John Charles Morris (British, 1829-1882) The highland flock

Description

John Charles Morris (British, 1829-1882) The highland flock signed 'J.C. Morris' (lower left) oil on canvas 90 x 152cm (35 7/16 x 59 13/16in). For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing

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John Charles Morris (British, 1829-1882) The highland flock

Lot 0323

Estimate £1,500-£2,000

Apr 14, 2026, 9:52 AM EDT

Starting Price

Secure

£1,300

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Home & Interiors

Apr 01, 2026 7:00 AM EDT

London, UNITED KINGDOM, United Kingdom

Jacob Philipp Hackert (Prenzlau 1737-1807 Florence) Figures and cattle resting before a river la...: Jacob Philipp Hackert (Prenzlau 1737-1807 Florence) Figures and cattle resting before a river landscape oil on canvas 41.7 x 55.5cm (16 7/16 x 21 7/8in). Footnotes: Provenance In the present owner's

Jacob Philipp Hackert (Prenzlau 1737-1807 Florence) Figures and cattle resting before a river la...

William Shayer, Snr. (British, 1787-1879) Counting the catch; Sorting the catch: William Shayer, Snr. (British, 1787-1879) Counting the catch; Sorting the catch a pair, the second indistinctly signed and dated 'W Shayer/25' (lower centre) oil on canvas each 74 x 102cm (29 1/8 x

William Shayer, Snr. (British, 1787-1879) Counting the catch; Sorting the catch

Henry Shayer (British, 1825-1894) & Charles Shayer (British, 1826-1914) The log team resting: Henry Shayer (British, 1825-1894) & Charles Shayer (British, 1826-1914) The log team resting indistinctly signed (lower left) oil on canvas 23 x 35cm (9 1/16 x 13 3/4in). This lot is subject to

Henry Shayer (British, 1825-1894) & Charles Shayer (British, 1826-1914) The log team resting

William Watt Milne (British, 1865-1949) Houghton Mill, St Ives: William Watt Milne (British, 1865-1949) Houghton Mill, St Ives signed 'W.W.MILNE' (lower right) oil on canvas 69 x 93cm (27 3/16 x 36 5/8in). Footnotes: Provenance Private collection, UK. For

William Watt Milne (British, 1865-1949) Houghton Mill, St Ives

James Seymour (London 1702-1752) 'Old Cartouche' - the racehorse and groom on a heath (at Newmar...: Follower of James Seymour (London 1702-1752) A bay horse, said to be 'Old Cartouche', held by a groom oil on canvas 63.5 x 76.1cm (25 x 29 15/16in). unframed Footnotes: Provenance The Collection of

James Seymour (London 1702-1752) 'Old Cartouche' - the racehorse and groom on a heath (at Newmar...

Benjamin Zobel (German, 1762-1831) A bay horse tethered to a fence: Benjamin Zobel (German, 1762-1831) A bay horse tethered to a fence signed and dated 'Zobel 1803' (lower left) oil on canvas 64 x 76cm (25 3/16 x 29 15/16in). Footnotes: Provenance Anon. sale,

Benjamin Zobel (German, 1762-1831) A bay horse tethered to a fence

Thomas Walker Bretland (British, 1802-1874) Portrait of a bay horse with a huntsman, huntsmen an...: Thomas Walker Bretland (British, 1802-1874) Portrait of a bay horse with a huntsman, huntsmen and hounds beyond signed, inscribed and dated 'Bretland/Nottm 1846' (lower right), also dated '1846'

Thomas Walker Bretland (British, 1802-1874) Portrait of a bay horse with a huntsman, huntsmen an...

Circle of Michael Dahl the Younger (Stockholm circa 1659-1743 London) Portrait of a gentleman, s...: Circle of Michael Dahl the Younger (Stockholm circa 1659-1743 London) Portrait of a gentleman, said to be Leftwich Oldfield, bust-length, in a green velvet jacket and within a painted oval inscribed

Circle of Michael Dahl the Younger (Stockholm circa 1659-1743 London) Portrait of a gentleman, s...

Ramsay Richard Reinagle (London 1775-1862 Chelsea) Portrait of Henry Collingwood Selby of Alnwic...: Ramsay Richard Reinagle (London 1775-1862 Chelsea) Portrait of Henry Collingwood Selby of Alnwick (1748-1839), Northumberland, half-length, seated, in a black coat signed, inscribed and dated

Ramsay Richard Reinagle (London 1775-1862 Chelsea) Portrait of Henry Collingwood Selby of Alnwic...

Circle of Margaret Sarah Carpenter (Salisbury 1793-1872 London) Portrait of a young woman, bust-...: Circle of Margaret Sarah Carpenter (Salisbury 1793-1872 London) Portrait of a young woman, bust-length in a lace-trimmed black dress oil on canvas 44.7 x 36cm (17 5/8 x 14 3/16in). framed: 61 x

Circle of Margaret Sarah Carpenter (Salisbury 1793-1872 London) Portrait of a young woman, bust-...

Circle of William Hogarth (1697-1764) Portrait of a lady said to be Lady Mary Forbes, in a grey ...: Circle of William Hogarth (1697-1764) Portrait of a lady said to be Lady Mary Forbes, in a grey dress and within a painted stone cartouche bears inscription 'Rt Hon ble / Ldy Mary Forbes' (lower

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After Bartolomé Esteban Murillo, 19th Century The Infant Saint John the Baptist: After Bartolomé Esteban Murillo, 19th Century The Infant Saint John the Baptist oil on canvas 165.2 x 109.3cm (65 1/16 x 43 1/16in). Footnotes: The present work is after Murillo's original,

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Circle of Johann Anton Eismann (Salzburg 1604-1698 Venice) A drover and cattle crossing a bridge...: Circle of Johann Anton Eismann (Salzburg 1604-1698 Venice) A drover and cattle crossing a bridge in an extensive river landscape oil on canvas 98.4 x 139.4cm (38 3/4 x 54

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Horatius de Hooch (active 1652-1686) Figures and cattle before a ruin in an Italianate landscape: Horatius de Hooch (active 1652-1686) Figures and cattle before a ruin in an Italianate landscape signed '*Hooch' (lower left) oil on panel 21.4 x 27.6cm (8 7/16 x 10

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Follower of Tobias Stranover (Sibiu 1684-circa 1731 London) Still life of fruit, including figs ...: Follower of Tobias Stranover (Sibiu 1684-circa 1731 London) Still life of fruit, including figs and grapes oil on canvas 63 x 110cm (24 13/16 x 43 5/16in). For further information on this lot

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