After Pablo Picasso (1881-1973); One plate, from Imaginary Portraits;

Description

After Pablo Picasso (1881-1973) One plate, from Imaginary Portraits, 1969 Lithograph in colors on Arches paper, unsigned (as issued), numbered in pencil 'F114/250' (from the French edition, there was also an American edition marked A), published by Harry N. Abrams Inc., New York, printed by Marcel Salinas, Mougins, the full sheet, framed. sheet 25 1/2 x 19 11/16in (64.8 x 50cm) For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing

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After Pablo Picasso (1881-1973); One plate, from Imaginary Portraits;

Lot 0160

Estimate $2,400-$3,400

Feb 25, 2026, 5:39 PM EST

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$2,200

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Prints & Multiples Online

Feb 16, 2026 3:00 PM EST

Los Angeles, CA, United States

Vladimir Cora (born 1951); Still Life (Bodegon); Untitled (Still Life with Woman); (2): Vladimir Cora (born 1951) Still Life (Bodegon); Untitled (Still Life with Woman), 1990; 1997 Two Mixografías® in colors on handmade paper, each signed in pencil, Still Life (Bodegon) dated

Vladimir Cora (born 1951); Still Life (Bodegon); Untitled (Still Life with Woman); (2)

Rufino Tamayo (1899-1991); Two plates, from Mujeres; (2): Rufino Tamayo (1899-1991) Two plates, from Mujeres (Pereda 114; 115), 1969 Two lithographs in colors on wove paper, each signed in pencil and numbered 145/150 (there was also an edition of 25 in

Rufino Tamayo (1899-1991); Two plates, from Mujeres; (2)

Rufino Tamayo (1899-1991); Pastèque #2, from Mujeres;: Rufino Tamayo (1899-1991) Pastèque #2, from Mujeres (Pereda 119), 1969 Lithograph in colors on Rives BFK paper, signed in pencil and numbered 14/150 (there was also an edition of 25 in Roman

Rufino Tamayo (1899-1991); Pastèque #2, from Mujeres;

Rufino Tamayo (1899-1991); Sandías;: Rufino Tamayo (1899-1991) Sandías (Pereda 126), 1969 Lithograph in colors on Rives BFK paper, signed in pencil and numbered 23/100 (there were also several unnumbered artist's proof), published

Rufino Tamayo (1899-1991); Sandías;

Rufino Tamayo (1899-1991); Mujer con Sombrero;: Rufino Tamayo (1899-1991) Mujer con Sombrero (Pereda 132), 1972 Lithograph in colors on wove paper, signed in pencil and numbered 58/100, published by Transworld Art, New York, with the blindstamp of

Rufino Tamayo (1899-1991); Mujer con Sombrero;

Rufino Tamayo (1899-1991); Dos Personajes;: Rufino Tamayo (1899-1991) Dos Personajes (Pereda 134), 1972 Lithograph in colors on wove paper, signed in pencil and numbered 31/100 (there were also 13 artist's proofs in Roman numerals), published

Rufino Tamayo (1899-1991); Dos Personajes;

Rufino Tamayo (1899-1991); Personaje en gris, from 15 Aguafuertes;: Rufino Tamayo (1899-1991) Personaje en gris, from 15 Aguafuertes (Pereda 273), 1980 Etching in colors on wove paper, signed in pencil and numbered 'P de a XIII/XV' (an artist's proofs, aside from the

Rufino Tamayo (1899-1991); Personaje en gris, from 15 Aguafuertes;

Rufino Tamayo (1899-1991); Figura en Jarras, from 15 Aguafuertes;: Rufino Tamayo (1899-1991) Figura en Jarras, from 15 Aguafuertes (Pereda 274), 1980 Etching in colors on wove paper, signed in pencil and annotated 'P de a I/XV' (an artist's proof, aside from the

Rufino Tamayo (1899-1991); Figura en Jarras, from 15 Aguafuertes;

Rufino Tamayo (1899-1991); Malabarista, from 15 Aguafuertes;: Rufino Tamayo (1899-1991) Malabarista, from 15 Aguafuertes (Pereda 276), 1980 Etching in colors on wove paper, signed in pencil and annotated 'P de a XIII/XV' (an artist's proof, aside from the

Rufino Tamayo (1899-1991); Malabarista, from 15 Aguafuertes;

Rufino Tamayo (1899-1991); Mujer, from 15 Aguafuertes;: Rufino Tamayo (1899-1991) Mujer, from 15 Aguafuertes (Pereda 279), 1980 Etching in colors on wove paper, signed in pencil and annotated 'P de a XIII/XV' (an artist's proof, aside from the edition of

Rufino Tamayo (1899-1991); Mujer, from 15 Aguafuertes;

Zao Wou-Ki (1920-2013); One plate, from À la Gloire de l'image et Art poétique;: Zao Wou-Ki (1920-2013) One plate, from À la Gloire de l'image et Art poétique (Ågerup 278), 1976 Lithograph in colors on Arches paper, signed in pencil, dated and annotated 'e.a.' (an

Zao Wou-Ki (1920-2013); One plate, from À la Gloire de l'image et Art poétique;

Zao Wou-Ki (1920-2013); Untitled;: Zao Wou-Ki (1920-2013) Untitled (Ågerup 289), 1978 Lithograph in colors on Arches paper, signed in pencil, dated and numbered 120/150 (there were also 20 artist's proofs), published by Egmont H.

Zao Wou-Ki (1920-2013); Untitled;

Giovanni Battista Piranesi (1720-1778); & Francesco Piranesi (c. 1756-1810) A Group of 3 Etching...: Giovanni Battista Piranesi (1720-1778) & Francesco Piranesi (c. 1756-1810) A Group of 3 Etchings (Wilton-Ely 904), c. 1780 Three etchings on wove paper, with margins, each framed. Titles

Giovanni Battista Piranesi (1720-1778); & Francesco Piranesi (c. 1756-1810) A Group of 3 Etching...

Giovanni Battista Piranesi (1720-1778); 8 plates, from Le Antichità Romane; (8): Giovanni Battista Piranesi (1720-1778) 8 plates, from Le Antichità Romane (Wilton-Ely 289-291; 391; 392; 397; 400; 458), c. 1756 Eight etchings on wove paper, with margins, each framed. (8) each

Giovanni Battista Piranesi (1720-1778); 8 plates, from Le Antichità Romane; (8)

Rembrandt Harmensz van Rijn (1606-1669); Jan Asselijn, Painter ('Krabbetje');: Rembrandt Harmensz van Rijn (1606-1669) Jan Asselijn, Painter ('Krabbetje') (Bartsch, Hollstein 277, Hind 227, New Hollstein 236), c. 1647 Etching, engraving and drypoint on laid paper, New

Rembrandt Harmensz van Rijn (1606-1669); Jan Asselijn, Painter ('Krabbetje');

Rembrandt Harmensz van Rijn (1606-1669); The Virgin and Child with the Cat and Snake ;: Rembrandt Harmensz van Rijn (1606-1669) The Virgin and Child with the Cat and Snake (Bartsch, Hollstein 63, Hind 275, New Hollstein 278), 1654 Etching on laid paper with Countermark FD watermark

Rembrandt Harmensz van Rijn (1606-1669); The Virgin and Child with the Cat and Snake ;

After Albrecht Dürer (1471-1528); Virgin and Child;: After Albrecht Dürer (1471-1528) Virgin and Child, 1520 Engraving on wove paper, laid to board, with filled in borderline and extensive repairs, framed. sheet 6 3/4 x 4 3/4in (17.1 x

After Albrecht Dürer (1471-1528); Virgin and Child;

After Albert Bierstadt (1830-1902); Sunset: California Scenery;: After Albert Bierstadt (1830-1902) Sunset: California Scenery (McClinton p. 187-88), 1868 Chromolithograph in colors on canvas, chromolithographed and published by L. Prang & Co., Boston, with

After Albert Bierstadt (1830-1902); Sunset: California Scenery;

Albert Bierstadt (1830-1902); The Last of the Buffalo;: Albert Bierstadt (1830-1902) The Last of the Buffalo, 1891 Photogravure with hand-coloring on chine collé with wove support, signed in pencil, with margins, framed. 16 1/4 x 27 7/8in (41.3 x

Albert Bierstadt (1830-1902); The Last of the Buffalo;

Thomas Moran (1837-1926); Morning on the St. Johns, Florida;: Thomas Moran (1837-1926) Morning on the St. Johns, Florida (Klackner 56), 1881 Etching on thin wove paper, signed in pencil, with margins, framed. plate 5 7/8 x 8 7/8in (14.9 x 22.5cm) sheet 9 7/8 x

Thomas Moran (1837-1926); Morning on the St. Johns, Florida;

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