Henri Cartier-Bresson (1908-2004); Couple, Italy (André Pieyre de Mandiargues and Leonor Fi...

Description

Henri Cartier-Bresson (1908-2004) Couple, Italy (André Pieyre de Mandiargues and Leonor Fini), 1933 Gelatin silver print, printed later; signed and inscribed 'For Bob's collection / avec my salutations / Henri' in ink and the photographer's blindstamp in the margin, framed. 9 1/2 x 14 1/8 in. (24.1 x 35.9 cm.) sheet 14 x 16 in. (35.6 x 40.6 cm.) Footnotes: Provenance The photographer to Robert Kirschenbaum, founder of Pacific Press Service photo agency Private Collection Chiswick Auctions, 19 November 2024, Lot 55 Acquired from the above by the present owner Literature Peter Galassi, Henri Cartier-Bresson: The Early Work (New York: The Museum of Modern Art, 1987), p. 135 (variant) Peter Galassi, Henri Cartier-Bresson: The Modern Century (New York: The Museum of Modern Art, 2010), p. 100 (variant) For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing

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Henri Cartier-Bresson (1908-2004); Couple, Italy (André Pieyre de Mandiargues and Leonor Fi...

Lot 0005

Estimate $8,000-$12,000

Apr 9, 2026, 2:04 PM EDT

Starting Price

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$6,500

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Photographs

Mar 31, 2026 12:00 PM EDT

New York, NY, United States

Slim Aarons (1916-2006); Poolside Pairs;: Slim Aarons (1916-2006) Poolside Pairs, 1970 Chromogenic print, printed posthumously; the photographer's signature blindstamp and with edition 113/150 in ink in the margin, framed; accompanied by a

Slim Aarons (1916-2006); Poolside Pairs;

Sally Mann (born 1951); 'Sunday Funnies' (from 'Immediate Family');: Sally Mann (born 1951) 'Sunday Funnies' (from 'Immediate Family'), 1991 Gelatin silver print; signed, titled, dated, annotated, and editioned '16/25' in pencil on the reverse, framed, a Robert Koch

Sally Mann (born 1951); 'Sunday Funnies' (from 'Immediate Family');

Imogen Cunningham (1883-1976); The Unmade Bed;: Imogen Cunningham (1883-1976) The Unmade Bed, 1957 Gelatin silver print, printed later; mounted, signed and dated in pencil on the mount, the photographer's '1331 Green Street' label, with typed

Imogen Cunningham (1883-1976); The Unmade Bed;

Robert Mapplethorpe (1946-1989); Irises;: Robert Mapplethorpe (1946-1989) Irises, 1986 Gelatin silver print; signed, dated, and editioned '3/10' in ink in the margin, flush-mounted, the photographer's copyright/reproduction rights stamp,

Robert Mapplethorpe (1946-1989); Irises;

Robert Mapplethorpe (1946-1989); Hyacinth;: Robert Mapplethorpe (1946-1989) Hyacinth, 1986 Gelatin silver print; signed, dated, and editioned '3/10' in ink in the margin, flush-mounted, the photographer's copyright/reproduction rights stamp,

Robert Mapplethorpe (1946-1989); Hyacinth;

Robert Mapplethorpe (1946-1989); Flowers (Orchid);: Robert Mapplethorpe (1946-1989) Flowers (Orchid), 1986 Gelatin silver print; signed, dated, and editioned '2/10' in ink in the margin, flush-mounted, the photographer's copyright/reproduction rights

Robert Mapplethorpe (1946-1989); Flowers (Orchid);

Deborah Turbeville (1932-2013); Chanel Couture Archives for Karl Lagerfeld (for 'Vogue');: Deborah Turbeville (1932-2013) Chanel Couture Archives for Karl Lagerfeld (for 'Vogue'), 1998 Gold chloride gelatin silver print, printed later; the photographer's estate stamp on the reverse;

Deborah Turbeville (1932-2013); Chanel Couture Archives for Karl Lagerfeld (for 'Vogue');

Deborah Turbeville (1932-2013); Asser Levy Bathhouse, New York (for 'Vogue');: Deborah Turbeville (1932-2013) Asser Levy Bathhouse, New York (for 'Vogue'), 1975 Gelatin silver print, printed 1990; the artist's estate stamp on the reverse; accompanied by a Certificate of

Deborah Turbeville (1932-2013); Asser Levy Bathhouse, New York (for 'Vogue');

Gilles Bensimon (born 1944); 'Gisele';: Gilles Bensimon (born 1944) 'Gisele', 2002 Archival pigment print, printed later; flush-mounted, framed, the photographer's label, signed, titled, dated, annotated, and editioned '1/6' in ink, on the

Gilles Bensimon (born 1944); 'Gisele';

Sophie Calle (born 1953); Le Striptease (from 'Les Autobiographies');: Sophie Calle (born 1953) Le Striptease (from 'Les Autobiographies'), 1989 Diptych comprising one gelatin silver print and one text panel; each flush-mounted to aluminum and framed to the artist's

Sophie Calle (born 1953); Le Striptease (from 'Les Autobiographies');

Lyle Ashton Harris (born 1965); ''Coquette'' (from 'Americas');: Lyle Ashton Harris (born 1965) ''Coquette'' (from 'Americas'), 1987-88 Gelatin silver print, printed later; flush-mounted, signed, titled, dated, and editioned 'PP' in pencil on the reverse. 30 1/4

Lyle Ashton Harris (born 1965); ''Coquette'' (from 'Americas');

Brassaï (1899-1984); La Môme Bijou, Bar de la Lune, Montmartre;: Brassaï (1899-1984) La Môme Bijou, Bar de la Lune, Montmartre, 1932 Gelatin silver print, printed later; signed and editioned '22/30' in red ink in the margin, dated, annotated, and

Brassaï (1899-1984); La Môme Bijou, Bar de la Lune, Montmartre;

Diane Arbus (1923-1971); A young waitress at a nudist camp, N.J.;: Diane Arbus (1923-1971) A young waitress at a nudist camp, N.J., 1963 Gelatin silver print, printed posthumously by Neil Selkirk; the 'A Diane Arbus photograph' stamp, signed by Doon Arbus and with

Diane Arbus (1923-1971); A young waitress at a nudist camp, N.J.;

Diane Arbus (1923-1971); Albino sword swallower at a carnival, MD;: Diane Arbus (1923-1971) Albino sword swallower at a carnival, MD, 1970 Gelatin silver print, printed posthumously by Neil Selkirk; the 'A Diane Arbus photograph' stamp, signed by Doon Arbus and with

Diane Arbus (1923-1971); Albino sword swallower at a carnival, MD;

Irving Penn (1917-2009); 'Four Guedras (Morocco)';: Irving Penn (1917-2009) 'Four Guedras (Morocco)', 1971 Platinum-palladium print, printed 1985; flush-mounted to aluminum, signed, initialed, titled, dated, annotated extensively, numbered '3341', and

Irving Penn (1917-2009); 'Four Guedras (Morocco)';

Manuel Alvarez Bravo (1902-2002); Retrato de lo Eterno (Portrait of the Eternal) (from 'Platinum...: Manuel Alvarez Bravo (1902-2002) Retrato de lo Eterno (Portrait of the Eternal) (from 'Platinum Portfolio'), 1935 Platinum print, printed 1980; signed and annotated 'México' in pencil in the

Manuel Alvarez Bravo (1902-2002); Retrato de lo Eterno (Portrait of the Eternal) (from 'Platinum...

Edward Weston (1886-1958); Charis Wilson, Santa Monica (Nude);: Edward Weston (1886-1958) Charis Wilson, Santa Monica (Nude), 1936 Gelatin silver print, printed posthumously by Cole Weston, the photographer's son; mounted, the photographer's facsimile signature

Edward Weston (1886-1958); Charis Wilson, Santa Monica (Nude);

Henri Cartier-Bresson (1908-2004); Queen Charlotte's Ball, London;: Henri Cartier-Bresson (1908-2004) Queen Charlotte's Ball, London, 1959 Gelatin silver print, printed later; signed in ink and the photographer's blindstamp in the margin, framed, a Michael Shapiro Pho

Henri Cartier-Bresson (1908-2004); Queen Charlotte's Ball, London;

Henri Cartier-Bresson (1908-2004); Swan Lake, Bolshoi Theatre, Moscow, USSR;: Henri Cartier-Bresson (1908-2004) Swan Lake, Bolshoi Theatre, Moscow, USSR, 1954 Gelatin silver print, printed later; signed in ink and the photographer's blindstamp in the margin, framed. 11 7/8 x 17

Henri Cartier-Bresson (1908-2004); Swan Lake, Bolshoi Theatre, Moscow, USSR;

Henri Cartier-Bresson (1908-2004); Henri Matisse, Vence, France;: Henri Cartier-Bresson (1908-2004) Henri Matisse, Vence, France, 1944 Gelatin silver print, printed later; signed in ink in the margin, framed. 9 1/2 x 14 1/8 in. (24.1 x 35.9 cm.) sheet 11 3/4 x 15 5/

Henri Cartier-Bresson (1908-2004); Henri Matisse, Vence, France;

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Henri Cartier-Bresson (1908-2004); Leonor Fini, Italy;

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