Rufino Tamayo (1899-1991); Malabarista, from 15 Aguafuertes;

Description

Rufino Tamayo (1899-1991) Malabarista, from 15 Aguafuertes (Pereda 276), 1980 Etching in colors on wove paper, signed in pencil and annotated 'P de a XIII/XV' (an artist's proof, aside from the edition of 99), published/printed by Ediciones Polígrafa, Barcelona, the full sheet. sheet 29 5/8 x 21 3/4in (75.2 x 55.2cm) Footnotes: Provenance Acquired directly from the artist by the present owner For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing

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Rufino Tamayo (1899-1991); Malabarista, from 15 Aguafuertes;

Lot 0169

Estimate $2,000-$3,000

Feb 25, 2026, 5:48 PM EST

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$1,600

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Prints & Multiples Online

Feb 16, 2026 3:00 PM EST

Los Angeles, CA, United States

Rufino Tamayo (1899-1991); Mujer, from 15 Aguafuertes;: Rufino Tamayo (1899-1991) Mujer, from 15 Aguafuertes (Pereda 279), 1980 Etching in colors on wove paper, signed in pencil and annotated 'P de a XIII/XV' (an artist's proof, aside from the edition of

Rufino Tamayo (1899-1991); Mujer, from 15 Aguafuertes;

Zao Wou-Ki (1920-2013); One plate, from À la Gloire de l'image et Art poétique;: Zao Wou-Ki (1920-2013) One plate, from À la Gloire de l'image et Art poétique (Ågerup 278), 1976 Lithograph in colors on Arches paper, signed in pencil, dated and annotated 'e.a.' (an

Zao Wou-Ki (1920-2013); One plate, from À la Gloire de l'image et Art poétique;

Zao Wou-Ki (1920-2013); Untitled;: Zao Wou-Ki (1920-2013) Untitled (Ågerup 289), 1978 Lithograph in colors on Arches paper, signed in pencil, dated and numbered 120/150 (there were also 20 artist's proofs), published by Egmont H.

Zao Wou-Ki (1920-2013); Untitled;

Giovanni Battista Piranesi (1720-1778); & Francesco Piranesi (c. 1756-1810) A Group of 3 Etching...: Giovanni Battista Piranesi (1720-1778) & Francesco Piranesi (c. 1756-1810) A Group of 3 Etchings (Wilton-Ely 904), c. 1780 Three etchings on wove paper, with margins, each framed. Titles

Giovanni Battista Piranesi (1720-1778); & Francesco Piranesi (c. 1756-1810) A Group of 3 Etching...

Giovanni Battista Piranesi (1720-1778); 8 plates, from Le Antichità Romane; (8): Giovanni Battista Piranesi (1720-1778) 8 plates, from Le Antichità Romane (Wilton-Ely 289-291; 391; 392; 397; 400; 458), c. 1756 Eight etchings on wove paper, with margins, each framed. (8) each

Giovanni Battista Piranesi (1720-1778); 8 plates, from Le Antichità Romane; (8)

Rembrandt Harmensz van Rijn (1606-1669); Jan Asselijn, Painter ('Krabbetje');: Rembrandt Harmensz van Rijn (1606-1669) Jan Asselijn, Painter ('Krabbetje') (Bartsch, Hollstein 277, Hind 227, New Hollstein 236), c. 1647 Etching, engraving and drypoint on laid paper, New

Rembrandt Harmensz van Rijn (1606-1669); Jan Asselijn, Painter ('Krabbetje');

Rembrandt Harmensz van Rijn (1606-1669); The Virgin and Child with the Cat and Snake ;: Rembrandt Harmensz van Rijn (1606-1669) The Virgin and Child with the Cat and Snake (Bartsch, Hollstein 63, Hind 275, New Hollstein 278), 1654 Etching on laid paper with Countermark FD watermark

Rembrandt Harmensz van Rijn (1606-1669); The Virgin and Child with the Cat and Snake ;

After Albrecht Dürer (1471-1528); Virgin and Child;: After Albrecht Dürer (1471-1528) Virgin and Child, 1520 Engraving on wove paper, laid to board, with filled in borderline and extensive repairs, framed. sheet 6 3/4 x 4 3/4in (17.1 x

After Albrecht Dürer (1471-1528); Virgin and Child;

After Albert Bierstadt (1830-1902); Sunset: California Scenery;: After Albert Bierstadt (1830-1902) Sunset: California Scenery (McClinton p. 187-88), 1868 Chromolithograph in colors on canvas, chromolithographed and published by L. Prang & Co., Boston, with

After Albert Bierstadt (1830-1902); Sunset: California Scenery;

Albert Bierstadt (1830-1902); The Last of the Buffalo;: Albert Bierstadt (1830-1902) The Last of the Buffalo, 1891 Photogravure with hand-coloring on chine collé with wove support, signed in pencil, with margins, framed. 16 1/4 x 27 7/8in (41.3 x

Albert Bierstadt (1830-1902); The Last of the Buffalo;

Thomas Moran (1837-1926); Morning on the St. Johns, Florida;: Thomas Moran (1837-1926) Morning on the St. Johns, Florida (Klackner 56), 1881 Etching on thin wove paper, signed in pencil, with margins, framed. plate 5 7/8 x 8 7/8in (14.9 x 22.5cm) sheet 9 7/8 x

Thomas Moran (1837-1926); Morning on the St. Johns, Florida;

Various Artists; A group of 5 Landscape Etchings; (5): Various Artists A group of 5 Landscape Etchings, n.d. Five etchings on wove paper, each signed in pencil by respective artist, four titled, with margins, each framed. Artists and Titles

Various Artists; A group of 5 Landscape Etchings; (5)

Bill (Elling William) Gollings (1878-1932); A Cowboy;: Bill (Elling William) Gollings (1878-1932) A Cowboy, 1928 Etching on wove paper, signed in pencil, titled and dated, signed again with pony-track device, with margins, framed. plate 5 x 4in (12.7 x

Bill (Elling William) Gollings (1878-1932); A Cowboy;

Gene Kloss (1903-1996); Pueblo Firelight Dance;: Gene Kloss (1903-1996) Pueblo Firelight Dance (Kloss 445), 1952 Drypoint and aquatint on wove paper, signed in pencil and titled, Kloss cites an edition of 50, with margins, framed. plate 12 x 17in

Gene Kloss (1903-1996); Pueblo Firelight Dance;

Arthur Bowen Davies (1862-1928); Andante;: Arthur Bowen Davies (1862-1928) Andante (Czestochowski 34), 1916 Drypoint with hand-coloring on laid paper with Etruria Italy watermark, Czestochowski's first state (of 2), signed in ink, a rare

Arthur Bowen Davies (1862-1928); Andante;

Joseph Pennell (1857-1926); The Cross of Gold, Cedar Street Building;: Joseph Pennell (1857-1926) The Cross of Gold, Cedar Street Building (Wuerth 497), 1908 Mezzotint on laid paper with unidentified watermark, signed in pencil and annotated 'imp', from the edition of

Joseph Pennell (1857-1926); The Cross of Gold, Cedar Street Building;

John Sloan (1871-1951); A Thirst for Art;: John Sloan (1871-1951) A Thirst for Art (Morse 306), 1939 Etching on wove paper, Morse's third state (of 4), signed in pencil, titled and annotated '100 proofs' (there were also 100 proofs printed in

John Sloan (1871-1951); A Thirst for Art;

Thomas Hart Benton (1889-1975); Edge of Town;: Thomas Hart Benton (1889-1975) Edge of Town (Fath 22), 1938 Lithograph on wove paper with GCM watermark, signed in pencil, from the edition of 250, published by Associated American Artists, New York,

Thomas Hart Benton (1889-1975); Edge of Town;

Thomas Hart Benton (1889-1975); Threshing;: Thomas Hart Benton (1889-1975) Threshing (Fath 48), 1941 Lithograph on wove paper, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with margins,

Thomas Hart Benton (1889-1975); Threshing;

Thomas Hart Benton (1889-1975); Wreck of the Ol' 97;: Thomas Hart Benton (1889-1975) Wreck of the Ol' 97 (Fath 63), 1944 Lithograph on wove paper with Les Bibliophiles watermark, signed in pencil, from the edition of 250, published by Associated

Thomas Hart Benton (1889-1975); Wreck of the Ol' 97;

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