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SANJEEV KISHOR GOUTAM "GODDESS OF NATURE II"

Description

SANJEEV KISHOR GOUTAM "GODDESS OF NATURE II" - A STUNNING REPRESENTATION OF THE DIVINE FEMININE, BLENDING MYTHOLOGY AND NATURAL ELEMENTS WITH A CONTEMPORARY AESTHETIC.

6 X 6 FT

ACQUIRED DIRECTLY FROM THE ARTIST

PUBLISHED IN SEVERAL PROMINENT NEWSPAPERS (BANARAS EDITION) ON THE OCCASION OF THE 25-YEAR “SILVER AGE” RETROSPECTIVE EXHIBITION AT ISSI ART GALLERY, RAM CHAHATA PAR, SHILPA NYAS, VARANASI

FEATURED IN A RECENT GROUP EXHIBITION AT STAINLESS ART GALLERY, OKHLA, NEW DELHI, ALONGSIDE RENOWNED ART CRITIC SRI PRAYAG SHUKLA JI.

ABOUT THE ARTIST

SANJEEV KISHOR GOUTAM CONTEMPORARY FIGURATIVE ARTIST (B. 1969) FROM RAJASTHAN WHOSE NARRATIVE PAINTINGS BLEND FOLK TRADITIONS WITH SOCIAL COMMENTARY. HIS DISTINCTIVE STYLE FEATURES ELONGATED FIGURES IN VIBRANT SETTINGS THAT EXAMINE CULTURAL IDENTITY AND RURAL LIFE WITH POETIC SENSITIVITY.

Condition

CONDITION REPORT BY NGMA WILL BE PROVIDED TO THE BUYER UPON FULL PAYMENT. THIS DOCUMENT IS AVAILABLE ON REQUES

Buyer's Premium

30% up to£100,000.00

25% up to£500,000.00

20% above£500,000.00

SANJEEV KISHOR GOUTAM "GODDESS OF NATURE II"

Lot 0097

Estimate £50,000-£60,000

Apr 1, 2026, 1:36 AM EDT

Starting Price

Secure

£40,000

A Curated Sale of Asian Art & Antiques

Mar 15, 2026 12:00 AM EDT

Purley Way, Surrey, UK

SANJEEV KISHOR GOUTAM "GODDESS OF NATURE I": SANJEEV KISHOR GOUTAM "GODDESS OF NATURE I" ACRYLIC ON CANVAS. THIS REMARKABLE PAINTING, GODDESS OF NATURE I, ECHOES THE ARTIST'S DEEP CONNECTION TO THE ELEMENTS OF NATURE AND SPIRITUALITY. GOUTAM

SANJEEV KISHOR GOUTAM "GODDESS OF NATURE I"

SANJEEV KISHOR GOUTAM "CALIBRATION OF NATURE III" ACRYLIC ON CANVAS.: SANJEEV KISHOR GOUTAM "CALIBRATION OF NATURE III" ACRYLIC ON CANVAS. A COMPELLING EXPLORATION OF THE RHYTHM AND BALANCE INHERENT IN NATURE, CALIBRATION OF NATURE III DEMONSTRATES GOUTAM'S ABILITY

SANJEEV KISHOR GOUTAM "CALIBRATION OF NATURE III" ACRYLIC ON CANVAS.

SANJEEV KISHOR GOUTAM "PANDEMIC PERIOD" ACRYLIC: SANJEEV KISHOR GOUTAM "PANDEMIC PERIOD" ACRYLIC. AN EPIC AND MONUMENTAL WORK, PANDEMIC PERIOD CAPTURES THE EMOTIONAL AND SOCIETAL TURMOIL OF A TRANSFORMATIVE ERA. GOUTAM USES HIS MASTERFUL BRUSHWORK

SANJEEV KISHOR GOUTAM "PANDEMIC PERIOD" ACRYLIC

JEHANGIR SABAVALA (INDIAN, 1922-2011) "UNTITLED" GRAPHITE ON PAPER.: JEHANGIR SABAVALA (INDIAN, 1922-2011) "UNTITLED" GRAPHITE ON PAPER. THESE WORKS ARE HIGHLY SOUGHT AFTER, MUCH LIKE THOSE BY RENOWNED ARTISTS SUCH AS S.H. RAZA, F.N. SOUZA, AKBAR PADAMSEE, AND

JEHANGIR SABAVALA (INDIAN, 1922-2011) "UNTITLED" GRAPHITE ON PAPER.

JEHANGIR SABAVALA (INDIAN, 1922-2011) "UNTITLED" GRAPHITE ON PAPER.: JEHANGIR SABAVALA (INDIAN, 1922-2011) "UNTITLED" GRAPHITE ON PAPER. THESE WORKS ARE HIGHLY SOUGHT AFTER, MUCH LIKE THOSE BY RENOWNED ARTISTS SUCH AS S.H. RAZA, F.N. SOUZA, AKBAR PADAMSEE, AND OTHERS.

JEHANGIR SABAVALA (INDIAN, 1922-2011) "UNTITLED" GRAPHITE ON PAPER.

JAPANESE PAINTING OF A GEISHA IN TRADITIONAL KIMONO WITH CHERRY BLOSSOMS: JAPANESE PAINTING OF A GEISHA IN TRADITIONAL KIMONO WITH CHERRY BLOSSOMSTHIS IMAGE FEATURES A TRADITIONAL JAPANESE PAINTING DEPICTING A GRACEFUL GEISHA STANDING AGAINST A GOLDEN BACKGROUND. SHE WEARS

JAPANESE PAINTING OF A GEISHA IN TRADITIONAL KIMONO WITH CHERRY BLOSSOMS

ROYAL PROCESSION SCENE – RAJPUT OR RAJASTHANI SCHOOL LINE DRAWING: ROYAL PROCESSION SCENE – RAJPUT OR RAJASTHANI SCHOOL LINE DRAWINGTHIS INTRICATELY EXECUTED LINE DRAWING DEPICTS A GRAND ROYAL PROCESSION FEATURING ELEPHANTS, HORSEMEN, AND COURTIERS ESCORTING A

ROYAL PROCESSION SCENE – RAJPUT OR RAJASTHANI SCHOOL LINE DRAWING

ROYAL HUNT OR BATTLE SCENE – RAJASTHANI SCHOOL LINE DRAWING: ROYAL HUNT OR BATTLE SCENE – RAJASTHANI SCHOOL LINE DRAWINGTHIS DETAILED LINE DRAWING ILLUSTRATES A DRAMATIC ROYAL HUNT OR BATTLE SCENE FROM THE RAJASTHANI OR MARWAR SCHOOL TRADITION. AT THE

ROYAL HUNT OR BATTLE SCENE – RAJASTHANI SCHOOL LINE DRAWING

NARRATIVE FOLK PANEL OF MYTHOLOGICAL SCENES: NARRATIVE FOLK PANEL OF MYTHOLOGICAL SCENESTHIS VIBRANT, MULTI-FIGURED PANEL DEPICTS A SERIES OF FOLK AND MYTHOLOGICAL SCENES ARRANGED IN A VERTICAL STORYTELLING FORMAT. SET AGAINST A DEEP BLUE

NARRATIVE FOLK PANEL OF MYTHOLOGICAL SCENES

LORD KRISHNA WITH FLUTE l OIL ON CANVAS l UNSIGNED: KRISHNA WITH FLUTE l OIL ON CANVAS l UNSIGNED l 16 X 29 IN. A GRACEFUL AND DEVOTIONAL PORTRAYAL OF LORD KRISHNA IN HIS ICONIC TRIBHANGA STANCE, THIS OIL PAINTING CAPTURES THE DIVINE MUSICIAN

LORD KRISHNA WITH FLUTE l OIL ON CANVAS l UNSIGNED

SAWLARAM LAKSHMAN HALDANKAR (1882–1968) CHARCOAL / GRAPHITE ON PAPER PORTRAIT OF A TURBANED

JAMINI ROY (1887-1972) "GOUACHE ON BOARD": JAMINI ROY (1887-1972) "GOUACHE ON BOARD"14 x 14 INCHESABOUT THE ARTIST JAMINI ROY BENGAL MASTER (1887-1972) WHO REJECTED WESTERN ACADEMIC STYLE TO DEVELOP A DISTINCTIVE AESTHETIC INSPIRED BY FOLK

JAMINI ROY (1887-1972) "GOUACHE ON BOARD"

ALLAH BUX (1895-1978) UNTITLED SIGNED AND DATED ALLAH BUX 1961: ALLAH BUX (1895-1978) UNTITLED SIGNED AND DATED ALLAH BUX 1961 (LOWER LEFT) WATERCOLOUR AND GOUACHE ON PAPER 48 X 38 CMABOUT THE ARTIST ALLAH BUX SELF-TAUGHT MASTER (1895-1978) FROM SINDH WHOSE

ALLAH BUX (1895-1978) UNTITLED SIGNED AND DATED ALLAH BUX 1961

K. G. SUBRAMANYAN UNTITLED WATERCOLOUR ON PAPER 12 × 10 INCHES: K. G. SUBRAMANYAN UNTITLED WATERCOLOUR ON PAPER 12 × 10 INCHESK. G. SUBRAMANYAN—AFFECTIONATELY KNOWN AS “MANI DA”—WAS ONE OF THE MOST VERSATILE AND INTELLECTUALLY RIGOROUS FIGURES IN

K. G. SUBRAMANYAN UNTITLED WATERCOLOUR ON PAPER 12 × 10 INCHES

19TH CENTURY PERSIAN MANUSCRIPT MINIATURE PAINTING WITH CALLIGRAPHY – EQUESTRIAN FIGURAL SCENE: 19TH CENTURY PERSIAN MANUSCRIPT MINIATURE PAINTING WITH CALLIGRAPHY – EQUESTRIAN FIGURAL SCENEPERSIAN / ISLAMIC ILLUSTRATED MANUSCRIPT MINIATURE PAINTING DEPICTING THREE FIGURES ON HORSEBACK IN A

19TH CENTURY PERSIAN MANUSCRIPT MINIATURE PAINTING WITH CALLIGRAPHY – EQUESTRIAN FIGURAL SCENE

A.A. ALMELKAR (1920–1982) UNTITLED 1976 TEMPERA ON BOARD 20 × 30 IN: A.A. ALMELKAR (1920–1982) UNTITLED 1976 TEMPERA ON BOARD 20 × 30 IN A LYRICAL EXEMPLAR OF A.A. ALMELKAR’S CELEBRATED FIGURATIVE VOCABULARY, THIS 1976 TEMPERA COMPOSITION ENCAPSULATES THE

A.A. ALMELKAR (1920–1982) UNTITLED 1976 TEMPERA ON BOARD 20 × 30 IN

K. G. SUBRAMANYAN UNTITLED WATERCOLOUR ON PAPER 12 × 14 IN SIGNED LOWER RIGHT: K. G. SUBRAMANYAN UNTITLED WATERCOLOUR ON PAPER 12 × 14 INSIGNED LOWER RIGHTTHIS VIBRANT WATERCOLOUR EXEMPLIFIES K. G. SUBRAMANYAN’S DISTINCTIVE NARRATIVE IDIOM, MARKED BY PLAYFUL FIGURATION,

K. G. SUBRAMANYAN UNTITLED WATERCOLOUR ON PAPER 12 × 14 IN SIGNED LOWER RIGHT

LANDSCAPE PAINTING OF RIVERBANK WITH FISHERMEN AND BOAT: LANDSCAPE PAINTING OF RIVERBANK WITH FISHERMEN AND BOATTHIS IMAGE SHOWS A SERENE LANDSCAPE PAINTING FEATURING A CALM RIVER SURROUNDED BY TREES AND GRASSY BANKS. TWO FIGURES ARE SEEN FISHING IN THE

LANDSCAPE PAINTING OF RIVERBANK WITH FISHERMEN AND BOAT

ARCHITECTURAL DRAWINGS OF PILLARS IN KARELI CHAITYA CAVE, KARLI: ARCHITECTURAL DRAWINGS OF PILLARS IN KARELI CHAITYA CAVE, KARLITHE IMAGE SHOWS TWO DETAILED ARCHITECTURAL DRAWINGS FEATURING THE INTRICATELY CARVED PILLARS FROM THE ANCIENT KARELI (KARLI) CHAITYA

ARCHITECTURAL DRAWINGS OF PILLARS IN KARELI CHAITYA CAVE, KARLI

F.N. SOUZA (1924–2002) UNTITLED (TOWNSCAPE) 1964 OIL ON CANVAS 35 X 53.5 IN SIGNED UPPER LEFT: F.N. SOUZA (1924–2002) UNTITLED (TOWNSCAPE) 1964 OIL ON CANVAS 35 X 53.5 IN SIGNED UPPER LEFT PAINTED IN 1964, THIS COMPELLING CITYSCAPE BY F.N. SOUZA BELONGS TO A SIGNIFICANT PHASE IN THE

F.N. SOUZA (1924–2002) UNTITLED (TOWNSCAPE) 1964 OIL ON CANVAS 35 X 53.5 IN SIGNED UPPER LEFT

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