Henri de Toulouse-Lautrec (1864-1901); Elles;

Description

Henri de Toulouse-Lautrec (1864-1901) Elles (Delteil 179, Adhémar 200, Wittrock 155, Adriani 171), 1896 Lithograph in colors on wove paper backed with japon, Wittrock's third (final) state without text, Wittrock records only four known impressions of this state, with margins, framed. 22 7/8 x 18 1/4in (58.2 x 46.5cm) sheet 25 1/16 x 18 7/8in (63.7 x 48cm) For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing

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Henri de Toulouse-Lautrec (1864-1901); Elles;

Lot 0110

Estimate $4,000-$6,000

Feb 25, 2026, 4:49 PM EST

Starting Price

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$3,200

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Feb 16, 2026 3:00 PM EST

Los Angeles, CA, United States

Henri de Toulouse-Lautrec (1864-1901); Cycle Michael;: Henri de Toulouse-Lautrec (1864-1901) Cycle Michael (Delteil 359, Wittrock P25, Adhémar 184, Adriani 194), 1896 Lithograph in green on wove paper linen-backed, Wittrock's only state, signed in

Henri de Toulouse-Lautrec (1864-1901); Cycle Michael;

Henri de Toulouse-Lautrec (1864-1901); Le bon graveur - Adolphe Albert;: Henri de Toulouse-Lautrec (1864-1901) Le bon graveur - Adolphe Albert (Delteil 273, Adhémar 301, Wittrock 297, Adriani 304), 1898 Lithograph on wove paper, Wittrock's first and only state,

Henri de Toulouse-Lautrec (1864-1901); Le bon graveur - Adolphe Albert;

Alphonse Mucha (1860-1939); Biscuits Lefèvre-Utile;: Alphonse Mucha (1860-1939) Biscuits Lefèvre-Utile (Rennert/Weill 22), 1896 Lithograph in colors on wove paper, printed by F. Champenois, Paris, with full margins, with original metal hanging

Alphonse Mucha (1860-1939); Biscuits Lefèvre-Utile;

Alphonse Mucha (1860-1939); Flirt Biscuits;: Alphonse Mucha (1860-1939) Flirt Biscuits (Rennert/Weill 72), c. 1899 Lithograph in colors on wove paper linen-backed, printed by F. Champenois, Paris, with margins. 23 1/4 x 10in (59.1 x

Alphonse Mucha (1860-1939); Flirt Biscuits;

Pierre Bonnard (1867-1947); L'Arc de Triomphe, from Quelques aspects de la vie de Paris;: Pierre Bonnard (1867-1947) L'Arc de Triomphe, from Quelques aspects de la vie de Paris (Bouvet 69), 1899 Lithograph in colors on simili Japan paper, from the edition of 100 (there were also some

Pierre Bonnard (1867-1947); L'Arc de Triomphe, from Quelques aspects de la vie de Paris;

Jacques Villon (1875-1963); Yvonne au Canapé;: Jacques Villon (1875-1963) Yvonne au Canapé (Ginestet/Pouillon E128), 1905 Drypoint on wove paper, signed in pencil and annotated 'epreuve d artiste' (Ginestet/Pouillon cites there were a few

Jacques Villon (1875-1963); Yvonne au Canapé;

James Abbott McNeill Whistler (1834-1903); The Kitchen;: James Abbott McNeill Whistler (1834-1903) The Kitchen (Kennedy 24, Glasgow 16), 1858 Etching on laid paper, Glasgow's third (final) state, signed in pencil with the butterfly and annotated 'imp.' on

James Abbott McNeill Whistler (1834-1903); The Kitchen;

James Abbott McNeill Whistler (1834-1903); The Long Gallery, Louvre;: James Abbott McNeill Whistler (1834-1903) The Long Gallery, Louvre (Way 52, Levy 83, Chicago 86), 1894 Lithograph on wove paper, Chicago's first and only state, signed in pencil with the butterfly,

James Abbott McNeill Whistler (1834-1903); The Long Gallery, Louvre;

Camille Pissarro (1830-1903); Groupe de Paysans;: Camille Pissarro (1830-1903) Groupe de Paysans (Delteil 189), c. 1899 Lithograph on chine collé Ingres de couleur paper with wove support, signed in pencil, titled and numbered 'No. 14', from

Camille Pissarro (1830-1903); Groupe de Paysans;

Mary Cassatt (1844-1926); Margot Wearing a Bonnet (No. 1);: Mary Cassatt (1844-1926) Margot Wearing a Bonnet (No. 1) (Breeskin 179), c. 1902 Drypoint on wove paper, Breeskin's first and only state, with margins, framed. plate 9 x 6 1/2in (22.9 x 16.5cm) sheet

Mary Cassatt (1844-1926); Margot Wearing a Bonnet (No. 1);

Francisco José de Goya y Lucientes (1746-1828); A Group of Etchings; (6): Francisco José de Goya y Lucientes (1746-1828) A Group of Etchings Six etchings on wove or laid paper, from various editions, with margins, each framed. (6) various sizes For further

Francisco José de Goya y Lucientes (1746-1828); A Group of Etchings; (6)

Edouard Manet (1832-1883); A Group of 3 Etchings; (3): Edouard Manet (1832-1883) A Group of 3 Etchings Three etchings on laid paper, Harris' seventh state (of 8), Harris' first and only state, Harris' second state (of 4), with full margins. Titles

Edouard Manet (1832-1883); A Group of 3 Etchings; (3)

Charles Meryon (1821-1868); La Morgue;: Charles Meryon (1821-1868) La Morgue (Schneiderman 42, Delteil 36), 1854 Etching with drypoint on laid paper with Hudelist watermark, Schneiderman's fourth state (of 7), with margins. plate 9 1/8 x 8

Charles Meryon (1821-1868); La Morgue;

Edvard Munch (1863-1944); Louise and Else Heyerdahl;: Edvard Munch (1863-1944) Louise and Else Heyerdahl (Schiefler 474), 1920 Lithograph on wove paper, signed in pencil and numbered 'No 17', with margins, framed. 18 3/4 x 23 1/4in (47.6 x 59.1cm) sheet

Edvard Munch (1863-1944); Louise and Else Heyerdahl;

Francis Bacon (1909-1992); Metropolitan Museum of Art;: Francis Bacon (1909-1992) Metropolitan Museum of Art (Sabatier 11), 1975 Lithograph in colors on wove paper, with lettering, signed in green felt-tip pen, numbered in pencil 62/170 (there were also

Francis Bacon (1909-1992); Metropolitan Museum of Art;

Marc Chagall (1887-1985); White Self-Portrait;: Marc Chagall (1887-1985) White Self-Portrait (Mourlot 181), 1957 Lithograph on Arches paper, signed in pencil and annotated 'Épreuve d'artiste' (an artist's proof, aside from the edition of 30),

Marc Chagall (1887-1985); White Self-Portrait;

Marc Chagall (1887-1985); La Ruse de Dorcon, from Daphnis et Chloé;: Marc Chagall (1887-1985) La Ruse de Dorcon, from Daphnis et Chloé (Mourlot 317, Cramer bk. 46), 1961 Lithograph in colors on wove paper, from the edition of 250, published/printed by

Marc Chagall (1887-1985); La Ruse de Dorcon, from Daphnis et Chloé;

Marc Chagall (1887-1985); Peintre et modèle;: Marc Chagall (1887-1985) Peintre et modèle (Mourlot 403, Cramer bk. 56), 1963 Lithograph on Arches paper, signed in pencil and numbered 19/40 (an artist's proof with wide margins, aside from the

Marc Chagall (1887-1985); Peintre et modèle;

Marc Chagall (1887-1985); Le Peintre devant le village I;: Marc Chagall (1887-1985) Le Peintre devant le village I (Mourlot 603), 1969 Lithograph in colors on Arches paper, signed in pencil and numbered 30/75, published by Maeght, Paris, with margins,

Marc Chagall (1887-1985); Le Peintre devant le village I;

Marc Chagall (1887-1985); La petite fenêtre;: Marc Chagall (1887-1985) La petite fenêtre (Mourlot 726), 1974 Lithograph in colors on Arches paper, signed in pencil and numbered 12/50 (there were also 12 artist's proofs in Roman numerals on

Marc Chagall (1887-1985); La petite fenêtre;

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