Signed (upper right)

Image Dimensions: 31 7/8 x 25 1/2 in (80.9 x 64.7 cm)

This lot is accompanied by a consignor-provided COA or related documentation, offered as received.

Pablo Picasso's later works demonstrate a remarkable freedom of expression, where figuration, distortion, and color are used with bold directness. Rather than adhering to a single stylistic system, he continuously reinterprets the human figure.

In Femme au chien, the composition centers on a seated woman accompanied by a dog. The figure is constructed through simplified and fragmented forms, combining frontal and profile views within a single face.

The line is assertive and graphic. Contours are clearly defined, often enclosing areas of flat color, creating a strong visual structure. The face, divided into contrasting halves, reflects Picasso's ongoing exploration of multiple perspectives.

Color is vivid and expressive. The intense red of the dress contrasts sharply with the cool blue background, generating a dynamic visual tension. The white dog introduces a secondary focal point that balances the composition.

The brushwork is direct and unrefined, emphasizing immediacy over polish. This approach gives the painting an energetic and spontaneous quality.

The figure is both recognizable and abstracted. Picasso reduces anatomical detail while amplifying expressive elements, transforming the subject into a symbolic presence rather than a realistic portrait.

The chair and background are simplified, serving as structural supports rather than descriptive elements. This reduction enhances the prominence of the central figure.

The relationship between the woman and the dog introduces a subtle narrative element. The juxtaposition creates contrast between human form and animal presence, adding complexity to the composition.

From a market perspective, Picasso's late figurative works are highly collectible, representing a mature phase of stylistic freedom. The presence of Perls Galleries (New York) and Galerie Louise Leiris (Paris) labels on the reverse indicates circulation through major 20th-century gallery networks, consistent with works of this period.

In display, the work commands attention through its bold color and direct composition. Its strong contrasts and simplified forms create an immediate visual impact.

This piece exemplifies Picasso's ability to transform the human figure into a site of experimentation, where structure, color, and perspective coexist in dynamic tension.

ALL PROPERTY IS SOLD AS IS, WHERE IS, WITH NO RETURNS OR CANCELLATIONS.

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