AN ICON, “The Blessing”. 18ins x 13.5ins. £1000-1500.

Buyer must be a Michigan Resident, Excellent Condition, mounted on faux rock wall mount, 24" deep x 33" wide x 32"T, Est 1000 -1500

14 1/2"h x 4 1/2"W. 1000-1500 AD. From a European Collection.

North of Lima, 1000 - 1500 A.D. 12 x 5 x 12 cm.

Taino Odd Stone Animal/human Transition Cemi/Stamp (1000-1500 CE). Size: 3'' x 5.5'' x 3'' (8 x 14 x 8 cm). Provenance: Larry Roberts, author of Taino Sculpture: Art of the Gods.

Large Taino Anthropoid Pendant. Well made from a beautiful variegated serpentine. Exceptional color. Nice smooth surface. Dating c. 1000-1500 AD. Size: 4'' x 2'' x 1'' (10 x 5 x 3 cm). Provenance: Lar

A South American Textile FragmentCirca 1000-1500 A.D.11 1/2 x 15 inches (29.21 x 38.1 cm).Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields Provenance: Eliza M. and S

A group of four earthenware objects. ++ Pre-Columbian bowl. Mesoamerica. AD 1000 -1500. 6 1/4" x 2 1/2" . ++ Northern Peruvian style ceramic figure. South America. 20th century. 6 1/2" x 3 3/4" x 3 3/

Large Taino Iguana-man Transformation Pendant in sitting position. Slit eyes indicate hallucinogenic trance. Made of basalt. Dating c. 1000-1500 AD. Size: 3.5'' x 1'' x 2'' (9 x 3 x 5 cm). Provenance:

Tairona Bridged Double Vessel, ca AD 1000-1500, Ceramic, 8 1/4 x 13 x 7 inches. Provenance: De-accession from The Boca Raton Museum of Art

Pre-Columbian textile fragment, Possibly 1000-1500 CE, approx. 73"l x 17"w (fragment), 76.5"l x 19.25"w (total with backing)

Pre-Columbian Costa Rican Tripod Pot, Avian Head on Front of Pot, Rattle Legs, Slight Traces of Paint Pattern Atlantic Watershed Region 1000-1500 AD, Dimensions: 4.5" X 4.5" - Pre Columbian Pottery an

Circa 1830. The circular molded gray and white marble above a faceted hexagonal baluster standard, on a tripod base, with paw feet, on casters. Height 28”. Diameter 34”. (Cond: good) (1000/1500)

French. 19th Century. Each with aubusson upholstery. (1000/1500)

A lovely Chancay textile from Peru, ca. 1000 - 1500 AD. This beautiful, tie-dyed type gauze panel measures 19-1/2 in. x 18-1/2 in. and features intricate design patterns. Intact. (CY325)

65. Hodgkin, Howard.For Antony. Fine color print by Hodgkin. 10-1/2 x 16-3/4 inches, mounted, in glass-fronted frame. ONE OF 100 NUMBERED COPIES, INITIALED BY HODGKIN.Np, 2015 [1000/1500]

Taino Anthropic/Shaman Cohoba Inhaler (1000-1500 CE). Used to inhale the hallucinogenic powder of ground cohoba seeds. Made of rhyolite. Size: 4.5'' x 2'' x 1.5'' (11 x 5 x 4 cm). Provenance: Larry Ro

Taino Ancestral Face (1000-1500 CE). A fine grained and smoothly carved stone ancestral face with a well defined eye ridge and exaggerated ear spools; and deep set eyes and expressive mouth. 3.25"L x

Taino Coiled Snake Cemi Stamp (1000-1500 CE), black hard stone with quadrant base. Size: 4.5'' x 3.5'' x 1'' (11 x 9 x 3 cm). Provenance: Larry Roberts, author of Taino Sculpture: Art of the Gods.

Larry Zox (American 1936-2006) Mixed Media on Paper. 39 3/4" high x 58" wide. Mat & Frame - 2 1/4". Signed #1000/1500.

Taino Ancestral Stone Head or Mask (1000-1500 CE). Closed eyes suggest subject is in a trance. Well define eye surrounds and headband. Made of basalt. Size: 4.5'' x 3'' x 1.5'' (11 x 8 x 4 cm). Proven

Taino Recumbent Skeletal Frog Man (1000-1500 CE). The recurved base suggests it may have been worn on arm. Eyes are raised in slits denoting a dream state or trance. Made of basalt. 4"L x 1.75"W, (10

Taino Figural Bird Ax (1000-1500 CE). Small volutes at center may represent feet. Large eyes suggest bird, possibly an owl. Simple but imposing. Size: 9'' x 4.5'' x 1.5'' (23 x 11 x 4 cm). Provenance:

LOT 9128 -- Piet MONDRIAN (1872-1944) -- Description : Composition -- Medium : Serigraph in color -- Dimensions : 70 x 70 cm -- Signature : Signed lower left -- Estimate : 1000 - 1500 Euro

Taino Big Eared Anthropic Pendant Serpentine (1000-1500 CE). Four symbolic swirls on back. Size: 3.5'' x 2.5'' x 1.5'' (9 x 6 x 4 cm). Provenance: Larry Roberts, author of Taino Sculpture: Art of the