Marc Chagall (1887-1985); La Ruse de Dorcon, from Daphnis et Chloé;

Description

Marc Chagall (1887-1985) La Ruse de Dorcon, from Daphnis et Chloé (Mourlot 317, Cramer bk. 46), 1961 Lithograph in colors on wove paper, from the edition of 250, published/printed by Tériade/Mourlot, Paris, the full sheet, framed. sheet 16 5/8 x 12 11/16in (42.2 x 32.2cm) Footnotes: Provenance Vincent Price Collection Acquired directly from the above by the present owner For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing

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Marc Chagall (1887-1985); La Ruse de Dorcon, from Daphnis et Chloé;

Lot 0127

Estimate $800-$1,200

Feb 25, 2026, 5:06 PM EST

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$400

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Prints & Multiples Online

Feb 16, 2026 3:00 PM EST

Los Angeles, CA, United States

Marc Chagall (1887-1985); Peintre et modèle;: Marc Chagall (1887-1985) Peintre et modèle (Mourlot 403, Cramer bk. 56), 1963 Lithograph on Arches paper, signed in pencil and numbered 19/40 (an artist's proof with wide margins, aside from the

Marc Chagall (1887-1985); Peintre et modèle;

Marc Chagall (1887-1985); Le Peintre devant le village I;: Marc Chagall (1887-1985) Le Peintre devant le village I (Mourlot 603), 1969 Lithograph in colors on Arches paper, signed in pencil and numbered 30/75, published by Maeght, Paris, with margins,

Marc Chagall (1887-1985); Le Peintre devant le village I;

Marc Chagall (1887-1985); La petite fenêtre;: Marc Chagall (1887-1985) La petite fenêtre (Mourlot 726), 1974 Lithograph in colors on Arches paper, signed in pencil and numbered 12/50 (there were also 12 artist's proofs in Roman numerals on

Marc Chagall (1887-1985); La petite fenêtre;

After Marc Chagall (1887-1985); Romeo and Juliette;: After Marc Chagall (1887-1985) Romeo and Juliette (Sorlier 10, Sorlier Posters 96), 1964 Lithograph in colors on wove paper, from the unsigned edition of 5,000 with text (there was also a signed and

After Marc Chagall (1887-1985); Romeo and Juliette;

After Marc Chagall (1887-1985); Carmen;: After Marc Chagall (1887-1985) Carmen (Sorlier 39, Sorlier Posters 108), 1966 Lithograph in colors on wove paper, from the edition of 3,000 (there was also a signed and numbered edition of 100 with

After Marc Chagall (1887-1985); Carmen;

Alberto Giacometti (1901-1966); Seated Nude;: Alberto Giacometti (1901-1966) Seated Nude (Lust 53), 1965 Lithograph on Rives BFK paper, signed in pencil and numbered 98/100, with the blindstamps of the publisher/printer by Gemini G.E.L., Los

Alberto Giacometti (1901-1966); Seated Nude;

Friedensreich Hundertwasser (1928-2000); Spectacles in the small face, from Nana Hyaku Mizu;: Friedensreich Hundertwasser (1928-2000) Spectacles in the small face, from Nana Hyaku Mizu (Koschatzky 33), 1968 Woodcut in colors on wove paper, signed in ink, dated, annotated with work number

Friedensreich Hundertwasser (1928-2000); Spectacles in the small face, from Nana Hyaku Mizu;

Friedensreich Hundertwasser (1928-2000); Olympic Games Munich (Poster Version);: Friedensreich Hundertwasser (1928-2000) Olympic Games Munich (Poster Version) (Koschatzky 54), 1972 Screenprint in colors on wove paper, stamp numbered 1131/3999 (there was also a signed and numbered

Friedensreich Hundertwasser (1928-2000); Olympic Games Munich (Poster Version);

Friedensreich Hundertwasser (1928-2000); One of Five Seamen;: Friedensreich Hundertwasser (1928-2000) One of Five Seamen (Koschatzky 66), 1975 Screenprint in colors with metal imprints on African black paper, signed in black ink, dated and numbered in white ink

Friedensreich Hundertwasser (1928-2000); One of Five Seamen;

Paul Jacoulet (1896-1960); A Group of 2 Woodblocks; (2): Paul Jacoulet (1896-1960) A Group of 2 Woodblocks (Miles 1; 17), 1934; 1935 Two woodblocks in colors on Japanese wove paper with artist's watermark PJ Jaku-rei, each signed in pencil, stamp numbered

Paul Jacoulet (1896-1960); A Group of 2 Woodblocks; (2)

Paul Jacoulet (1896-1960); A Group of 4 Woodblocks; (4): Paul Jacoulet (1896-1960) A Group of 4 Woodblocks (Miles 18; 38; 105; 114), 1935; 1936; 1949; 1951 Four woodblocks in colors on Japanese wove paper with the artist's watermark PJ Jaku-rei, each

Paul Jacoulet (1896-1960); A Group of 4 Woodblocks; (4)

Paul Jacoulet (1896-1960); A Group of 3 Woodblocks; (3): Paul Jacoulet (1896-1960) A Group of 3 Woodblocks (Miles 18; 54; 63), 1935; 1939; 1940 Three woodblocks in colors on Japanese wove paper with artist's watermark PJ Jaku-rei, each signed in pencil,

Paul Jacoulet (1896-1960); A Group of 3 Woodblocks; (3)

Paul Jacoulet (1896-1960); A Group of 4 Woodblocks; (4): Paul Jacoulet (1896-1960) A Group of 4 Woodblocks (Miles 57; 75; 98; 99), 1939; 1941; 1948 (2) Four woodblocks in colors on Japanese wove paper with the artist's watermark PJ Jaku-rei, each signed in

Paul Jacoulet (1896-1960); A Group of 4 Woodblocks; (4)

Paul Jacoulet (1896-1960); A Group of 4 Woodblocks; (4): Paul Jacoulet (1896-1960) A Group of 4 Woodblocks (Miles 77; 88; 121; 128), 1941; 1947; 1952; 1953 Four woodblocks in colors on Japanese paper with artist's watermark PJ Jaku-rei, each signed in

Paul Jacoulet (1896-1960); A Group of 4 Woodblocks; (4)

Marino Marini (1901-1980); Giocolieri, pl. 8, from Tout près de Marino;: Marino Marini (1901-1980) Giocolieri, pl. 8, from Tout près de Marino (Guastella A138), 1971 Etching and aquatint in colors on Arches paper, signed in pencil and numbered 41/75 (there were also

Marino Marini (1901-1980); Giocolieri, pl. 8, from Tout près de Marino;

Henri Matisse (1869-1954); Fanny de Face;: Henri Matisse (1869-1954) Fanny de Face (Duthuit 37), 1914 Etching on chine appliqué with wove support, signed in ink and numbered 12/15 (there was also 1 artist's proof), printed by Marlborough

Henri Matisse (1869-1954); Fanny de Face;

Henri Matisse (1869-1954); Nu renversé se tenant la cheville;: Henri Matisse (1869-1954) Nu renversé se tenant la cheville (Duthuit 165), 1929 Etching on chine appliqué with Arches support, signed in pencil and numbered 21/25 (there were also 5

Henri Matisse (1869-1954); Nu renversé se tenant la cheville;

Joan Miró (1893-1983); One plate, from Série III;: Joan Miró (1893-1983) One plate, from Série III (Dupin 92), 1952-53 Etching and aquatint in colors on wove paper, signed in pencil, dated '1953' and numbered 18/50 (there were also several

Joan Miró (1893-1983); One plate, from Série III;

Joan Miró (1893-1983); Untitled, from Mon Chemin;: Joan Miró (1893-1983) Untitled, from Mon Chemin (Cramer bk. 29), 1953 Drypoint with unique hand-coloring on Auvergne à la main paper, with central vertical fold (as issued), signed in

Joan Miró (1893-1983); Untitled, from Mon Chemin;

Joan Miró (1893-1983); Le Lettré vert;: Joan Miró (1893-1983) Le Lettré vert (Mourlot 615), 1969 Lithograph in colors on cloth applied to Mandeure chiffon (as issued), signed in pencil and numbered 21/75, published/printed by

Joan Miró (1893-1983); Le Lettré vert;

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