Hiroshi Sugimoto (born 1948); The Hall of Thirty-Three Bays;

Description

Hiroshi Sugimoto (born 1948) The Hall of Thirty-Three Bays, 1995 Gelatin silver print; edition '4/25' and number '018' blindstamped in the margin, mounted, signed in pencil on the mount, framed, a Pace Wildenstein MacGill Gallery, Beverly Hills, label on the reverse. 16 3/4 x 21 3/8 in. (42.6 x 54.3 cm.) sheet 18 3/4 x 23 3/4 in. (47.6 x 60.3 cm.) mount 19 3/4 x 25 in. (50.2 x 63.5 cm.) Footnotes: Provenance Pace Wildenstein MacGill Gallery, New York Acquired from the above by the present owner in 1997 For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing

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Hiroshi Sugimoto (born 1948); The Hall of Thirty-Three Bays;

Lot 0027

Estimate $10,000-$15,000

Apr 9, 2026, 2:26 PM EDT

Starting Price

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$8,000

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Photographs

Mar 31, 2026 12:00 PM EDT

New York, NY, United States

Hiroshi Sugimoto (born 1948); Colors of Shadow C1030;: Hiroshi Sugimoto (born 1948) Colors of Shadow C1030, 2006 Pigment print; flush-mounted, framed, the photographer's studio label, signed in ink, and a Fraenkel Gallery label on the reverse; this work

Hiroshi Sugimoto (born 1948); Colors of Shadow C1030;

Candida Höfer (born 1944); Rijksmuseum Amsterdam III;: Candida Höfer (born 1944) Rijksmuseum Amsterdam III, 2004 Chromogenic print; flush-mounted, framed, the artist's label, signed in ink and with printed title, date, and edition, and a Ben Brown

Candida Höfer (born 1944); Rijksmuseum Amsterdam III;

Alex Prager (born 1979); ''Emily'' (from 'Polyester');: Alex Prager (born 1979) ''Emily'' (from 'Polyester'), 2007 Chromogenic print; flush-mounted to acrylic, the photographer's 'Polyester' label, signed, titled, dated, and editioned '7/9' in ink, on the

Alex Prager (born 1979); ''Emily'' (from 'Polyester');

Louise Lawler (born 1947); Metadata;: Louise Lawler (born 1947) Metadata, 2003 Chromogenic print, printed 2014; face-mounted to acrylic, flush-mounted to aluminum on plywood, two Metro Pictures gallery labels, one signed, dated, and

Louise Lawler (born 1947); Metadata;

Louise Lawler (born 1947); A Drinking Glass;: Louise Lawler (born 1947) A Drinking Glass, 1989 Gelatin silver print, printed 1990; signed, dated, and editioned '6/10' in pencil and the photographer's '407 Greenwich St.' studio stamp on the

Louise Lawler (born 1947); A Drinking Glass;

McDermott & McGough (born 1952 and 1958); Selected Works from 'Sentimental Education';: McDermott & McGough (born 1952 and 1958) Selected Works from 'Sentimental Education', 1998 A group of 7 photogravures (from the portfolio of 8); each signed and editioned in pencil on the reverse;

McDermott & McGough (born 1952 and 1958); Selected Works from 'Sentimental Education';

Robert Mapplethorpe (1946-1989); Chest / Livingston;: Robert Mapplethorpe (1946-1989) Chest / Livingston, 1987 Selenium-toned gelatin silver print; flush-mounted, the photographer's copyright/reproduction rights stamp, signed and with date in ink, on

Robert Mapplethorpe (1946-1989); Chest / Livingston;

Edward Weston (1886-1958); Pepper No. 30;: Edward Weston (1886-1958) Pepper No. 30, 1930 Gelatin silver print, printed posthumously by Cole Weston, the photographer's son; mounted, the photographer's facsimile signature stamp and signed in

Edward Weston (1886-1958); Pepper No. 30;

Ansel Adams (1902-1984); Still Life, San Francisco, California (from 'Portfolio VI');: Ansel Adams (1902-1984) Still Life, San Francisco, California (from 'Portfolio VI'), c. 1932 Gelatin silver print, printed 1974; mounted, signed and with edition '6/110' and number 'VI-6' in pencil

Ansel Adams (1902-1984); Still Life, San Francisco, California (from 'Portfolio VI');

Jeff Brouws (born 1955); 'One Squeeze Proves, Bend, Oregon' (from 'Language in the Landscape');: Jeff Brouws (born 1955) 'One Squeeze Proves, Bend, Oregon' (from 'Language in the Landscape'), 1987 Pigment print; signed, titled, dated, and editioned '1/20' in pencil on the reverse, framed, a

Jeff Brouws (born 1955); 'One Squeeze Proves, Bend, Oregon' (from 'Language in the Landscape');

Laurie Simmons (born 1949); 'Woman Watching TV' (from 'Interiors');: Laurie Simmons (born 1949) 'Woman Watching TV' (from 'Interiors'), 1978 Silver dye bleach print; an artist's label, signed, titled, dated, editioned '6/7', and annotated 'LS#1' in ink, on the

Laurie Simmons (born 1949); 'Woman Watching TV' (from 'Interiors');

Lucas Samaras (1936-2024); Photo-Transformation (Seated Figure);: Lucas Samaras (1936-2024) Photo-Transformation (Seated Figure), 1976 Unique manipulated Polaroid SX-70 print; dated '7/2/76' in ink on the reverse, framed, a Pace Gallery, New York, label on the

Lucas Samaras (1936-2024); Photo-Transformation (Seated Figure);

Lucas Samaras (1936-2024); Photo-Transformation (Torso);: Lucas Samaras (1936-2024) Photo-Transformation (Torso), 1976 Unique manipulated Polaroid SX-70 print; dated '6/17/76' in ink on the reverse, framed, a Pace Gallery, New York, label on the reverse. 3

Lucas Samaras (1936-2024); Photo-Transformation (Torso);

Carolee Schneemann (1939-2019); 'Parallel Axis';: Carolee Schneemann (1939-2019) 'Parallel Axis', 1973 A collage of 4 gelatin silver prints, printed later; mounted together, signed, titled, dated, and editioned 'P.P.' in pencil on the mount; this

Carolee Schneemann (1939-2019); 'Parallel Axis';

Herb Ritts (1952-2002); ''Three Male Torsos'';: Herb Ritts (1952-2002) ''Three Male Torsos'', 1986 Gelatin silver print; the photographer's copyright blindstamp in the margin, signed, titled, dated, annotated 'Los Angeles', and editioned '13/25'

Herb Ritts (1952-2002); ''Three Male Torsos'';

Herb Ritts (1952-2002); Fred with Tires;: Herb Ritts (1952-2002) Fred with Tires, 1984 Gelatin silver print; the photographer's credit stamp on the reverse, framed; this work is aside from the edition of 25. 13 1/4 x 10 1/2 in. (33.7 x 26.7

Herb Ritts (1952-2002); Fred with Tires;

Ruth Bernhard (1905-2006); The Eternal Body (Portfolio);: Ruth Bernhard (1905-2006) The Eternal Body (Portfolio), 1946-67 (Self-published, 1976) 9 (of 10) gelatin silver prints, each mounted, signed in pencil on the mount, 8 framed, together with printed

Ruth Bernhard (1905-2006); The Eternal Body (Portfolio);

Hiroshi Sugimoto (born 1948); 'Prospect Park Theatre, Brooklyn, N.Y.' (The Sanders Theater);: Hiroshi Sugimoto (born 1948) 'Prospect Park Theatre, Brooklyn, N.Y.' (The Sanders Theater), 1977 Gelatin silver print, printed later; signed, titled, and editioned '11/25' in pencil on the reverse, fr

Hiroshi Sugimoto (born 1948); 'Prospect Park Theatre, Brooklyn, N.Y.' (The Sanders Theater);

Harry Callahan (1912-1999); Eleanor, Chicago;: Harry Callahan (1912-1999) Eleanor, Chicago, 1949 Gelatin silver print, printed later; signed in pencil in the margin. 10 x 9 1/4 in. (25.4 x 23.5 cm.) sheet 12 5/8 x 11 in. (32.1 x 27.9

Harry Callahan (1912-1999); Eleanor, Chicago;

Henri Cartier-Bresson (1908-2004); Queen Charlotte's Ball, London;: Henri Cartier-Bresson (1908-2004) Queen Charlotte's Ball, London, 1959 Gelatin silver print, printed later; signed in ink and the photographer's blindstamp in the margin, framed, a Michael Shapiro

Henri Cartier-Bresson (1908-2004); Queen Charlotte's Ball, London;

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