Description

Haitian, 1934-2004
Cock Fight
Signed and dated Tebó VI 63 Haiti (lr)
Encaustic on canvas
40 x 50 inches (101.6 x 127 cm)
Unframed

Provenance:
Sale, Neal Auction Company, New Orleans, February 11-12, 2017, lot 692

Condition

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Sacha Tebó

Lot 0047

Estimate $1,000-$1,500Jun 9, 2026, 10:00 AM EDT

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$500

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DOYLE+Design

Jun 09, 2026 10:00 AM EDT

New York, NY, United States

Rufino Tamayo (1899-1991): EL PERRO MUEVE LA COLA (PEREDA 168) Color mixograph, 1974, signed and numbered 48/100 in pencil, published by Taller de Gráfica Mexicana, Mexico City, laid on card, framed. Sheet 22 3/8 x 30

Jun 09, 2026Rufino Tamayo (1899-1991)

Philip Guston (1913-1980): UNTITLED (SMEFF 1) Lithograph, 1963, on Rives BFK paper, signed, dated and numbered 1/20 in pencil, published by Tamarind Lithography Workshop, Los Angeles, with their blindstamp, with full margins,

Jun 09, 2026Philip Guston (1913-1980)

Philip Guston (1913-1980): INSCAPES: WORDS AND IMAGES (SMEFF 21) Color screenprint, 1976-77, on Lenox Rag paper, signed and numbered 14/100 in pencil, printed by Chromacop, Inc., New York, published by the Smithsonian

Jun 09, 2026Philip Guston (1913-1980)

Michael Mazur (1935-2009): CAGE AT SONEHAM #35 Color monotype, 1977, on wove paper, signed and dated in pencil, with full(?) margins, framed. Plate 31 7/8 x 35 7/8 inches; 80.9 x 91.1 cm Sheet 34 3/8 x 39 3/8 inches; 87.3 x

Jun 09, 2026Michael Mazur (1935-2009)

James Rosenquist (1933-2017): ROLL DOWN (GLENN 9) Color lithograph, 1965-66, on Rives BFK paper, signed, dated, titled and numbered 7/29 in pencil, printed and published Universal Limited Art Editions (ULAE), West Islip, New

Jun 09, 2026James Rosenquist (1933-2017)

Ad Reinhardt (1913-1967): UNTITLED Screenprint printed in blacks, 1964, on wove paper, edition of 500, from Ten Works x Ten Painters, printed by Ives Sillman, New Haven, and with their blindstamp, published by The Wadsworth

Jun 09, 2026Ad Reinhardt (1913-1967)

Kenneth Noland (1924-2010): UNTITLED Color screenprint, 1973, on wove paper, with stamped signature, numbered 156/300 in pencil (verso), from The New York Collection for Stockholm, printed by Styria Studio, Inc., New York,

Jun 09, 2026Kenneth Noland (1924-2010)

Frank Stella (1936-2024): UNTITLED (RABAT) (AXSOM IA) Color screenprint, 1964, on Mohawk Superfine Cover paper, the edition of 500, from Ten Works x Ten Painters, printed by Ives-Sillman, New Haven, Connecticut and with their

Jun 09, 2026Frank Stella (1936-2024)

Frank Stella (1936-2024): BLACK STACK (AXSOM 47) Color lithograph, 1970, on Special Arjomari paper, signed, dated and numbered 40/56 in pencil, published by Gemini G.E.L, Los Angeles, with their blindstamp and ink stamp

Jun 09, 2026Frank Stella (1936-2024)

William Oscar (Willie) Kasso: American, 1915-2002 Untitled (Abstraction) Signed KASSO (lr) Oil on canvas 36 x 60 1/4 inches (91.4 x 153 cm) (Framed 37 5/8 x 61 3/4 inches)

Jun 09, 2026William Oscar (Willie) Kasso

Lee Bontecou (1931-2022): UNTITLED Lithograph, 1973, on wove paper, signed and numbered 156/300 in silver crayon, from The New York Collection for Stockholm, printed by Styria Studio, Inc., New York, published by Experiments

Jun 09, 2026Lee Bontecou (1931-2022)

Robert Motherwell (1915-1991): CAPRICCIO (ENGBERG/BANACH 5; BELKNAP APPENDIX 1) Color collotype and pochoir, 1961, on Arches paper, signed, inscribed artist's own series and numbered 28/45 in pencil, printed by Daniel Jacomet,

Jun 09, 2026Robert Motherwell (1915-1991)

Robert Motherwell (1915-1991): PAUILLAC #2 (ENGBERG/BANACH 149; BELKNAP 120) Color lithograph, screenprint, pochoir and collage, 1973, on Hawthorne of Larroque handmade paper, signed and numbered 33/55 in pencil, from the Summer

Jun 09, 2026Robert Motherwell (1915-1991)

Robert Motherwell (1915-1991): UNTITLED (B. 260; E./B. 293) Color lithograph and embossing, 1982, on Arches Cover paper, signed and inscribed TP in pencil, a trial proof aside the edition of 250, from New York Portfolio, printed

Jun 09, 2026Robert Motherwell (1915-1991)

Louise Nevelson (1899-1988): TOTEM'S PRESENTS (BARO 69) Etching, 1965-1966, on BFK Rives paper, signed, titled and numbered 4/20 in pencil, printed by Hollander Workshop, New York, with full margins, framed. Plate 23 5/8 x 17

Jun 09, 2026Louise Nevelson (1899-1988)

Louise Nevelson (1899-1988): REFLECTED CATHEDRAL (BARO 24) Color etching, 1966, on BFK Rives paper, signed, titled and numbered 25/40 in pencil, printed by Emiliano Sironi, with full margins, framed. Plate 8 3/4 x 17 1/2 inches;

Jun 09, 2026Louise Nevelson (1899-1988)

Louise Nevelson (1899-1988): THE NEW YORK COLLECTION FOR STOCKHOLM (BARO 108) Color screenprint, 1973, on wove paper, signed and numbered 156/300 in pencil, from the same-titled series, printed by Styria Studio, New York,

Jun 09, 2026Louise Nevelson (1899-1988)

Lucio Fontana (1899-1968): FONTANTA (RUHE/RIGO P. 195) Book, circa 1966, with four original color cut-outs and four photographic illustrations of the artist, produced by Sergio Tosi, Milan for Galerie Alexandre Iolas, Paris,

Jun 09, 2026Lucio Fontana (1899-1968)

Victor Vasarely (1908-1997): UNTITLED Porcelain tile relief, 1968, signed and numbered 3/100 on label on the reverse, published by Rosenthal Studio Line, Germany, framed. Frame 27 3/4 x 27 3/4 x 2 3/8 inches; 70.4 x 70.4 x 6.0 cm

Jun 09, 2026Victor Vasarely (1908-1997)

Janez Bernik: Slovenian, b. 1933 b-65, 1965 Signed and inscribed as titled on the stretcher Mixed media with oil on canvas 17 1/4 x 17 1/4 inches (43.8 x 43.8 cm) (Framed 18 x 18 inches)

Jun 09, 2026Janez Bernik

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