others. 1840-1870. 2 1

PRESSED SPLIT-PETAL ROSETTE PAIR OF CURTAIN PINS, deep fiery opalescent, each with a circular rope-edge rim front and back, two additional rope rings to reverse, and original Britannia shanks. Boston

PRESSED ROSETTE CURTAIN PINS / TIE BACKS, LOT OF EIGHT, fiery opalescent, each with beaded petals, shaped rims, and original metal shanks. Boston & Sandwich Glass Co. 1840-1870. 3" D.Each with minor t

ASSORTED PRESSED GLASS CURTAIN PINS / TIE BACKS, LOT OF 13, colorless opalescent, canary yellow (black lighted), apple green, and cobalt blue, comprising 12 six-petal Rosette, and a floral example, te

PRESSED ROSETTE CURTAIN PINS, LOT OF TEN, opaque white and varying shades of opalescent, Eight example with original shanks, one opaque white with a later shank. Boston & Sandwich Glass Co. 1840-1870.

ASSORTED BLOWN AND SILVERED CURTAIN PINS / TIEBACKS, LOT OF 12, three with embossed rosette to face, remainder undecorated, each with original metal mount, ten pewter and two tin, and screw shanks. 18

ASSORTED PRESSED GLASS CURTAIN PINS / TIE BACKS, LOT OF EIGHT, fiery opalescent, amber, and blue, comprising four reproduction pressed Rosette and four floral and grape examples. Various makers. 19th

YARN HOLDER & CURTAIN PINS IN VINTAGE TIN

ASSORTED GLASS ARTICLES, LOT OF EIGHT, including a green shade Diamond Point fairy lamp, two cut glass covered dresser boxes, and a set of four pressed curtain pins, three with original screw shank. F

ASSORTED PRESSED AND BLOWN-MOLDED ARTICLES, LOT OF SEVEN, canary yellow (black lighted), cobalt blue, fiery opalescent, and colorless, comprising a single-piece hexagonal candlestick, one curtain pin

Largest are approx 2 1/4" in diameter. Tin is also included.

Custom made set of Silk curtains adorn with pin stripes in pink amongst a cream background with shimmering motifs of scrolled flowers. Drapery Is adorn with pink and cream toned tassels, a double laye

Mixed lot of various glass and metal curtain hold-backs and tie-backs, also sometimes called drapery hooks or pins, usually intended for tying or affixing to wall to hold curtains away from windows. A

Vintage Kitchen incl Curtains (4 panels, each is 32"x44"), Jello or Cake Mold, Rolling Pin

14k yellow gold brooch. This gorgeously detailed pin has three small turquoise beads laid into an etched floral design. A delicate chain tassle curtain with beaded ends dangles from the bottom of the

These appear to be hand painted behind glass. Maybe Curtain Tie backs, interesting lot. Most likely 1880-1900 Largest measures approx. 1.75" in diameter.

Shower Curtain Rings/ Clock /Napkin Holder/ Franklin Mint Pocket Knife / 10 Pins

Tiffany Studios leaded glass chandelier has a geometric border of translucent amber textured glass, the top of the chandelier is geometric panels of green mottled glass. The chandelier is completed wi

Of rectangular form, the green silk ground applied with red and orange cartouches and roundels, embroidered with silver and silver-gilt metal threads, with central roundels below a calligraphic band a

FRANÇOISE GILOT (born 1921) Still life with blue curtain (recto); Still life with green curtain (verso) signed and dated 'F. Gilot. 46_' (lower left, recto); signed 'F. Gilot' (lower left, verso)

David Hockney (British, b. 1937) Figure on a Platform in Front of a Curtain Signed, dated 63 and titled bottom right, ink on paper. (7 1/4 x 10 in. (18.4 x 25.4cm)) Provenance Kasmin Limited, Lon

Of rectangular form, embroidered in silver and silver-gilt thread over a black silk ground, the surface broken into cartouches of various shapes and sizes containing inscriptions in naskh and thuluth