Henri Matisse (1869-1954); Fanny de Face;

Description

Henri Matisse (1869-1954) Fanny de Face (Duthuit 37), 1914 Etching on chine appliqué with wove support, signed in ink and numbered 12/15 (there was also 1 artist's proof), printed by Marlborough Graphics, London, with full margins, framed. plate 6 1/4 x 2 3/8in (15.9 x 6.1cm) sheet 11 1/16 x 7 3/16in (28.1 x 18.3cm) Footnotes: Provenance Acquired directly from the artist by the present owner For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing

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Henri Matisse (1869-1954); Fanny de Face;

Lot 0143

Estimate $3,000-$5,000

Feb 25, 2026, 5:22 PM EST

Starting Price

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$2,400

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Prints & Multiples Online

Feb 16, 2026 3:00 PM EST

Los Angeles, CA, United States

Henri Matisse (1869-1954); Nu renversé se tenant la cheville;: Henri Matisse (1869-1954) Nu renversé se tenant la cheville (Duthuit 165), 1929 Etching on chine appliqué with Arches support, signed in pencil and numbered 21/25 (there were also 5

Henri Matisse (1869-1954); Nu renversé se tenant la cheville;

Joan Miró (1893-1983); One plate, from Série III;: Joan Miró (1893-1983) One plate, from Série III (Dupin 92), 1952-53 Etching and aquatint in colors on wove paper, signed in pencil, dated '1953' and numbered 18/50 (there were also several

Joan Miró (1893-1983); One plate, from Série III;

Joan Miró (1893-1983); Untitled, from Mon Chemin;: Joan Miró (1893-1983) Untitled, from Mon Chemin (Cramer bk. 29), 1953 Drypoint with unique hand-coloring on Auvergne à la main paper, with central vertical fold (as issued), signed in

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Joan Miró (1893-1983); Le Lettré vert;: Joan Miró (1893-1983) Le Lettré vert (Mourlot 615), 1969 Lithograph in colors on cloth applied to Mandeure chiffon (as issued), signed in pencil and numbered 21/75, published/printed by

Joan Miró (1893-1983); Le Lettré vert;

Joan Miró (1893-1983); Poster for the exhibition 'Bronzes,' Hayward Gallery;: Joan Miró (1893-1983) Poster for the exhibition 'Bronzes,' Hayward Gallery (Mourlot 846), 1972 Lithograph in colors on Arches paper, signed in pencil and numbered 51/150, before lettering,

Joan Miró (1893-1983); Poster for the exhibition 'Bronzes,' Hayward Gallery;

Joan Miró (1893-1983); Poster for the exhibition '100 sculptures';: Joan Miró (1893-1983) Poster for the exhibition '100 sculptures' (Mourlot 1149), 1978 Lithograph in colors on Arches paper, before lettering, signed pencil and numbered 38/75 (there were also 20

Joan Miró (1893-1983); Poster for the exhibition '100 sculptures';

Joan Miró (1893-1983); La Séance de Musique, from Allegro vivace;: Joan Miró (1893-1983) La Séance de Musique, from Allegro vivace (Mourlot 1230), 1981 Lithograph in colors on wove paper, signed in pencil and numbered 33/100, published/printed by Atelier

Joan Miró (1893-1983); La Séance de Musique, from Allegro vivace;

Pablo Picasso (1881-1973); Picador;: Pablo Picasso (1881-1973) Picador (Ramié 162), 1952 Partially glazed red earthenware clay turned pitcher with paraffin and black enamel, from the edition of 500, inscribed 'Edition Picasso' and

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Pablo Picasso (1881-1973); Hibou mat;: Pablo Picasso (1881-1973) Hibou mat (Ramié 284), 1955 Partially glazed white earthenware clay rectangular dish, painted in black, white and blue, from the edition of 450, with the 'Madoura Plein

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Pablo Picasso (1881-1973); Vase au bouquet;: Pablo Picasso (1881-1973) Vase au bouquet (Ramié 304), 1956 Partially glazed white earthenware clay plate painted in brown, black and green golden lustre, numbered 45/200, with the 'Madoura

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Pablo Picasso (1881-1973); L'Ecuyère;: Pablo Picasso (1881-1973) L'Ecuyère (Bloch 999, Mourlot 333), 1960 Lithograph on wove paper, with artist's stamped signature, from the edition of 1,000 (there was also a signed edition of 200),

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Pablo Picasso (1881-1973); La Célestine, sa protégée, et un jeune gentilhomme, fr...: Pablo Picasso (1881-1973) La Célestine, sa protégée, et un jeune gentilhomme, from Séries 347 (Bloch 1670, Baer 1686), 1968 Aquatint on Rives paper, signed in pencil and numbered

Pablo Picasso (1881-1973); La Célestine, sa protégée, et un jeune gentilhomme, fr...

Pablo Picasso (1881-1973); Le buste du peintre mort est couronné par l'Académie: La ve...: Pablo Picasso (1881-1973) Le buste du peintre mort est couronné par l'Académie: La veuve se moque, from Séries 347 (Bloch 1822, Baer 1839), 1968 Etching on wove paper, signed in pencil

Pablo Picasso (1881-1973); Le buste du peintre mort est couronné par l'Académie: La ve...

Pablo Picasso (1881-1973); Femme Nue et Homme à la Canne, from Picasso - dessins 27.3.66 to...: Pablo Picasso (1881-1973) Femme Nue et Homme à la Canne, from Picasso - dessins 27.3.66 to 15.3.68 (Bloch 1464, Mourlot 407, Cramer bk. 145), 1969 Lithograph on wove paper, signed in pencil and

Pablo Picasso (1881-1973); Femme Nue et Homme à la Canne, from Picasso - dessins 27.3.66 to...

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Vladimir Cora (born 1951); Still Life (Bodegon); Untitled (Still Life with Woman); (2): Vladimir Cora (born 1951) Still Life (Bodegon); Untitled (Still Life with Woman), 1990; 1997 Two Mixografías® in colors on handmade paper, each signed in pencil, Still Life (Bodegon) dated

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Rufino Tamayo (1899-1991); Two plates, from Mujeres; (2): Rufino Tamayo (1899-1991) Two plates, from Mujeres (Pereda 114; 115), 1969 Two lithographs in colors on wove paper, each signed in pencil and numbered 145/150 (there was also an edition of 25 in

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Rufino Tamayo (1899-1991); Pastèque #2, from Mujeres;: Rufino Tamayo (1899-1991) Pastèque #2, from Mujeres (Pereda 119), 1969 Lithograph in colors on Rives BFK paper, signed in pencil and numbered 14/150 (there was also an edition of 25 in Roman

Rufino Tamayo (1899-1991); Pastèque #2, from Mujeres;

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