John Baldessari (1931-2020); Two Horses and Riders;

Description

John Baldessari (1931-2020) Two Horses and Riders (Hurowitz 91), 1997 Lithograph with pochoir in colors on two sheets of tissue paper and Rives BFK adhered along the upper sheet edge (as issued), signed in pencil, dated and numbered 60/60 (there were also 4 artist's proofs), published/printed by El Nopal Press, Los Angeles, with full margins. 12 1/4 x 21 3/4in (31.1 x 55.2cm) sheet 17 3/4 x 25in (45.1 x 63.5cm) For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing

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John Baldessari (1931-2020); Two Horses and Riders;

Lot 0200

Estimate $1,200-$1,800

Feb 25, 2026, 6:19 PM EST

Starting Price

Secure

$600

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Prints & Multiples Online

Feb 16, 2026 3:00 PM EST

Los Angeles, CA, United States

John Baldessari (1931-2020); I Saw It;: John Baldessari (1931-2020) I Saw It (Hurowitz 93), 1997 Lithograph on wove paper, signed in pencil, dated and numbered 98/100 (there were also 22 artist's proofs), published by Side Street Projects,

John Baldessari (1931-2020); I Saw It;

John Baldessari (1931-2020); The First $100,000 I Ever Made;: John Baldessari (1931-2020) The First $100,000 I Ever Made, 2012 Inkjet print and lithograph in colors on chine collé with Coventry rag support, initialed in pencil, dated and annotated 'A/P 23'

John Baldessari (1931-2020); The First $100,000 I Ever Made;

John Baldessari (1931-2020); Cliché; (3): John Baldessari (1931-2020) Cliché (Hurowitz 74-76), 1995 The complete set, comprising 3 lithograph and screenprints in colors on wove paper, each signed in pencil and numbered 16/50 (there were

John Baldessari (1931-2020); Cliché; (3)

Billy Al Bengston (1934-2022); Turkey Dracula; Untitled; (2): Billy Al Bengston (1934-2022) Turkey Dracula; Untitled, 1973; 1990 One lithograph with hand-coloring and one lithograph with screenprint in colors on wove paper, each signed in pencil, Untitled dated

Billy Al Bengston (1934-2022); Turkey Dracula; Untitled; (2)

Billy Al Bengston (1934-2022); A Group of 4 Lithographs; (4): Billy Al Bengston (1934-2022) A Group of 4 Lithographs, 1974 Four lithographs in colors on wove paper, each signed in pencil (one in attenuated orange pencil), dated and annotated 'Cirrus Proof'

Billy Al Bengston (1934-2022); A Group of 4 Lithographs; (4)

Karl Stanley Benjamin (1925-2012); A Group of 4 Screenprints; (4): Karl Stanley Benjamin (1925-2012) A Group of 4 Screenprints, 1976 Four screenprints in colors on wove paper, each signed in pencil, three annotated 'Cirrus Proof' and one annotated 'Cirrus Edition'

Karl Stanley Benjamin (1925-2012); A Group of 4 Screenprints; (4)

Matthew Brannon (born 1971); A Group of 3 Prints; (3): Matthew Brannon (born 1971) A Group of 3 Prints, 2007 Three lithographs and screenprints in colors on wove paper, each signed in pencil, dated '2008' and annotated 'B.A.T.' (bon à tirer, aside

Matthew Brannon (born 1971); A Group of 3 Prints; (3)

Bruce Cohen (born 1953); Untitled (Black and White Florals);: Bruce Cohen (born 1953) Untitled (Black and White Florals) (Cirrus p. 209), 1987-88 Lithograph in colors on wove paper, signed in pencil, dated '87' and annotated 'Trial proof II' (aside from the

Bruce Cohen (born 1953); Untitled (Black and White Florals);

Bruce Cohen (born 1953); Interior with 3 Lemons;: Bruce Cohen (born 1953) Interior with 3 Lemons, 1998 Lithograph in colors on wove paper, signed in pencil, dated and annotated 'A/P 12' (an artist's proof, aside from the edition of 60), with the

Bruce Cohen (born 1953); Interior with 3 Lemons;

Bruce Cohen (born 1953); Untitled (Tulips & Glass of Wine);: Bruce Cohen (born 1953) Untitled (Tulips & Glass of Wine), 1998 Lithograph in colors on wove paper, signed in pencil, dated and annotated 'AP #12' (an artist's proof, aside from the edition of 60),

Bruce Cohen (born 1953); Untitled (Tulips & Glass of Wine);

Fred Eversley (1941-2025); Rigel; Sirius; Vega; (3): Fred Eversley (1941-2025) Rigel; Sirius; Vega, 2019 Three archival pigment prints in colors on wove paper, each signed in pencil, dated and annotated 'AP 12' (artist's proofs, aside from the editions

Fred Eversley (1941-2025); Rigel; Sirius; Vega; (3)

Joe Goode (1937-2025); Untitled (2); (2): Joe Goode (1937-2025) Untitled (2) (Cirrus p. 239), 1971; 1973 Two lithographs in colors on wove paper, each signed in pencil, dated and numbered 32/50 and 52/75 respectively, each with the

Joe Goode (1937-2025); Untitled (2); (2)

Joe Goode (1937-2025); Untitled; (2): Joe Goode (1937-2025) Untitled (Cirrus p. 254), 1981 Lithograph in colors on two sheets of Twinrocker handmade paper with gunshot impression by artist (as issued), signed in pencil, dated and

Joe Goode (1937-2025); Untitled; (2)

Joe Goode (1937-2025); Untitled;: Joe Goode (1937-2025) Untitled (Cirrus p. 256), 1983 Lithograph in colors on three sheets of wove paper (as issued), signed in pencil, dated and annotated 'AP' (an artist's proof, aside from the

Joe Goode (1937-2025); Untitled;

Joe Goode (1937-2025); Bakersfield; Yucca Valley; (2): Joe Goode (1937-2025) Bakersfield; Yucca Valley, 1997 Two lithographs in colors on wove paper, each signed in pencil, dated and numbered 1/30, each with the blindstamp of the publisher/printer,

Joe Goode (1937-2025); Bakersfield; Yucca Valley; (2)

Allan McCollum (born 1944); For the Millions/Just for You;: Allan McCollum (born 1944) For the Millions/Just for You, 2020 Archival pigment prints on individual wove sheets with wove support, each signed in ink, an artist's proof aside from the edition of 50,

Allan McCollum (born 1944); For the Millions/Just for You;

Bruce Nauman (born 1941); Perfect Door; Perfect Odor; Perfect Rodo; (3): Bruce Nauman (born 1941) Perfect Door; Perfect Odor; Perfect Rodo (Cirrus p. 321-322), 1973 The complete set, comprising three lithographs on wove paper, each signed in pencil, dated and annotated '1

Bruce Nauman (born 1941); Perfect Door; Perfect Odor; Perfect Rodo; (3)

Ed Ruscha (born 1937); Egg, from Domestic Tranquility;: Ed Ruscha (born 1937) Egg, from Domestic Tranquility (Engberg 76, Cirrus p. 347), 1974 Lithograph in colors on wove paper, signed in pencil, dated and annotated 'State I' (one of 5 state proofs,

Ed Ruscha (born 1937); Egg, from Domestic Tranquility;

Betye Saar (born 1926); Fragments;: Betye Saar (born 1926) Fragments, 1976 Lithograph on wove paper, signed in pencil, dated and numbered 222/250, with the blindstamp of the publisher/printer, Cirrus Editions, Los Angeles, the full

Betye Saar (born 1926); Fragments;

Charles Wilbert White (1918-1979); Evening Song;: Charles Wilbert White (1918-1979) Evening Song, 1970 Lithograph on Arches paper, signed in pencil, dated and annotated 'Cirrus Proof' (aside from the edition of 20), with the blindstamp of the

Charles Wilbert White (1918-1979); Evening Song;

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