Frederick William MacMonnies

Description

American, 1863-1937
Pan of Rohallion
Signed MacMonnies and dated 1894 on the back of the sphere
Bronze with light brown patina
Height 21 1/2 inches (54.6 cm)

Condition

The pipes have been replaced.

*Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.

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Frederick William MacMonnies

Lot 0023

Estimate $800-$1,200Jun 16, 2026, 11:00 AM EDT

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Fine Art

Jun 16, 2026 11:00 AM EDT

New York, NY, United States

William Blake (1757-1827): CHAUCER'S CANTERBURY PILGRIMS (ESSICK 16; BINDMAN 477) Etching, engraving and drypoint, 1810, on Chine collé on heavy cream wove paper, the fourth state of five, unframed. Plate 14 x 37 3/4

Jun 16, 2026William Blake (1757-1827)

Charles Meryon (1821-1868): PONT-NEUF, PARIS (DELTEIL 33; SCHNEIDERMAN 30) Etching and drypoint, 1853, on chine collé on cream laid paper, the seventh state of eleven, with full(?) margins, framed. Plate 7 3/16 x 7 3/16

Jun 16, 2026Charles Meryon (1821-1868)

James Abbott McNeill Whistler (1834-1903): LA VIELLE AUX LOQUES (KENNEDY 21; GLASGOW 27) Etching and drypoint, 1858, on laid paper, the fourth state of four, from The French Set (Twelve Etchings from Nature), with good margins, framed. Plate

Jun 16, 2026James Abbott McNeill Whistler (1834-1903)

James Abbott McNeill Whistler (1834-1903): THE BEGGARS (KENNEDY 194; GLASGOW 190) Etching and drypoint, 1879-80, on Japan paper, inscribed PP 13 in pencil, Glasgow's seventeenth (final) state, from First Venice Set, published by the Fine Art

Jun 16, 2026James Abbott McNeill Whistler (1834-1903)

James Abbott McNeill Whistler (1834-1903): NOCTURNE: FURNACE (KENNEDY 213; GLASGOW 208) Etching and drypoint, on laid paper, 1879-80, signed with the butterfly and inscribed imp in pencil on the tab, Kennedy's sixth state of seven, from

Jun 16, 2026James Abbott McNeill Whistler (1834-1903)

Camille Pissarro: French, 1830-1903 Arbres, circa 1859-60 Signed with initials C.P (ll), estate stamped C.P (lr) (LUGT 613E), and inscribed 30 (ul); numbered 630/6 on the verso Graphite pencil on paper 12 1/2 x 18 5/8

Jun 16, 2026Camille Pissarro

Camille Pissarro: French, 1830-1903 Arbres, circa 1870s Estate stamped with C.P (lr) (LUGT 613A or 613B) and inscribed Vigne (lc); numbered 3371 and inscribed 57/3 on the verso Graphite pencil on paper 11 13/16 x 18

Jun 16, 2026Camille Pissarro

Camille Pissarro (1830-1903): PAYSANNES PORTANT DES FAGOTS (DELTEIL 153) Lithograph, circa 1896, on cream laid Van Gelder Zonen paper with the figure of fortune watermark, with full margins, framed. Image 8 7/8 x 11 3/4 inches;

Jun 16, 2026Camille Pissarro (1830-1903)

Andrew Nicholl, RHA: Irish, 1804-1886 Bank of Wildflowers Signed A. Nicholl (lr, covered by the mat) Gouache and watercolor on paper 12 1/4 x 19 1/8 inches (31 x 48.5 cm) (Frame 20 1/2 x 27 inches)

Jun 16, 2026Andrew Nicholl, RHA

Georges Bottini (1874-1907): LA FEMME AUX IRIS (SOUTHARD 28) Color lithograph, 1898, on wove paper, with the dragonflies remarqué, from the edition of 50, printed by Sagot, Paris, with full margins, framed. Image 13 1/8 x

Jun 16, 2026Georges Bottini (1874-1907)

Alphonse Mucha (1860-1939): DOCUMENTS DECORATIFS Two color lithographs, 1902, on wove paper, plates 1 and 48, published by the Librairie Centrale des Beaux-Arts, Paris, with full margins, framed. Sheets 18 1/8 x 13 1/8 inches;

Jun 16, 2026Alphonse Mucha (1860-1939)

Edgar Degas (1834-1917) and George W. Thornley (1857-1935): L'ATTENTE DE LA CHANTEUSE Lithograph, circa 1888-1889, on chine applique, the edition of 100, from Quinze Lithographies, printed by Atelier Becquet, Paris, published by Boussod-Valadon, Paris,

Jun 16, 2026Edgar Degas (1834-1917) and George W. Thornley (1857-1935)

Edgar Degas (1834-1917) and George W. Thornley (1857-1935): LE JOCKEY (REED/SHAPIRO P. IVII) Lithograph printed in brown, 1888-89, on Chine appliqué, from the Quinze lithographies, the edition of 100 printed by Atelier Becquet, Paris and published by

Jun 16, 2026Edgar Degas (1834-1917) and George W. Thornley (1857-1935)

Louis Bosworth Hurt: Scottish 1856-1929 In the Western Highlands Signed Louis B. Hurt and dated 1890 (ll) Oil on canvas 32 1/2 x 25 1/4 inches (82.6 x 89.5 cm) Provenance: Frost and Reed, London (Framed 37 3/4 x 30 1/2

Jun 16, 2026Louis Bosworth Hurt

David Bates: British, 1840-1921 Welsh Landscape Signed David Bates (lr) Oil on canvas 19 x 29 1/2 inches (48.3 x 75cm) (Framed 27 x 37 inches)

Jun 16, 2026David Bates

Edwin Longsden Long: English 1829-1891 Charity Signed Edwin Long/ Rome (lr) Oil on canvas 32 3/8 x 44 5/8 inches (82.2 x 113.3 cm) Porovenance: N. Mitchell Fine Art Gallery, London Roy Miles, London Private collection,

Jun 16, 2026Edwin Longsden Long

Charles Bertrand d' Entraygues: French, 1850-1929 The Seesaw Signed D'Entraygues (lr) Oil on canvas 16 3/4 x 25 inches (42.5 x 63.5 cm) (Frame 25 x 31 inches)

Jun 16, 2026Charles Bertrand d' Entraygues

Hans Herrmann: German, 1858-1942 Dutch Fish Hall Signed Hans Herrmann (lr) Oil on canvas 30 x 42 1/2 inches (76.2 x 108 cm) Provenance: Hammer Galleries, New York (Framed 40 x 52 1/2 inches)

Jun 16, 2026Hans Herrmann

Bernard Pothast: Dutch 1882-1966 The Family Meal Signed Potthast (lr) Oil on canvas 38 7/8 x 47 1/2 inches (98.7 x 120.7 cm) (Framed 44 3/4 x 53 1/2 inches)

Jun 16, 2026Bernard Pothast

Charles Hazelwood Shannon: English 1865-1937 The Mermaid Oil on canvas 23 1/2 x 21 1/8 inches (59.7 x 53.7 cm) Provenance: Lady Scott by 1920 Christie's, London, June 27th, 1988, lot 705 Sotheby's London, Nov. 12, 1992, lot

Jun 16, 2026Charles Hazelwood Shannon

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