Rembrandt Harmensz van Rijn (1606-1669); Jan Asselijn, Painter ('Krabbetje');

Description

Rembrandt Harmensz van Rijn (1606-1669) Jan Asselijn, Painter ('Krabbetje') (Bartsch, Hollstein 277, Hind 227, New Hollstein 236), c. 1647 Etching, engraving and drypoint on laid paper, New Hollstein's fourth state (of 7), before the additional shading in the face, with thread margins, framed. plate 8 9/16 x 6 11/16in (21.7 x 17cm) sheet 8 11/16 x 6 13/16in (22 x 17.3cm) Footnotes: Provenance Julius Rosenberg (Lugt 1519) David Tunick Inc., New York Acquired directly from above by the present owner For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing

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Rembrandt Harmensz van Rijn (1606-1669); Jan Asselijn, Painter ('Krabbetje');

Lot 0175

Estimate $4,000-$6,000

Feb 25, 2026, 5:54 PM EST

Starting Price

Secure

$2,000

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Prints & Multiples Online

Feb 16, 2026 3:00 PM EST

Los Angeles, CA, United States

Rembrandt Harmensz van Rijn (1606-1669); The Virgin and Child with the Cat and Snake ;: Rembrandt Harmensz van Rijn (1606-1669) The Virgin and Child with the Cat and Snake (Bartsch, Hollstein 63, Hind 275, New Hollstein 278), 1654 Etching on laid paper with Countermark FD watermark

Rembrandt Harmensz van Rijn (1606-1669); The Virgin and Child with the Cat and Snake ;

After Albrecht Dürer (1471-1528); Virgin and Child;: After Albrecht Dürer (1471-1528) Virgin and Child, 1520 Engraving on wove paper, laid to board, with filled in borderline and extensive repairs, framed. sheet 6 3/4 x 4 3/4in (17.1 x

After Albrecht Dürer (1471-1528); Virgin and Child;

After Albert Bierstadt (1830-1902); Sunset: California Scenery;: After Albert Bierstadt (1830-1902) Sunset: California Scenery (McClinton p. 187-88), 1868 Chromolithograph in colors on canvas, chromolithographed and published by L. Prang & Co., Boston, with

After Albert Bierstadt (1830-1902); Sunset: California Scenery;

Albert Bierstadt (1830-1902); The Last of the Buffalo;: Albert Bierstadt (1830-1902) The Last of the Buffalo, 1891 Photogravure with hand-coloring on chine collé with wove support, signed in pencil, with margins, framed. 16 1/4 x 27 7/8in (41.3 x

Albert Bierstadt (1830-1902); The Last of the Buffalo;

Thomas Moran (1837-1926); Morning on the St. Johns, Florida;: Thomas Moran (1837-1926) Morning on the St. Johns, Florida (Klackner 56), 1881 Etching on thin wove paper, signed in pencil, with margins, framed. plate 5 7/8 x 8 7/8in (14.9 x 22.5cm) sheet 9 7/8 x

Thomas Moran (1837-1926); Morning on the St. Johns, Florida;

Various Artists; A group of 5 Landscape Etchings; (5): Various Artists A group of 5 Landscape Etchings, n.d. Five etchings on wove paper, each signed in pencil by respective artist, four titled, with margins, each framed. Artists and Titles

Various Artists; A group of 5 Landscape Etchings; (5)

Bill (Elling William) Gollings (1878-1932); A Cowboy;: Bill (Elling William) Gollings (1878-1932) A Cowboy, 1928 Etching on wove paper, signed in pencil, titled and dated, signed again with pony-track device, with margins, framed. plate 5 x 4in (12.7 x

Bill (Elling William) Gollings (1878-1932); A Cowboy;

Gene Kloss (1903-1996); Pueblo Firelight Dance;: Gene Kloss (1903-1996) Pueblo Firelight Dance (Kloss 445), 1952 Drypoint and aquatint on wove paper, signed in pencil and titled, Kloss cites an edition of 50, with margins, framed. plate 12 x 17in

Gene Kloss (1903-1996); Pueblo Firelight Dance;

Arthur Bowen Davies (1862-1928); Andante;: Arthur Bowen Davies (1862-1928) Andante (Czestochowski 34), 1916 Drypoint with hand-coloring on laid paper with Etruria Italy watermark, Czestochowski's first state (of 2), signed in ink, a rare

Arthur Bowen Davies (1862-1928); Andante;

Joseph Pennell (1857-1926); The Cross of Gold, Cedar Street Building;: Joseph Pennell (1857-1926) The Cross of Gold, Cedar Street Building (Wuerth 497), 1908 Mezzotint on laid paper with unidentified watermark, signed in pencil and annotated 'imp', from the edition of

Joseph Pennell (1857-1926); The Cross of Gold, Cedar Street Building;

John Sloan (1871-1951); A Thirst for Art;: John Sloan (1871-1951) A Thirst for Art (Morse 306), 1939 Etching on wove paper, Morse's third state (of 4), signed in pencil, titled and annotated '100 proofs' (there were also 100 proofs printed in

John Sloan (1871-1951); A Thirst for Art;

Thomas Hart Benton (1889-1975); Edge of Town;: Thomas Hart Benton (1889-1975) Edge of Town (Fath 22), 1938 Lithograph on wove paper with GCM watermark, signed in pencil, from the edition of 250, published by Associated American Artists, New York,

Thomas Hart Benton (1889-1975); Edge of Town;

Thomas Hart Benton (1889-1975); Threshing;: Thomas Hart Benton (1889-1975) Threshing (Fath 48), 1941 Lithograph on wove paper, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with margins,

Thomas Hart Benton (1889-1975); Threshing;

Thomas Hart Benton (1889-1975); Wreck of the Ol' 97;: Thomas Hart Benton (1889-1975) Wreck of the Ol' 97 (Fath 63), 1944 Lithograph on wove paper with Les Bibliophiles watermark, signed in pencil, from the edition of 250, published by Associated

Thomas Hart Benton (1889-1975); Wreck of the Ol' 97;

Rockwell Kent (1882-1971); Home Port;: Rockwell Kent (1882-1971) Home Port (Burne-Jones 62), 1931 Wood engraving on wove paper, signed in pencil, from the edition of 150, with margins, framed. 6 1/2 x 7 5/16in (16.5 x 18.6cm) sheet 11 1/4

Rockwell Kent (1882-1971); Home Port;

Grant Wood (1891-1942); Approaching Storm;: Grant Wood (1891-1942) Approaching Storm (Cole 19), 1940 Lithograph on wove paper, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with margins,

Grant Wood (1891-1942); Approaching Storm;

George Tooker (1920-2011); Voice;: George Tooker (1920-2011) Voice (Garver 3), 1977 Lithograph on grey Rives BFK paper, signed in pencil and annotated 'Trial proof' (aside from the edition of 125), with the blindstamp of the

George Tooker (1920-2011); Voice;

Norman Rockwell (1894-1978); The Problem We All Live With;: Norman Rockwell (1894-1978) The Problem We All Live With, 1973 Collotype in colors on wove paper, signed in pencil and numbered 25/200 (there were also 35 artist's proofs), published by Circle Fine

Norman Rockwell (1894-1978); The Problem We All Live With;

Benton Spruance (1904-1967); Forward Pass;: Benton Spruance (1904-1967) Forward Pass (Fine/Looney 231), 1944 Lithograph in colors on wove paper, signed in pencil, titled and annotated 'Ed 35', printed by Theodore H. Cuno, with margins,

Benton Spruance (1904-1967); Forward Pass;

Peter Alexander (1939-2020); Chula Vista I; Chula Vista II; (2): Peter Alexander (1939-2020) Chula Vista I; Chula Vista II (Cirrus p. 163), 1981 Two lithographs on Arches 88 paper, each initialed in pencil, titled, dated and annotated 'A.P.' (one of 11 artist's

Peter Alexander (1939-2020); Chula Vista I; Chula Vista II; (2)

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