Edward Weston (1886-1958); Pepper No. 30;

Description

Edward Weston (1886-1958) Pepper No. 30, 1930 Gelatin silver print, printed posthumously by Cole Weston, the photographer's son; mounted, the photographer's facsimile signature stamp and signed in pencil by Cole Weston, on the reverse. 9 1/4 x 7 3/8 in. (23.5 x 18.7 cm.) mount 15 x 13 1/4 in. (38.1 x 33.7 cm.) Footnotes: Provenance Focus Gallery, San Francisco Acquired from the above by the present owner circa 1972 Literature Conger 606 For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing

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Edward Weston (1886-1958); Pepper No. 30;

Lot 0035

Estimate $4,000-$6,000

Apr 9, 2026, 2:34 PM EDT

Starting Price

Secure

$3,200

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Photographs

Mar 31, 2026 12:00 PM EDT

New York, NY, United States

Ansel Adams (1902-1984); Still Life, San Francisco, California (from 'Portfolio VI');: Ansel Adams (1902-1984) Still Life, San Francisco, California (from 'Portfolio VI'), c. 1932 Gelatin silver print, printed 1974; mounted, signed and with edition '6/110' and number 'VI-6' in pencil

Ansel Adams (1902-1984); Still Life, San Francisco, California (from 'Portfolio VI');

Jeff Brouws (born 1955); 'One Squeeze Proves, Bend, Oregon' (from 'Language in the Landscape');: Jeff Brouws (born 1955) 'One Squeeze Proves, Bend, Oregon' (from 'Language in the Landscape'), 1987 Pigment print; signed, titled, dated, and editioned '1/20' in pencil on the reverse, framed, a

Jeff Brouws (born 1955); 'One Squeeze Proves, Bend, Oregon' (from 'Language in the Landscape');

Laurie Simmons (born 1949); 'Woman Watching TV' (from 'Interiors');: Laurie Simmons (born 1949) 'Woman Watching TV' (from 'Interiors'), 1978 Silver dye bleach print; an artist's label, signed, titled, dated, editioned '6/7', and annotated 'LS#1' in ink, on the

Laurie Simmons (born 1949); 'Woman Watching TV' (from 'Interiors');

Lucas Samaras (1936-2024); Photo-Transformation (Seated Figure);: Lucas Samaras (1936-2024) Photo-Transformation (Seated Figure), 1976 Unique manipulated Polaroid SX-70 print; dated '7/2/76' in ink on the reverse, framed, a Pace Gallery, New York, label on the

Lucas Samaras (1936-2024); Photo-Transformation (Seated Figure);

Lucas Samaras (1936-2024); Photo-Transformation (Torso);: Lucas Samaras (1936-2024) Photo-Transformation (Torso), 1976 Unique manipulated Polaroid SX-70 print; dated '6/17/76' in ink on the reverse, framed, a Pace Gallery, New York, label on the reverse. 3

Lucas Samaras (1936-2024); Photo-Transformation (Torso);

Carolee Schneemann (1939-2019); 'Parallel Axis';: Carolee Schneemann (1939-2019) 'Parallel Axis', 1973 A collage of 4 gelatin silver prints, printed later; mounted together, signed, titled, dated, and editioned 'P.P.' in pencil on the mount; this

Carolee Schneemann (1939-2019); 'Parallel Axis';

Herb Ritts (1952-2002); ''Three Male Torsos'';: Herb Ritts (1952-2002) ''Three Male Torsos'', 1986 Gelatin silver print; the photographer's copyright blindstamp in the margin, signed, titled, dated, annotated 'Los Angeles', and editioned '13/25'

Herb Ritts (1952-2002); ''Three Male Torsos'';

Herb Ritts (1952-2002); Fred with Tires;: Herb Ritts (1952-2002) Fred with Tires, 1984 Gelatin silver print; the photographer's credit stamp on the reverse, framed; this work is aside from the edition of 25. 13 1/4 x 10 1/2 in. (33.7 x 26.7

Herb Ritts (1952-2002); Fred with Tires;

Ruth Bernhard (1905-2006); The Eternal Body (Portfolio);: Ruth Bernhard (1905-2006) The Eternal Body (Portfolio), 1946-67 (Self-published, 1976) 9 (of 10) gelatin silver prints, each mounted, signed in pencil on the mount, 8 framed, together with printed

Ruth Bernhard (1905-2006); The Eternal Body (Portfolio);

Brett Weston (1911-1993); Untitled (Branches in Snow);: Brett Weston (1911-1993) Untitled (Branches in Snow), 1970 Gelatin silver print; mounted to Crescent board, signed and dated in pencil on the mount. 7 5/8 x 7 5/8 in. (19.4 x 19.4 cm.) mount 15 1/8 x

Brett Weston (1911-1993); Untitled (Branches in Snow);

Ansel Adams (1902-1984); Edward Weston, Carmel Highlands, California (from 'Portfolio VI');: Ansel Adams (1902-1984) Edward Weston, Carmel Highlands, California (from 'Portfolio VI'), 1945 Gelatin silver print, printed 1974; mounted, signed and with edition '6/110' and number 'VI-1' in pencil

Ansel Adams (1902-1984); Edward Weston, Carmel Highlands, California (from 'Portfolio VI');

Edward Weston (1886-1958); Charrito (Pulquería Mural, Mexico);: Edward Weston (1886-1958) Charrito (Pulquería Mural, Mexico), 1926 Gelatin silver print, printed posthumously by Cole Weston, the photographer's son; mounted, the photographer's facsimile signatu

Edward Weston (1886-1958); Charrito (Pulquería Mural, Mexico);

Harry Callahan (1912-1999); Eleanor, Chicago;: Harry Callahan (1912-1999) Eleanor, Chicago, 1949 Gelatin silver print, printed later; signed in pencil in the margin. 10 x 9 1/4 in. (25.4 x 23.5 cm.) sheet 12 5/8 x 11 in. (32.1 x 27.9

Harry Callahan (1912-1999); Eleanor, Chicago;

Henri Cartier-Bresson (1908-2004); Queen Charlotte's Ball, London;: Henri Cartier-Bresson (1908-2004) Queen Charlotte's Ball, London, 1959 Gelatin silver print, printed later; signed in ink and the photographer's blindstamp in the margin, framed, a Michael Shapiro

Henri Cartier-Bresson (1908-2004); Queen Charlotte's Ball, London;

Henri Cartier-Bresson (1908-2004); Swan Lake, Bolshoi Theatre, Moscow, USSR;: Henri Cartier-Bresson (1908-2004) Swan Lake, Bolshoi Theatre, Moscow, USSR, 1954 Gelatin silver print, printed later; signed in ink and the photographer's blindstamp in the margin, framed. 11 7/8 x

Henri Cartier-Bresson (1908-2004); Swan Lake, Bolshoi Theatre, Moscow, USSR;

Patrick Tourneboeuf (born 1966); 'Chateau de Versailles #25' (Opéra);: Patrick Tourneboeuf (born 1966) 'Chateau de Versailles #25' (Opéra), 2005 Mural-sized chromogenic print; framed, the artist's label, signed, titled, dated, and editioned '2/11' in ink, and an

Patrick Tourneboeuf (born 1966); 'Chateau de Versailles #25' (Opéra);

Hiroshi Sugimoto (born 1948); The Hall of Thirty-Three Bays;: Hiroshi Sugimoto (born 1948) The Hall of Thirty-Three Bays, 1995 Gelatin silver print; edition '4/25' and number '018' blindstamped in the margin, mounted, signed in pencil on the mount, framed, a

Hiroshi Sugimoto (born 1948); The Hall of Thirty-Three Bays;

Hiroshi Sugimoto (born 1948); Colors of Shadow C1030;: Hiroshi Sugimoto (born 1948) Colors of Shadow C1030, 2006 Pigment print; flush-mounted, framed, the photographer's studio label, signed in ink, and a Fraenkel Gallery label on the reverse; this work

Hiroshi Sugimoto (born 1948); Colors of Shadow C1030;

Candida Höfer (born 1944); Rijksmuseum Amsterdam III;: Candida Höfer (born 1944) Rijksmuseum Amsterdam III, 2004 Chromogenic print; flush-mounted, framed, the artist's label, signed in ink and with printed title, date, and edition, and a Ben Brown

Candida Höfer (born 1944); Rijksmuseum Amsterdam III;

Alex Prager (born 1979); ''Emily'' (from 'Polyester');: Alex Prager (born 1979) ''Emily'' (from 'Polyester'), 2007 Chromogenic print; flush-mounted to acrylic, the photographer's 'Polyester' label, signed, titled, dated, and editioned '7/9' in ink, on the

Alex Prager (born 1979); ''Emily'' (from 'Polyester');

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