Atributed to : Grandma Moses " Winter " ( Atributed ) ( no Coa ) Oil on masoniteCreated: not dated24" x 20"Signed Lower LeftBiography : It is sold without an official certificate of authenticity (COA), explicit provenance, or formal documentation. In accordance with terms of sale, all attribution, authorship, or period descriptions are provided solely as a statement of opinion and do not constitute verified facts or warranties of any kind. Overall Condition: The work is offered in "As IsGrandma Moses in the 21st Century," a retrospective at the National Museum of Women in the Arts, exhibits 87 paintings including "The Lake," from 1957.(Courtesy Galerie St. Etienne, New York via Reuters)In 1961, when the American farm wife known as Grandma Moses died, she was 101 and world-famous. Born a year before the Civil War, she was in her seventies when she taught herself to paint. And in her eighties when she became a superstar. It is sold without an official certificate of authenticity (COA), explicit provenance, or formal documentation. In accordance with terms of sale, all attribution, authorship, or period descriptions are provided solely as a statement of opinion and do not constitute verified facts or warranties of any kind. Overall Condition: The work is offered in "As Is

good conditions only the passage of time .. and you can see a little bit of oxidation in some parts... Sold without an official certificate of authenticity (COA), explicit provenance, or formal documentation. In accordance with the conditions of sale, any attribution, authorship, or period description is offered solely as an opinion and does not constitute verified facts or guarantees of any kind. General condition: The work is offered "as is," with all faults and without express or implied warranties. It is in a stable and very good general condition consistent with a work of its era, displaying natural signs of aging characteristic of the medium and period. Surface and technique: The impasto and paint layers exhibit excellent texture and vibrant coloration. Slight surface dust accumulation and mild oxidation are visible, typical of an aged oil or enamel medium. There are no signs of active paint loss, flaking, or structural lifting. Canvas and reverse: The textile support retains good tension on the wooden stretcher. The reverse shows natural, uneven toning, oxidation marks, and age-related spotting (foxing) typical of a period canvas. No punctures, tears, or previous repairs or patches are detected on the canvas. Frame: The frame shows slight wear, surface scuffs, and some dust in the crevices, but remains structurally sound. Note to bidders: Bidders are strongly advised to carefully examine all high-resolution photographs, request additional information if necessary, and conduct their own independent research before bidding. By placing a bid, the buyer fully accepts the lot's current state, description, and "as-is" condition. All sales are final; no returns, refunds, or cancellations will be accepted.