Description
Signed (lower right)
Image Dimensions: 29 1/8 x 24 in (74 x 61 cm)
This painting comes with COA.
Jackson Pollock stands as one of the most transformative figures in twentieth-century art, redefining the act of painting through his revolutionary drip technique. His works shift the focus from representation to process, turning the canvas into a field of action.
This composition presents a dense network of layered drips and splatters, applied across the entire surface. Lines intersect, overlap, and accumulate, forming a complex visual web that resists hierarchical structure.
The composition is all-over and immersive. There is no central focal point; instead, the viewer's eye moves continuously across the surface, guided by the rhythm of the lines and the interplay of color.
Color is energetic and varied. Yellows, greens, whites, and darker tones interact dynamically, creating contrast and depth through layering rather than perspective. The palette contributes to a sense of vibrational intensity.
Pollock's technique is central to the work's meaning. Paint is poured, dripped, and flung onto the canvas, capturing the movement of the artist's body. The resulting marks are both deliberate and contingent, balancing control with chance.
The surface records time and motion. Each layer corresponds to a sequence of actions, creating a visual history of the painting's creation. The overlapping lines produce a sense of depth without traditional spatial illusion.
The work embodies the principles of Abstract Expressionism. Gesture becomes language, and the painting operates as an arena in which physical action and psychological expression converge.
The numbering system replaces descriptive titles, emphasizing the autonomy of the work. By removing narrative references, Pollock directs attention entirely to the visual and material experience.
Pollock's paintings are held in major institutions including the Museum of Modern Art, the Guggenheim Museum, and the National Gallery of Art. Works from the late 1940s represent the peak of his artistic innovation and command exceptional market demand.
In a spatial context, this composition creates a powerful presence. Its scale, density, and energy transform it into a dynamic focal point within any environment.
Ultimately, this work exemplifies Pollock's transformation of painting into an event, where gesture, material, and movement merge into a singular and groundbreaking visual language.
Image Dimensions: 29 1/8 x 24 in (74 x 61 cm)
This painting comes with COA.
Jackson Pollock stands as one of the most transformative figures in twentieth-century art, redefining the act of painting through his revolutionary drip technique. His works shift the focus from representation to process, turning the canvas into a field of action.
This composition presents a dense network of layered drips and splatters, applied across the entire surface. Lines intersect, overlap, and accumulate, forming a complex visual web that resists hierarchical structure.
The composition is all-over and immersive. There is no central focal point; instead, the viewer's eye moves continuously across the surface, guided by the rhythm of the lines and the interplay of color.
Color is energetic and varied. Yellows, greens, whites, and darker tones interact dynamically, creating contrast and depth through layering rather than perspective. The palette contributes to a sense of vibrational intensity.
Pollock's technique is central to the work's meaning. Paint is poured, dripped, and flung onto the canvas, capturing the movement of the artist's body. The resulting marks are both deliberate and contingent, balancing control with chance.
The surface records time and motion. Each layer corresponds to a sequence of actions, creating a visual history of the painting's creation. The overlapping lines produce a sense of depth without traditional spatial illusion.
The work embodies the principles of Abstract Expressionism. Gesture becomes language, and the painting operates as an arena in which physical action and psychological expression converge.
The numbering system replaces descriptive titles, emphasizing the autonomy of the work. By removing narrative references, Pollock directs attention entirely to the visual and material experience.
Pollock's paintings are held in major institutions including the Museum of Modern Art, the Guggenheim Museum, and the National Gallery of Art. Works from the late 1940s represent the peak of his artistic innovation and command exceptional market demand.
In a spatial context, this composition creates a powerful presence. Its scale, density, and energy transform it into a dynamic focal point within any environment.
Ultimately, this work exemplifies Pollock's transformation of painting into an event, where gesture, material, and movement merge into a singular and groundbreaking visual language.
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JACKSON POLLOCK (1912-1956), ATTRIBUTED TO, ENAMEL AND ALUMINUM PAINT ON CANVAS
Estimate $200,000-$240,000
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Fine Books & Important Collectibles II
May 21, 2026 11:45 AM EDTSan Leandro, CA, United States
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