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TEN ENAMELLED SILVER PENDANT BEADS, MULTAN, PUNJAB, INDIA (NOW PAKISTAN), LATE 19TH CENTURY

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TEN ENAMELLED SILVER PENDANT BEADS, MULTAN, PUNJAB, INDIA (NOW PAKISTAN), LATE 19TH CENTURY

EACH LOZENGE-SHAPED FORM WITH TWIN LOOPS ATTACHED TO A NOW FRAGMENTARY BAZUBAND AND NECKLACE STRING, THE FACETED SILVERED GEOMETRIC DECORATION FILLED WITH GREEN AND BLUE ENAMELLING, MEASURING 3.5 CM IN LENGTH (EACH BEAD).

Buyer's Premium

30% up to£100,000.00

25% up to£500,000.00

20% above£500,000.00

TEN ENAMELLED SILVER PENDANT BEADS, MULTAN, PUNJAB, INDIA (NOW PAKISTAN), LATE 19TH CENTURY

Lot 0065

Estimate £500-£800

Apr 1, 2026, 1:04 AM EDT

Starting Price

Secure

£400

1 bidder is watching this item

A Curated Sale of Asian Art & Antiques

Mar 15, 2026 12:00 AM EDT

Purley Way, Surrey, UK

HAND-DRAWN SKETCH OF A “BRITISH BIRD – JAY

LALU PRASAD SHAW (BORN 1937) BABU BIBI TEMPERA ON BOARD 2018 SIZE 21 X 28 INCHES: ARTIST NAME: LALU PRASAD SHAW (BORN 1937)TITLE: BABU BIBIYEAR: 2018MEDIUM: TEMPERA ON BOARDSIZE: 21 X 28 INCHES THIS WORK IS A FINE EXAMPLE OF LALU PRASAD SHAW’S DISTINCTIVE NEO-BENGAL FIGURATIVE

LALU PRASAD SHAW (BORN 1937) BABU BIBI TEMPERA ON BOARD 2018 SIZE 21 X 28 INCHES

RAJA RAVI VARMA (1848–1906) SHRI SHANKARACHARYA LITHOGRAPH: RAJA RAVI VARMA (1848–1906) SHRI SHANKARACHARYA LITHOGRAPH THIS ICONIC COMPOSITION DEPICTS SHRI ADI SHANKARACHARYA, THE GREAT PHILOSOPHER-SAINT OF ADVAITA VEDANTA, SEATED IN SERENE CONTEMPLATION

RAJA RAVI VARMA (1848–1906) SHRI SHANKARACHARYA LITHOGRAPH

M. F. HUSAIN (1915–2011) UNTITLED (GANDHI WITH CHARKHA WATERCOLOUR ON PAPER: M. F. HUSAIN (1915–2011)UNTITLED (GANDHI WITH CHARKHA WATERCOLOUR ON PAPER THIS EXPRESSIVE WATERCOLOUR IS A STRONG AND IMMEDIATELY RECOGNISABLE EXAMPLE OF M. F. HUSAIN’S ICONIC ENGAGEMENT WITH

M. F. HUSAIN (1915–2011) UNTITLED (GANDHI WITH CHARKHA WATERCOLOUR ON PAPER

PERSIAN / ISLAMIC INSCRIBED MINIATURE PAINTING FROM AN ILLUSTRATED MANUSCRIPT 12 X 8 IN: PERSIAN / ISLAMIC INSCRIBED MINIATURE PAINTING FROM AN ILLUSTRATED MANUSCRIPT 12 X 8 INA 19TH CENTURY PERSIAN / ISLAMIC MINIATURE PAINTING FROM AN ILLUSTRATED MANUSCRIPT, RENDERED IN THE TRADITIONAL

PERSIAN / ISLAMIC INSCRIBED MINIATURE PAINTING FROM AN ILLUSTRATED MANUSCRIPT 12 X 8 IN

CHINESE CALLIGRAPHY SCROLL (ONE HEART RETURNS / SINGLE-MINDED DEVOTION): CHINESE CALLIGRAPHY SCROLL (ONE HEART RETURNS / SINGLE-MINDED DEVOTION)A TRADITIONAL CHINESE CALLIGRAPHY SCROLL FEATURING THE PHRASE WHICH CAN BE INTERPRETED AS “RETURN WITH ONE HEART,”

CHINESE CALLIGRAPHY SCROLL (ONE HEART RETURNS / SINGLE-MINDED DEVOTION)

SG THAKUR SINGH UNTITLED (RIVERSIDE LANDSCAPE AT DUSK) OIL ON CANVAS 39 X 27 IN: SG THAKUR SINGHUNTITLED (RIVERSIDE LANDSCAPE AT DUSK)CREATION YEAR: 1930MEDIUM: OIL ON CANVASSIGNED IN ENGLISHSIZE: 39 X 27 INCHES THIS ATMOSPHERIC LANDSCAPE BY SG THAKUR SINGH DEPICTS A SERENE

SG THAKUR SINGH UNTITLED (RIVERSIDE LANDSCAPE AT DUSK) OIL ON CANVAS 39 X 27 IN

A COTTON LACE PICHHAVAI: A COTTON LACE PICHHAVAI A RARE AND FINELY EXECUTED COTTON LACE PICHHAVA(I) / PICHHWAI, DEPICTING THE SACRED RAAS LILA OF SHRINATHJI SURROUNDED BY GOPIS IN GRACEFUL, RHYTHMIC MOVEMENT. THE

A COTTON LACE PICHHAVAI

PREYAS MEHTA ACRYLIC ON CANVAS MERMAIDS 36 × 24 INCHES: PREYAS MEHTAACRYLIC ON CANVAS MERMAIDS 36 × 24 INCHES THIS EVOCATIVE PAINTING FROM A SET OF THREE PAINTINGS FROM THE MERMAIDS SERIES BY PREYAS MEHTA OFFERS A LYRICAL AND IMAGINATIVE EXPLORATION

PREYAS MEHTA ACRYLIC ON CANVAS MERMAIDS 36 × 24 INCHES

PREYAS MEHTAACRYLIC ON CANVAS MERMAIDS 36 × 24 INCHES: PREYAS MEHTAACRYLIC ON CANVAS MERMAIDs 36 × 24 INCHES THIS EVOCATIVE PAINTING FROM A SET OF THREE PAINTINGS FROM THE MERMAIDS SERIES BY PREYAS MEHTA OFFERS A LYRICAL AND IMAGINATIVE EXPLORATION OF

PREYAS MEHTAACRYLIC ON CANVAS MERMAIDS 36 × 24 INCHES

PRIYA ALOK MEHTA OIL ON BOARD RAJASTHANI WOMEN 2000 43.5 × 31.5 IN: PRIYA ALOK MEHTA OIL ON BOARD RAJASTHANI WOMEN 2000 43.5 × 31.5 IN IN RAJASTHANI WOMEN, PRIYA ALOK MEHTA OFFERS A POISED AND INTIMATE PORTRAYAL OF TWO WOMEN ADORNED IN TRADITIONAL RAJASTHANI

PRIYA ALOK MEHTA OIL ON BOARD RAJASTHANI WOMEN 2000 43.5 × 31.5 IN

PRIYA ALOK MEHTA VILLAGE SCENE 2005 OIL ON BOARD 81 × 39 INCHES: PRIYA ALOK MEHTA VILLAGE SCENE 2005 OIL ON BOARD81 × 39 INCHES THIS EXPANSIVE PANORAMIC COMPOSITION BY PRIYA ALOK MEHTA PRESENTS A VIVID AND IMMERSIVE PORTRAYAL OF INDIAN RURAL LIFE, RENDERED WITH

PRIYA ALOK MEHTA VILLAGE SCENE 2005 OIL ON BOARD 81 × 39 INCHES

PREYAS MEHTA ACRYLIC ON CANVAS MERMAIDS 36 × 24 INCHES: PREYAS MEHTA ACRYLIC ON CANVAS MERMAIDS 36 × 24 IN THIS EVOCATIVE PAINTING FROM A SET OF THREE PAINTINGS FROM THE MERMAIDS SERIES BY PREYAS MEHTA OFFERS A LYRICAL AND IMAGINATIVE EXPLORATION OF

PREYAS MEHTA ACRYLIC ON CANVAS MERMAIDS 36 × 24 INCHES

PERSIAN / ISLAMIC INSCRIBED MINIATURE PAINTING FROM AN ILLUSTRATED MANUSCRIPT 12 X 8 IN: PERSIAN / ISLAMIC INSCRIBED MINIATURE PAINTING FROM AN ILLUSTRATED MANUSCRIPT 12 X 8 IN A 19TH CENTURY PERSIAN / ISLAMIC MINIATURE PAINTING FROM AN ILLUSTRATED MANUSCRIPT, DEPICTING A LIVELY

PERSIAN / ISLAMIC INSCRIBED MINIATURE PAINTING FROM AN ILLUSTRATED MANUSCRIPT 12 X 8 IN

RAMKUMAR (INDIA, 1924–2018) INK ON PAPER UNTITLED (ABSTRACT ARCHITECTURAL COMPOSITION): RAMKUMAR (INDIA, 1924–2018) INK ON PAPER UNTITLED (ABSTRACT ARCHITECTURAL COMPOSITION) THIS EXPRESSIVE DRAWING BY RAMKUMAR PRESENTS AN ABSTRACTED ARCHITECTURAL LANDSCAPE BUILT THROUGH SWEEPING

RAMKUMAR (INDIA, 1924–2018) INK ON PAPER UNTITLED (ABSTRACT ARCHITECTURAL COMPOSITION)

GIRISH S. VENGURLEKAR, RARE EXHIBITED PHOTOGRAPH, 1979, PHOTOGRAPHIC PRINT: GIRISH S. VENGURLEKAR, RARE EXHIBITED PHOTOGRAPH, 1979, PHOTOGRAPHIC PRINT. AN EXCEPTIONAL EXHIBITED WORK PRESENTED AT THE ALL INDIA PHOTOGRAPHIC EXHIBITION, PUNE. A MASTERFUL COMPOSITION FROM ONE

GIRISH S. VENGURLEKAR, RARE EXHIBITED PHOTOGRAPH, 1979, PHOTOGRAPHIC PRINT

GANESH PYNE (1937–2013) UNTITLED (FIGURE WITH FLOWER) WATERCOLOUR ON PAPER: GANESH PYNE (1937–2013)UNTITLED (FIGURE WITH FLOWER) WATERCOLOUR ON PAPER THIS POETIC WATERCOLOUR ON PAPER IS A STRONG AND CHARACTERISTIC EXAMPLE OF GANESH PYNE’S INTROSPECTIVE AND SYMBOLIC

GANESH PYNE (1937–2013) UNTITLED (FIGURE WITH FLOWER) WATERCOLOUR ON PAPER

N. S. BENDRE (1910–1992) “FOUR SEATED WOMEN” OIL ON CANVAS SIGNED IN HINDI: N. S. BENDRE (1910–1992)“FOUR SEATED WOMEN”MEDIUM: OIL ON CANVAS SIGNED IN HINDI AN IMPORTANT AND REFINED COMPOSITION BY N. S. BENDRE, ONE OF THE MOST DISTINGUISHED FIGURES OF MODERN

N. S. BENDRE (1910–1992) “FOUR SEATED WOMEN” OIL ON CANVAS SIGNED IN HINDI

TRADITIONAL CHINESE CALLIGRAPHY SCROLL: TRADITIONAL CHINESE CALLIGRAPHY SCROLLA VERTICAL SCROLL FEATURING BOLD BLACK INK CHINESE CALLIGRAPHY CHARACTERS WRITTEN IN A CLASSIC BRUSH STYLE, MOUNTED ON A DECORATIVE BACKING. THE CHARACTERS ARE

TRADITIONAL CHINESE CALLIGRAPHY SCROLL

GANESH HALOI (BORN 1936)UNTITLED MIXED MEDIA ON PAPER 18 × 14.9 × 0.39 CM: GANESH HALOI (BORN 1936)UNTITLED MIXED MEDIA ON PAPER 18 × 14.9 × 0.39 CM THIS INTRIGUING MIXED MEDIA WORK ON PAPER IS A REFINED EXAMPLE OF GANESH HALOI’S INTROSPECTIVE AND POETIC ABSTRACT

GANESH HALOI (BORN 1936)UNTITLED MIXED MEDIA ON PAPER 18 × 14.9 × 0.39 CM

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