Francesco Clemente, Air

Description

Francesco Clemente
Air

2007
Ukiyo-e woodcut in colors
24.25 h x 18.25 w in (62 x 46 cm)

Signed and numbered to lower edge '49/51 Francesco Clemente'. This work is number 49 from the edition of 51 published by Pace Prints, New York.

Provenance: Pace Prints, New York | Private Collection

This work will ship from Lambertville, New Jersey.

Condition

Work is in good condition and is hinged to mat along upper edges, preventing full inspection of verso. Faint crease to upper left edge and one pinpoint of foxing to upper right edge. Overall, work presents well. Framed behind acrylic measuring 33 ? 27 inches.

Buyer's Premium

33% up to

$2,000,000.00

27% above

$2,000,000.00

Francesco Clemente, Air

Lot 0268

Estimate $1,000-$1,500Jun 3, 2026, 11:00 AM EDT

Current Price (1 bid)

Secure

$100

SET YOUR MAX BID

Good Bid

Strong Bid

Competitive Bid

Or select a higher max bid amount

22 bidders are watching this item

Get approved to bid.

LiveAuctioneers Purchase Protection

Vetted auction houses

Secure, online bidding

Returns guaranteed for misrepresented listings

Dedicated support when you need it

Prints & Multiples

Jun 03, 2026 11:00 AM EDT

Lambertville, NJ, United States

Cecily Brown, Love the Reeling Midnight Though: Cecily Brown Love the Reeling Midnight Though 2023 digital print on Somerset 18 h x 24 w in (46 x 61 cm) Signed and dated to lower left 'Cecily Brown 2023'. This work is from the edition of 500

5 days LeftCecily Brown, Love the Reeling Midnight Though

Chuck Close, Kate #3: Chuck Close Kate #3 2005 archival pigment print on Hahnemuhle Satin image: 14.125 h x 10.5 w in (36 x 27 cm) sheet: 20.825 h x 16.825 w in (53 x 43 cm) Signed, dated, and numbered to lower edge

5 days LeftChuck Close, Kate #3

Cecily Brown, Untitled: Cecily Brown Untitled 2002 monoprint 19.625 h x 23.75 w in (50 x 60 cm) Signed, dated and numbered to verso 'Cecily Brown 2002 14/25'. This work is number 14 from the edition of 25 published by Two

5 days LeftCecily Brown, Untitled

Robert Indiana, Love (from the Book of Love portfolio): Robert Indiana Love (from the Book of Love portfolio) 1996 screenprint in colors on A.N.W. Creswood Museum Edition image: 18.125 h x 18 w in (46 x 46 cm) sheet: 24 h x 19.875 w in (61 x 50 cm)

5 days LeftRobert Indiana, Love (from the Book of Love portfolio)

Yayoi Kusama, Infinity Nets (for Parkett no. 59): Yayoi Kusama Infinity Nets (for Parkett no. 59) 2000 screenprint in colors on mirror 10 h x 8.25 w x 0.125 d in (25 x 21 x 0 cm) Signed, titled, dated, and numbered to verso 'Edition for Parkett

5 days LeftYayoi Kusama, Infinity Nets (for Parkett no. 59)

Deborah Roberts, The Front Lines (from the All That I AM ll portfolio): Deborah Roberts The Front Lines (from the All That I AM ll portfolio) 2018 pigment print in colors with glitter silkscreen element, collage and hand-coloring on Hahnemuhle Photo Rag Satin image: 26.5

5 days LeftDeborah Roberts, The Front Lines (from the All That I AM ll portfolio)

Bruce Nauman, Not Yet Titled: Bruce Nauman Not Yet Titled 2012 etching image: 8 h x 9.75 w in (20 x 25 cm) sheet: 14 h x 14 w in (36 x 36 cm) Signed, dated, and numbered to lower right 'B. Nauman 41/150 12'. This work is number

5 days LeftBruce Nauman, Not Yet Titled

Robert Indiana, Tikva: Robert Indiana Tikva 2018 screenprint in colors image: 23.875 h x 24 w in (61 x 61 cm) sheet: 32 h x 30.125 w in (81 x 77 cm) Titled, dated and numbered to lower edge 'Tikva 2018 11/17'. This work is

5 days LeftRobert Indiana, Tikva

Ida Applebroog, Yes, You Can: Ida Applebroog Yes, You Can 1996 photogravure on Okawara 14.125 h x 16.75 w in (36 x 43 cm) Signed, dated, and numbered to lower edge '72/100 Ida Applebroog 1996'. This work is number 72

5 days LeftIda Applebroog, Yes, You Can

Jim Dine, The Foam: Jim Dine The Foam 1990 etching, aquatint and power-tool drypoint with hand-coloring on Hahnemuhle image: 35 h x 27.375 w in (89 x 70 cm) sheet: 42.625 h x 31.25 w in (108 x 79 cm) Signed, dated, and

5 days LeftJim Dine, The Foam

Barbara Kruger, Untitled (Stamps): Barbara Kruger Untitled (Stamps) 1990 / 2013 offset lithograph in colors on perforated sticker paper image: 9.625 h x 9 w in (24 x 23 cm) sheet: 11.375 h x 11.375 w in (29 x 29 cm) Numbered to verso

5 days LeftBarbara Kruger, Untitled (Stamps)

Kara Walker, Freedom, A Fable Found (pop-up book) (Peter Norton Christmas Project): Kara Walker Freedom, A Fable Found (pop-up book) (Peter Norton Christmas Project) 1997 leather-bound volume of offset lithographs and five laser-cut pop-up silhouettes on wove paper 9.25 h x 8.25 w x

5 days LeftKara Walker, Freedom, A Fable Found (pop-up book) (Peter Norton Christmas Project)

Robert Indiana, Untitled (from the Book of Love portfolio): Robert Indiana Untitled (from the Book of Love portfolio) 1996 screenprint in colors on A.N.W. Crestwood Museum image: 18.125 h x 17.875 w in (46 x 45 cm) sheet: 24 h x 19.875 w in (61 x 50 cm)

5 days LeftRobert Indiana, Untitled (from the Book of Love portfolio)

Kara Walker, Sketch for a Fabulous Tale (from the Skowhegan Portfolio No. 1): Kara Walker Sketch for a Fabulous Tale (from the Skowhegan Portfolio No. 1) 2011 lithograph on Stonehenge 14 h x 18 w in (36 x 46 cm) Signed, dated and numbered to lower edge '26/30 KW 2011'. This

5 days LeftKara Walker, Sketch for a Fabulous Tale (from the Skowhegan Portfolio No. 1)

Christo, The Gates: Christo The Gates 1990 offset lithograph in colors sight: 39 h x 27.75 w in (99 x 70 cm) Signed to lower right 'Christo'. This work is from the edition of unknown size published by Schumacher Edition

5 days LeftChristo, The Gates

Ed Ruscha, Untitled (Elevator) (from the Cameo Cuts portfolio): Ed Ruscha Untitled (Elevator) (from the Cameo Cuts portfolio) 1992 lithograph in colors on BFK Rives image: 4.75 h x 7.625 w in (12 x 19 cm) sheet: 12 h x 12 w in (30 x 30 cm) Signed, dated, and

5 days LeftEd Ruscha, Untitled (Elevator) (from the Cameo Cuts portfolio)

Elizabeth Murray, Shack: Elizabeth Murray Shack 1994 lithograph and offset lithograph in colors with collage 65 h x 51 w x 1 d in (165 x 130 x 3 cm) Signed, dated, and numbered to lower right '45/60 E. Murray '94'. This

5 days LeftElizabeth Murray, Shack

Roberto Sebastian Matta, Redness of Blue: Roberto Sebastian Matta Redness of Blue 1996 carborundum etching in colors on handmade paper 43 h x 38 w in (109 x 97 cm) Signed and numbered to lower edge '122/125 RM'. This work is number 122 from

5 days LeftRoberto Sebastian Matta, Redness of Blue

Manolo Valdes, La Infanta Margarita: Manolo Valdes La Infanta Margarita 1991 etching in colors with collage on handmade paper sight: 65.375 h x 37 w in (166 x 94 cm) Signed and numbered to lower edge '37/52 M. Valdes'. This

5 days LeftManolo Valdes, La Infanta Margarita

Roberto Sebastian Matta, New View: Roberto Sebastian Matta New View 1996 carborundum etching in colors on handmade paper 43.25 h x 39 w in (110 x 99 cm) Signed and numbered to lower edge '4/125 RM'. This work is number 4

5 days LeftRoberto Sebastian Matta, New View

Related Items

Francesco Clemente, inkjet print on paper: Francesco Clemente, inkjet print on paper, Francesco Clemente (Italian, b. 1962), Self Portrait, signed and numbered 239/250 lower right, 10.5"h x 16"w (sheet), 17.75"h x 23"w (frame) Provenance: A Pr

Jun 17, 2026Francesco Clemente, inkjet print on paper

Francesco Clemente, Mary Boone Gallery, Invitation: USA, 1983 12 3/8" x 9 3/8" printed matter Published jointly by Sperone Westwater Gallery and Mary Boone Gallery for the Francesco Clemente solo exhibition held from April 2 to April 30, 1983. This ite

Jun 11, 2026Francesco Clemente, Mary Boone Gallery, Invitation

TOP